Jacob's Ladder
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- Mr. Broken
- The Gap Into Spam
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No, that's called kidnapping.
"There is only one basic human right, the right to do as you damn well please. And with it comes the only basic human duty, the duty to take the consequences." - PJ O'Rourke
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
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i thought this was a great film. just goes to show what happens if you spend too long working at the post office.
Here's a link to the original screen play. There's some extra cool stuff that never made it to the movie, so check it out.
home.online.no/~bhundlan/scripts/JacobsLadder.doc


Here's a link to the original screen play. There's some extra cool stuff that never made it to the movie, so check it out.
home.online.no/~bhundlan/scripts/JacobsLadder.doc
It'd take you a long time to blow up or shoot all the sheep in this country, but one diseased banana...could kill 'em all.
I didn't even know sheep ate bananas.
I didn't even know sheep ate bananas.
- danlo
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Very cool Marv! Thanks! (Now if I could just get ol' Lore in here my pro-JL army will be complete!
)
I'm pretty detail oriented (anal) and I didn't see a single thing out of place from the post office to the apartment to the body parts in the corridor: that in itself indicates a very professional production. Robbins should play Covenant, but his nose is too big
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Vietnam veterans themselves, when I was in the Navy and out, have told me plenty of stories of "aids" used to keep watch and keep platoons hypervigilant, and there's also a fairly wellknown story about a certian "speed" destroyer experiment. Like the Nevada test sites, Bimini and Iraq we can't forget what these guys went through...

I'm pretty detail oriented (anal) and I didn't see a single thing out of place from the post office to the apartment to the body parts in the corridor: that in itself indicates a very professional production. Robbins should play Covenant, but his nose is too big

Vietnam veterans themselves, when I was in the Navy and out, have told me plenty of stories of "aids" used to keep watch and keep platoons hypervigilant, and there's also a fairly wellknown story about a certian "speed" destroyer experiment. Like the Nevada test sites, Bimini and Iraq we can't forget what these guys went through...
Last edited by danlo on Thu Jun 26, 2008 4:28 am, edited 3 times in total.
fall far and well Pilots!
Full-points, Menolly!Menolly wrote: For me, I guess the title alone forewarns me it was "dream" oriented; I definitely assumed that from the start of the thread. After all, Jacob fought with an angel on the ladder in a dream...

It's funny, but many people don't think too much about story titles (can't blame them too much, as most titles are pretty straight-forward). G.K. Chesterton's The Man Who Was Thursday: A Nightmare was criticised on it's release for being too unbelievable, and having an eccentric, contradictory ending. People even complained that "it seemed like a dream". Chesterton responded with "did you read the title?"
Jacob's Ladder is not the same as all those old kid's stories written in primary school where the main character wakes up with the "thank god, it was just a dream . . ." The whole point of JL's theme is that what you are watching isn't exactly real, it's an inner struggle which, through its fantasy world, unmasks an unpleasant truth, and reinforces the ultimate tragedy of the tale.
Hands-down, a solid masterpiece.
"For the love of God, Montresor!"
"Yes," I said, "for the love of God!" - Edgar Allan Poe, The Cask of Amontillado.

"Yes," I said, "for the love of God!" - Edgar Allan Poe, The Cask of Amontillado.

I hadn't noticed your post when I wrote mine
I think the film's message re: experimentation on unwilling/uninformed subjects is always going to be timeless. Even outside of the numerous military examples one could cite, you don't need to look much farther than the infamous Tuskegee Syphilis study of adult black men, conducted by the U.S. Public Health Service to be seriously disgusted at what can be allowed to go on.

I think the film's message re: experimentation on unwilling/uninformed subjects is always going to be timeless. Even outside of the numerous military examples one could cite, you don't need to look much farther than the infamous Tuskegee Syphilis study of adult black men, conducted by the U.S. Public Health Service to be seriously disgusted at what can be allowed to go on.
"For the love of God, Montresor!"
"Yes," I said, "for the love of God!" - Edgar Allan Poe, The Cask of Amontillado.

"Yes," I said, "for the love of God!" - Edgar Allan Poe, The Cask of Amontillado.

- Farm Ur-Ted
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Well, I think right around the time I saw the movie, I'd just readdanlo wrote:This was made in 1990-way before The Sixth Sense, etc...it was one of the first modern films to use this gimmick and knowing he.
Spoiler
Pincher Martin by William Golding.
- Mr. Broken
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- Menolly
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I thought the same, but couldn't phrase how to ask that. However, the difference being that TC (and the reader) know he is questioning what is happening from the start of his experience, not two-thirds or more into the story...Mr. Broken wrote:I am on Kevins Watch right? A fan site developed almost completely around a collection of stories where one of the main facets of that particular story is that the main character cant determine whether or not what he is seeing is real, or a dream. Yeah I hate stories like that too.
And again, title comes into play as well. "The Unbeliever" is a significant hint as to the ambiguity of the realism.

- Farm Ur-Ted
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Exactly, you know the whole way through that things are ambiguous, and the books don't rely on a "trick" ending, that if you tell anyone the "trick" before they read the story or see the movie, then you'll ruin it for them. There's a big difference, at least for me.Menolly wrote:However, the difference being that TC (and the reader) know he is questioning what is happening from the start of his experience, not two-thirds or more into the story...
- Mr. Broken
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Spoiler
If you make a movie about a dead guy that's having trouble letting go of the unresolved parts of his life then it's necessary for him NOT to be aware that he's dead. It wouldn't work otherwise. And as the film is taken from Jake's perspective it's impossible to let the audience know that he's dead while Jake is still unaware. Besides, the emotional connection we have with Jake stems from the fact that none of us truly knows what's going on.
It'd take you a long time to blow up or shoot all the sheep in this country, but one diseased banana...could kill 'em all.
I didn't even know sheep ate bananas.
I didn't even know sheep ate bananas.
- Zarathustra
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On a slightly related note, this doesn't only have to be about dying and accepting one's death and letting go those parts you're clinging to. It is also very much like a psychedelic trip. I don't think it's coincidence that this movie is very heavily influenced by a drug subtext which becomes more literal as the movie goes on. Has anyone read the Psychedelic Experience by Timothy Leary? It's a meditation guide for use during high-dose tripping, based of the Tibetan Book of the Dead, the Bardo Thodol,which is also about how to navigate successfully into the afterlife by letting go. Avoiding a bad trip is very much like this. The drug is rearranging your consciousness, setting you free from your social conditioning to such a great extent that your Self starts to break down and dissolve away, enabling you to experience a type of consciousness that isn't filtered and limited by this singularity view of the ego. Sounds scary? It is. When people resist out of fear, this causes a bad trip. But when you give in to it, you experience samadhi and a feeling of euphoria associated which such a state: ecstasy.
The parallels between the Tibetan book of the Dead, and the psychedelic experience itself (the experience, not the book) are close enough that Learly modeled his meditation guide upon the former. The angels and demons talk in Jacob's Ladder capture this parallel in both languages: drug-induced consciousness expansion, and death.
Yes, this is a fantastic movie.
The parallels between the Tibetan book of the Dead, and the psychedelic experience itself (the experience, not the book) are close enough that Learly modeled his meditation guide upon the former. The angels and demons talk in Jacob's Ladder capture this parallel in both languages: drug-induced consciousness expansion, and death.
Yes, this is a fantastic movie.
Success will be my revenge -- DJT
- Zarathustra
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That's actually a very good point. I was thinking the same thing as Mr Broken and Menolly, but you responded very well, shutting down that objection. Good reply. I think you're right about this distinction . . . though I still like Jacob's Ladder. But without question, Donaldson's work is better. And one of the reasons is exactly what you pointed out here.Farm Ur-Ted wrote:Exactly, you know the whole way through that things are ambiguous, and the books don't rely on a "trick" ending, that if you tell anyone the "trick" before they read the story or see the movie, then you'll ruin it for them. There's a big difference, at least for me.
Menolly and Danlo: thanks!

Success will be my revenge -- DJT