Download Uproar: Record Industry Goes After Personal Use

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Download Uproar: Record Industry Goes After Personal Use

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By Marc Fisher
Washington Post Staff Writer
Sunday, December 30, 2007




Despite more than 20,000 lawsuits filed against music fans in the years since they started finding free tunes online rather than buying CDs from record companies, the recording industry has utterly failed to halt the decline of the record album or the rise of digital music sharing.

Still, hardly a month goes by without a news release from the industry's lobby, the Recording Industry Association of America, touting a new wave of letters to college students and others demanding a settlement payment and threatening a legal battle.

Now, in an unusual case in which an Arizona recipient of an RIAA letter has fought back in court rather than write a check to avoid hefty legal fees, the industry is taking its argument against music sharing one step further: In legal documents in its federal case against Jeffrey Howell, a Scottsdale, Ariz., man who kept a collection of about 2,000 music recordings on his personal computer, the industry maintains that it is illegal for someone who has legally purchased a CD to transfer that music into his computer.

The industry's lawyer in the case, Ira Schwartz, argues in a brief filed earlier this month that the MP3 files Howell made on his computer from legally bought CDs are "unauthorized copies" of copyrighted recordings.

"I couldn't believe it when I read that," says Ray Beckerman, a New York lawyer who represents six clients who have been sued by the RIAA. "The basic principle in the law is that you have to distribute actual physical copies to be guilty of violating copyright. But recently, the industry has been going around saying that even a personal copy on your computer is a violation."

RIAA's hard-line position seems clear. Its Web site says: "If you make unauthorized copies of copyrighted music recordings, you're stealing. You're breaking the law and you could be held legally liable for thousands of dollars in damages."

They're not kidding. In October, after a trial in Minnesota -- the first time the industry has made its case before a federal jury -- Jammie Thomas was ordered to pay $220,000 to the big record companies. That's $9,250 for each of 24 songs she was accused of sharing online.

Whether customers may copy their CDs onto their computers -- an act at the very heart of the digital revolution -- has a murky legal foundation, the RIAA argues. The industry's own Web site says that making a personal copy of a CD that you bought legitimately may not be a legal right, but it "won't usually raise concerns," as long as you don't give away the music or lend it to anyone.

Of course, that's exactly what millions of people do every day. In a Los Angeles Times poll, 69 percent of teenagers surveyed said they thought it was legal to copy a CD they own and give it to a friend. The RIAA cites a study that found that more than half of current college students download music and movies illegally.

The Howell case was not the first time the industry has argued that making a personal copy from a legally purchased CD is illegal. At the Thomas trial in Minnesota, Sony BMG's chief of litigation, Jennifer Pariser, testified that "when an individual makes a copy of a song for himself, I suppose we can say he stole a song." Copying a song you bought is "a nice way of saying 'steals just one copy,' " she said.

But lawyers for consumers point to a series of court rulings over the last few decades that found no violation of copyright law in the use of VCRs and other devices to time-shift TV programs; that is, to make personal copies for the purpose of making portable a legally obtained recording.

As technologies evolve, old media companies tend not to be the source of the innovation that allows them to survive. Even so, new technologies don't usually kill off old media: That's the good news for the recording industry, as for the TV, movie, newspaper and magazine businesses. But for those old media to survive, they must adapt, finding new business models and new, compelling content to offer.

The RIAA's legal crusade against its customers is a classic example of an old media company clinging to a business model that has collapsed. Four years of a failed strategy has only "created a whole market of people who specifically look to buy independent goods so as not to deal with the big record companies," Beckerman says. "Every problem they're trying to solve is worse now than when they started."

The industry "will continue to bring lawsuits" against those who "ignore years of warnings," RIAA spokesman Jonathan Lamy said in a statement. "It's not our first choice, but it's a necessary part of the equation. There are consequences for breaking the law." And, perhaps, for firing up your computer.
:huh:



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Post by sgt.null »

the big companies will eventually kill themselves off. and good riddance.
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Post by DukkhaWaynhim »

The RIAA and its member "big old expensive, record companies" continue their litigation strategy because it is still cost effective to do so. In the tug-of-war that is the DMCA, each case the RIAA wins or settles favorably out of court lengthens the money-train, because it pulls the case-law rope further into their court.
Until they lose big cases, or newer technologies complete the obsolescence of today's business model - they have no market pressure to change their practices.

A very wise and practical suggestion when making digital backups of purchased copyrighted materials is to store a disaster recovery copy (or several, depending on how disaster-prone one's area is) off-site - perhaps at the home of a trusted friend. One's home might then serve as an off-site backup for the media libraries of other recovery-minded individuals.
To verify that these off-site backups are valid, occasional testing must be performed...

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Post by onewyteduck »

p2pnet news | RIAA News:- Warner Music, EMI, Vivendi Universal and Sony BMG’s RIAA is now trying to claim making MP3s from personal music files and putting them in a shared folder is in and of itself a copyright infringement!

On page 15 of its brief on Atlantic v Howell:

“It is undisputed that Defendant possessed unauthorized copies … Virtually all of the sound recordings … are in the ‘.mp3′ format for his and his wife’s use … Once Defendant converted Plaintiffs’ recordings into the compressed .mp3 format and they are in his shared folder, they are no longer the authorized copies’…”

So posts Recording Industry vs The People, quoting from the RIAA (Recording Industry Association of America) online document.

Interestingly, the fact RIAA ‘expert witness’ Doug Jacobson’s abilities have been seriously called into question notwithstanding, the Big 4 ‘trade’ organisation is still using him to present testimony.

“Each of the 11 sound recordings on Exhibit A to Plaintiffs’ Complaint were stored in the .mp3 format in the shared folder on Defendant’s computer hard drive, and each of these eleven files were actually disseminated from Defendant’s computer. (See Jacobson Decl. ¶ 6 and Exhibit 1 thereto.). says the court paper.’

Definitely stay tuned.

www.p2pnet.net/story/14294


So, what's next? I buy a CD, my husband can't listen to it? He has to go buy his own copy? Can I be sued for singing in the shower? :roll:
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Post by The Laughing Man »

:drevil: yes, right after they install all the surveilance cameras in EVERY room of your life to "protect" you.
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Post by Vain »

Well there goes my ipod with all my legally bought CD's stored on it
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Post by dlbpharmd »

Vain wrote:Well there goes my ipod with all my legally bought CD's stored on it
Exactly.
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Post by [Syl] »

Disable remote access. Check.
Strong password protection. Check.
Firewall. Check.
Privacy Software. Check.
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Post by wayfriend »

This is more than about music. This is about who owns information. Specifically, it's about who owns information on your computer. The industry is spending a lot of money to make sure that the answer is not "you". Then there are no privacy issues when the information is taken.
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Post by Zarathustra »

They're not kidding. In October, after a trial in Minnesota -- the first time the industry has made its case before a federal jury -- Jammie Thomas was ordered to pay $220,000 to the big record companies. That's $9,250 for each of 24 songs she was accused of sharing online.
How does "accused of sharing online" become "copied onto her computer"?? These are two separate actions. The only way a record company would know what you have on your computer is IF you let your collection become available to others online. (Unless there's some other technological way they can cross over your firewall and look at your files. I've never heard of this.)

Perhaps the laws are lagging behind the technology. Ipods weren't always in existence. Sure, the laws need to be updated. But the spirit of the law is sound: it SHOULD be illegal to download copyrighted intellectual property. I don't understand why people think this is no big deal. Imagine if the audio version of Fatal Revenant was downloaded by millions for free, instead of actually buying the book, and then Donaldson's sales were so poor that the 3rd and 4th books weren't even allowed to the market.

Stealing is stealing. We like to think of the "Big Record Companies" as the enemy, but ultimately the artists suffer. Sure, artists can "do a Radiohead." But only if they are famous enough to make this a viable option to begin with. If you're a garage band, no matter how good (or bad) you are, you're not going to be successful by offering your stuff for free online. Just like any loser with a couple thousand can self-publish his book--it doesn't mean you'll get read. Being published and being promoted are two distinct facets of the world of artist expression. There is still a place for Big Record Companies and Big Book Publishers. They provide a means for a much larger portion of the public to become aware of the work. This benefits the artist. They also provide (at least in principle) a "filtering" process, as well as an editorial process, which engenders a sense of trust for the customers. You know, at the very least, that an editor--someone who's *job* is to acquire and publish commercial material--has read the book and found it to be something that others would pay money to read. And there is an analogous role in the music industry. Sure, this system isn't foolproof, and there are lots of "editor-approved" books and "record company approved" records which I dislike. But that's just personal preference.

The artist and the company deserve compensation for bringing this stuff into existence, and then into the market. It takes massive amounts of money, time, and effort to promote artistic work to a point of critical mass so that the art itself can begin selling itself. The only reason people feel that the record companies don't deserve the money for this effort is because they've discovered an easy, virtually anonymous, peer-group-approved method of stealing.

I'm not saying you shouldn't be able to copy your CD onto your iPod. But you shouldn't be able to share that music with millions of freeloaders. That is what it appears the woman is being charged with, not singing in the shower or sharing it with her husband. The fact that you guys can joke about this just how little distinction you make between legally supporting an artist, and ripping them off.
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Post by High Lord Tolkien »

Syl wrote:Disable remote access. Check.
Strong password protection. Check.
Firewall. Check.
Privacy Software. Check.

Syl, thanks for that privacy link!
It was the missing piece in my protection.

Has anyone heard whether or not Torrents are proof against being caught?
I've heard both yes and no.



And Syl, your new avatar has the word "Sheriff" below it?
Does your hypocrisy know no bounds?
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Post by [Syl] »

From what I understand, torrents are really bad when it comes to maintaining privacy (considering I see the IP address of every seeder and peer, that makes sense). Back when torrents were new, they weren't, I believe.

It appears my hypocrisy knows no bounds. ;) But "deputy" felt weak and "lunger," "daisy," and "huckleberry" just lacked gravitas.
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Post by dANdeLION »

Malik23 wrote:Just like any loser with a couple thousand can self-publish his book--it doesn't mean you'll get read.
What in the hell do you have against the KW Anthologies?!?!?!?





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Post by dlbpharmd »

Malik, I'm not arguing about the illegality of downloaded music. It's clearly a copyright infringement. However, when I buy a CD (a rare occurence nowadays) then I ought to be able to put it on my computer and to do with that as I please for my personal use. CDs are entirely too fragile, especially when one has 2 little girls with sticky fingers running around the house.

Actually, I pretty much have sworn off CDs altogether. Most of the time, a CD from any one group has one good song and 10-12 shitty ones. Or, like the latest Eagles release, 2 CDs full of shitty songs (go back into retirement guys.)
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Post by CovenantJr »

dlbpharmd wrote:Most of the time, a CD from any one group has one good song and 10-12 shitty ones. Or, like the latest Eagles release, 2 CDs full of shitty songs (go back into retirement guys.)
Then you need better taste in music. :P

Malik makes a good point. I have nothing to add to it.
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Post by Zarathustra »

dANdeLION wrote:What in the hell do you have against the KW Anthologies?!?!?!? :mrgreen:

:biggrin: Nothing against self-publishing. My mother did it, too.
Malik, I'm not arguing about the illegality of downloaded music. It's clearly a copyright infringement. However, when I buy a CD (a rare occurence nowadays) then I ought to be able to put it on my computer and to do with that as I please for my personal use. CDs are entirely too fragile, especially when one has 2 little girls with sticky fingers running around the house.
I agree, which is why I was careful to point out that I don't think it should be illegal to transfer to your iPod.

I think what irritated me was that the author of this article seems to be distorting the picture, because there is a popular movement among people who steal music to justify their actions by bringing up the "evils" of Big Recording Companies. A close reading of the information presented in this thread, however, shows that the issue is sharing the music, not transferring it to your computer (unless that transfer is to your shared folder).
Once Defendant converted Plaintiffs’ recordings into the compressed .mp3 format and they are in his shared folder, they are no longer the authorized copies’…”
“Each of the 11 sound recordings on Exhibit A to Plaintiffs’ Complaint were stored in the .mp3 format in the shared folder on Defendant’s computer hard drive, and each of these eleven files were actually disseminated from Defendant’s computer.
Perhaps I was wrong, and the music industry actually wants to stop you from making a portable copy. And I am against that.

However, making copies for your friends and family, I believe, should be illegal, just like multiple families sharing the same copy of Windows would be wrong. If you want to pay an extra "license" fee, to be able to make x amount of copies for your family, then I don't see a problem for this. You see that happening with things like security software for a family home network.
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Post by The Laughing Man »

the industry maintains that it is illegal for someone who has legally purchased a CD to transfer that music into his computer.
they make no distinctions as to what it's intended uses may be. It's a blatant statement with no room left for interpretation based on what I have read so far. It shows us where they intend to go with it, not necessarily where they've been with it with prior cases.
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Post by Cagliostro »

Malik, I understand and agree with a chunk of what you say. HOWever, this is a complicated subject, as I'm sure you will not disagree with me. So with that - what about mix tapes? Were we evil and wrong back in the day? Sure, recording off in tape form whole albums were probably wrong for friends, but what about mix tapes? Seems to be the same thing, yah?

For that matter, what about making tapes by recording off the radio station? What is that considered?

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Post by DukkhaWaynhim »

The difference with mix tapes is that they are analog 8-bit "imperfect" copies of a higher-fidelity original. If you start with digital (16+bit) and make digital, there is theoretically nothing to stop you from making an infinite number of perfect digital copies, indistinguishable from the original. How can you track illegal usage? How do you protect the copyright from people that knowingly make bootleg copies, either to escape costs ("benign" sharing) or to actually profit (pirating by selling competitively to undercut the copyright holder)?

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Post by The Laughing Man »

I think the problem is we can't, by our very laws, make laws that prevent what people might do, but based on what they've done. It's easier (reads: cheaper) for them to take away this right than enforce it properly by apprehending it's actual offenders. tough cookies.
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