You probably know the first part of this question already, I have no clue how to answer the second...: What do a matchbook cover and Ursula K. LeGuin have in common?
Part One: OK this is one of those transition chapters and is, comparatively, small, no problem, see synopsis above. What the heck did size ever mean to Steven R. Donaldson? This guy can write more compelling stuff on a matchbook cover than 96% of the world's population. (take that you blithering critics!)
Part Two: I have no frickin' idea. I know I'm subbing, but this chapter was custom made for Fist and Faith. He's a huge Ursula K. LeGuin fan and I can see similar pacing, discourse and use of natural magic here as in her Earthsea series. If you haven't read those books you must. There's the wildest match up between both author's language flow and usage sometimes. A key part of LeGuin's system of magic are names and the power associated with them. When Linden asks, "How do I know the Theomach's true name? Where did I hear it?" and the Mahdoubt says, "My lady you haven't inquired of the Mahdoubt's true name.", that's one of those moments-you can almost hear LeGuin speaking through Donaldson.
The Mahdoubt reveals her true name is Quern Ehstrel and I've tried to look deep into the meaning of the name: Queen Thrusher? I have no idea. By doing so she grants Linden the power to compel her and answers the question posed in the previous dissection: of course Linden's using her! She wants to be used! Soon after this The Mahdoubt disappears as if she had stepped into a gap between instants and slipped out of time. Don't you just love that? Such exquisite writing! You can hear Le Guin's voice there too. Here's a sample from A Wizard of Earthsea that you can compare, and what they're talking about is very akin to the "glamor" that Kastennesen's hand allows Roger to place on himself and Jer/croyel."...I'm not convinced that I deserve to know. And I'm sure that I don't have the right to ask. Your people don't use titles instead of names by accident. When the Theomach does it, he's hiding something. That makes me suspicious. But you're my friend. You didn't just save my life. You saved my reasons for living. Obviously you know all kinds of things that you've decided not to tell me/ And I respect what ever you do. Or don't do."
"Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is the most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow..."
Wow, amazing! Makes you wonder what price that "glamor" (allowing Roger to appear as TC and to drink springwine, ect..) will exact in the Land if we follow the karmic logic. OK Eric (Fist), that was my best imitation of you, better quit while I'm ahead.
I have gone ahead, so I'll try to back up and, maybe start at the beginning, but it's so dam hard when seeing a fully naked Linden hugging the Mahdoubt and before that exposing her breasts whilst fondling her staff. Ha ha Syl, your chapter may have been more important but I got more skin!
If we do go back to the beginning, and the first sentence I wrote, Linden will find out she has been asleep for over two days. She begins, slowly, to awaken, she can only pray, hope and assume she's now back in her rightful time having no idea where she is. Standard fantasy fare right? Oh no. Is she back in our world recovering from her wounds? No she knows she's already bought the farm (and it's not named Havenrimshot). And then' there's always the matter of the continued existence of the Arch of Time and whether or not a zillion laws have been broken. She's been swaddled in a sheet, bathed and smells nothing but the faint tang of wood smoke. Too exhausted, spent and dissociative to even begin to contemplate what happened in Berek's time she finds her healthsense is gone. But that's a good thing, however, it indicates that Kevin Dirt may be active, so she's somewhere close to her appointed time.
Jeremiah's presence had accomplished Roger's intention's perfectly: it had distorted her judgment, leaving her vunerable.
Linden finds herself in a strangely familiar room and realizes she's in the same chamber in Revelstone she occupied before Roger and Jeremiah ripped her out of time. The Staff of Law is there against the wall and at the foot of of the bed she lies in sits the Mahdoubt with twilight reflected in her crazy mismatched eyes,
Spoiler
"When you washed my clothes, she asked, holding images of Jeremiah's plight at bay, "did you find a piece of red metal?"
There's that dang toy car again that must have seemed as alien as white gold to the Mahdoubt. Which stirs up the whole matter of Jeremiah's possible "real" role in the Land, just another tool for Foul or something more? Jeremiah's box, an interconnected construct like his legos, tinkertoys and racetracks, that translated the three to the EarthBlood under Melekurion Skyweir, proved that he does have power, power abused by Foul through the croyel. But what is the extent and implications of that power? Linden remembed that Jer/croyel had said that (during his encounters with Jeremiah in his, etheral, between two worlds state), --the Vizard had coveted a gaol for the Elohim, so, perhaps the Vizard was somehow aware of his power and planning on abusing it for that purpose. Remember that Vain was an ur-vile construct that fostered immediate opposition from the Elohim. The Mahdoubt even says to Linden,
This quote is full of intense hints regarding Jeremiah's power-not only can he transport people through the construct it can be used as cover to slip by the Elohim and, possibly, imprison them. It also leads me to believe that there's a "hyperbolic" relationship between the Insequent and the Elohim. The Theomach has a limited field of preception, but a linear, almost "vertical" command of sequential time (as the Mahdoubt seems to share in a way with her comfort zone and ability to jump through time). The Elohim appear to be able to see everything as it happens now: a "horizontal" plane yet are restricted by their Wurd and inner dimension, perhaps that dimension and range of perception are the axis or come close to the axis. So, maybe Jehemiah's power is a means of breaching those worlds (not to mention our world), which could, in a strange way threaten the Insequent as well."The purpose of the 'box,' as you name it, was to blind the eyes of the Elohim. They are"---she searched visibly for a cautious description---"susceptible to such structures. It's nature interacted with their fluidity, enabling your companions to elude detection. Thus were you compelled to met the crisis of the EarthBlood alone."
I need to talk about the imagery of shadows and if the Insequent are the shadow on the heart of the Elohim, Linden's transformation to becoming "greater" as the result of the conflict at the Earthblood and her own personal shadows. But I have to pick up my daughter at daycare before they close-so I'll be back to say more and leave you to discuss how the Theomach covered things up and how, interestingly enough, Linden became the first of the Unfettered Ones. See, I told you how crowded these 12 little pages are...