Posted: Thu May 15, 2008 3:31 pm
PJ and GDT are taking questions from fans, and answering the most common 20. (Something PJ did about twice on AICN back when FOTR was considered crazy talk.) [link]
Official Discussion Forum for the works of Stephen R. Donaldson
https://kevinswatch.com/phpBB3/
Fully realized? You do realize that it was put together from loose notes after the Professor's death?Montresor wrote:The Silmarillion is simply the best High Fantasy work ever written, as far as I'm concerned. Truly great, fully realised, breathtakingly imaginative stuff. Well worth investing the effort into reading it.
Yes, I do. Anyone who's read the book should know that. Doesn't change my opinion of it - especially when you compare it to the mountains of pulp-fantasy trash on bookshelves right now.Rigel wrote:Fully realized? You do realize that it was put together from loose notes after the Professor's death?Montresor wrote:The Silmarillion is simply the best High Fantasy work ever written, as far as I'm concerned. Truly great, fully realised, breathtakingly imaginative stuff. Well worth investing the effort into reading it.
Totally Agree. A story or two would be the best they could do.Rigel wrote: Don't get me wrong - the Silmarillion contains some great stories. But it's best read as just that; a collection of stories. Any attempt to put it into a single movie would be disastrous.
Totally agree.Rigel wrote: The only character he did justice to was Boromir. The rest of them were trashed for no good reason.
I agree completely.Montresor wrote:The Silmarillion is simply the best High Fantasy work ever written, as far as I'm concerned. Truly great, fully realised, breathtakingly imaginative stuff. Well worth investing the effort into reading it.
Sure, it was a posthumous work. But I you haven't countered Montresor's point by calling it "put together by loose notes." We're talking about "notes" Tolkien had been compiling for nearly half a century, not some notes he scratched out on napkins. I'd say that 4-5 decades worth of notes can be fairly described as "fully realized." The problem with the Silmarillion wasn't a lack of material, but the glut of material Christopher had to work with. He's still publishing that stuff. There simply is no other work of fantasy which is so richly realized.Rigel wrote:Fully realized? You do realize that it was put together from loose notes after the Professor's death?
I disagree wholeheartedly. In fact, I think a Silmarillion movie has the potential to break all fantasy movie conventions, and be recognized as a true work of cinematic art. There are plenty of successful movies which blend multiple storylines and multiple timelines. The fact that the Silmarillion contains a nonlinear structure could be its greatest strength. The sheer unique nature of its structure could work to its advantage. I think a creative director could do something with it that--while not strictly "Hollywood"--would be breathtaking.Don't get me wrong - the Silmarillion contains some great stories. But it's best read as just that; a collection of stories. Any attempt to put it into a single movie would be disastrous.
What was wrong with Gollum? As far as an animated character goes, Gollum is something we've never seen before.As far as PJ's LotR goes, my biggest complaint was that he meddled with characters. I can respect changes to plot, as long as the essence of the characters is preserved.
The only character he did justice to was Boromir. The rest of them were trashed for no good reason.
Good point. When I think of some of the trash I used to like growing up... <shudders>Montresor wrote: Yes, I do. Anyone who's read the book should know that. Doesn't change my opinion of it - especially when you compare it to the mountains of pulp-fantasy trash on bookshelves right now.
I disagree. Tolkien gave us great characters. It's just that their stories spanned years, decades or even centuries, whereas the film compressed everything to a single year.Malik23 wrote: Tolkien didn't really give us stunning characters to begin with. None of his characters are every fleshed out with much detail. Tolkien is more about world-creation than characters.
The movies really highlighted the Aragorn / Boromir / Frodo triangle well, and later the Frodo / Sam / Gollum triangle. There's only room for so many triangles in a movie. I thought they hit the right note on the A/A/E triangle - it was in the air, but they didn't press it - same as the books.Rigel wrote:Case in point: The Aragorn / Arwen / Eowyn triangle.
That's the thing, though; it wasn't even in the books! Until the Battle of Pelennor Field, Aragorn was, at best, dismissive of Eowyn. After that, he "graduated" from dismissal to pity.wayfriend wrote: The movies really highlighted the Aragorn / Boromir / Frodo triangle well, and later the Frodo / Sam / Gollum triangle. There's only room for so many triangles in a movie. I thought they hit the right note on the A/A/E triangle - it was in the air, but they didn't press it - same as the books.
I agree with wayfriend that Aragon doesn't want her. He is moved by her love for him -- a love that cannot be fulfilled. It kinda paralells his love for Arwen, in that it seemed they could not be together (for real and imagined reasons).Rigel wrote:Oh, don't get me wrong - Eowyn totally wanted Aragorn. It's just that in the book, it was totally one sided. In the movie, they make it seem like he really considers her.
Guillermo del Toro:
I may be in the minority, but I absolutely LOVE Beorn and I intend to feature him in the films. BTW I also like TB quite a bit…
Depends if you've been pronouncing it BEE-yorn or Bay-orn? No doubt PJ will have Gandalf saying bi-ORRRRRRN...now I'm worried...what if we have been pronouncing it wrong all these years...?