Obscured by Clouds
Released: June 1972
StevieG rating:
6.5/10
Pink Floyd have well and truly hit their stride now. This soundtrack album to the film
La Vallee by Barbet Schoeder (director of
More), has 10 songs, none of which are particularly long. The album itself it quite short.
I haven't seen the film. I read somewhere that the Floyd considered doing just soundtrack albums after the success of
More. I'm thinking that a few hiccups in between convinced them it wasn't the best idea.
I call this a
solid album - there are no real disasters like some of their previous albums. And there are a few really good songs. This is pretty much known as the "overlooked" album, considering what followed, but to me it feels like the next step towards the next few albums - the songs have a sound to them that is familiar to the 70s Floyd fan.
It has a relatively weak start, and weak end, but some of the songs in between are great.
Obscured by Clouds
Written by: Gimour, Waters
StevieG rating:
5/10
Not a great opener. It has a good sound - are they electric drums? Signature Gilmour guitar, and it evokes a certain feel which runs through the album. Not bad, but not great. This album seems to have one of the highest instances of fade outs - this song does it before it goes anywhere.
When You're In
Written by: Gilmour, Wright, Waters, Mason
StevieG rating:
6/10
This one adds some interest, and it could have easily been part of the previous track. It has a long fade out but I still think it has enough interest to rate a 6.
Burning Bridges
Written by: Wright, Waters
StevieG rating:
6/10
This has an interesting drifting sound. It sounds like a Richard Wright song. Has a pleasant ambient guitar solo, and then fades out (there's definitely a theme here...).
The Gold it's in the...
Written by: Waters, Gilmour
StevieG rating:
7/10
This one is more upbeat. It's a good song with good lyrics. I reallly like the extended guitar solo, it smokes along nicely.
Wots... uh the Deal
Written by: Waters, Gilmour
StevieG rating:
9/10
I just love the feel of this song. I love the guitar intro. Back in the day, I used to own a 1966 VW Kombi with 3 other friends. One day, we decided to put our own "artwork" on it. We each had a side - mine was the right-side of it. I painted the guitar intro notes to "Wots...uh the Deal" on my side. I was very proud of it
I love the melody - I definitely sing along to this one. Great harmonies, love the lyrics. Love the piano solo and guitar solos. This is a great song.
Mudmen
Written by: Wright, Gilmour
StevieG rating:
6/10
It's pretty much
Burning Bridges as an instrumental. Has some good guitar work, and is interesting enough to keep listening. I did detect some "The Wall" sounding guitar solo in there on this listen. The song cruises along and then abruptly ends (no fade out!) which was a bit of a surprise.
Childhood's End
Written by: David Gilmour
StevieG rating:
7/10
It takes a little while to get going (electric drums again?) but once it does, it's a simple but very effective song. I prefer this Gilmour-written song to
Fat Old Sun. The singing sounds like the Gilmour from this point forward.
Free Four
Written by: Roger Waters
StevieG rating:
9/10
I love the intro! Love the lyrics, simple and poignant. This is an example of an upbeat song with a less upbeat set of lyrics. It seems to be a reflection on life (sounds familiar) as well as a reference to Roger's father possibly:
The memories of a man in his old age are the deeds of a man in his prime...
...You are the angel of death, and I am the dead man's son...
... Life is a short, warm moment, and death is a long, cold rest.
Great song.
Stay
Written by: Wright, Waters
StevieG rating:
6/10
Rick Wright seems to continue his songs about groupies. Roger wrote the lyrics, but I suspect it was Richard's idea (not that I have any proof of that). It's another laid-back track with an interesting wah-wah style of guitar solo that fits the feel of the song.
Absolutely Curtains
Written by: Gilmour, Waters, Wright, Mason
StevieG rating:
4/10
Probably the weakest on this album. Possibly appropriate in the context of the film, as it ends with the Mapuga tribe chants, but as far as a song goes, there isn't much there. It opens with a Shine On sounding keyboard which is probably the most interesting part of the song.