AAH!..okay, I see the need to clarify a few things. I currently own a Canon A710 powershot and a A720 powershot. These are my digital cameras. I currently own a Nikon 35mm SLR film camera. I have owned Pentax, Minolta and even a Hasselblad at various points in my life. I am considering a step up to the " rebel" level with the digital cameras,,but that puts me in the accessory game all over again. The sheer simplicity , ease of operation, lite weight thus carrying ability of these powershot type cameras makes it difficult for me to just go get a SLR digital camera. What is sacrificed as far as quality in these powershot type cameras can be adjusted for in Image Processing software. Also,, taking pictures of clouds and sunsets and sunrises,,really is pushing the envelope for any camera. Clouds and atmospherics are not razor sharp, not clearly defined and not manifested best in the best of lighting conditions. Low lite levels, murky conditions, are the norm.
As with any human expression, there are various schools of thought. Photography is no exception. There are technical purists . Their displayed photos are full frame, not cropped, not "edited" in any way. Their belief is that the " foto" is created in the camera.,not in the lab or Image Processor. Their fotos usually have the border of the negative included in the Photograph to prove their purity. Studio photography is all about controlling everything, inorder to get the intended " vision" recorded To me,, while they are noble in their perspective, it seems to be a parameter unnecessary, or nonsequitor for outside the studio( or outside the box) photography. I see photography as a blank canvas and how I fill in the blank canvas, how I " paint" ,,needs to be free and exploring as possible. I have vision of what I am trying to capture, what I am after, but that isn't locked in because the subject isn't " locked in". I try to look at the picture after taken,, and " see" all the possibilities. Cloud and sun rise and set shots are just the Beginning of the creation process,,just the " raw" ingredients. Because they are not well defined, not sharp, constantly changing shape and color,,there is an unknown always waiting to be found. Each picture is a " journey."
The problem is..after shooting a bunch of sunsets..now you have to shoot..oh..say,, two visitors at the Grand Canyon. The Objective, technical skills have to be brought back to use inorder to capture what is meant to be conveyed. Thelma and Louise can attest to my prodding to..stand side ways, face up, move over here, a little bit further,, etc etc. Yes, there is still room for candid fotos.. but even in them I like to get the lighting and composition as correct as possible.
Somewhere in all this,,is the concept or habit or ability or willingness,, to " see" ...to always, or always be on the alert, to see a moment worth or in need of, being recorded. Perfect conditions are seldom present, yet we can use flash, composition, shutter speed, f stop, focus, to help get what we want. There is a " price' for the quality one wants. Matching camera to ones needs is only a part of it.
The biggest " plus" of a digital SLR over these powershot type cameras is not only in the sharpness and color correctiveness,,but in the blow up ability of any prints. 8X10 is the biggest I dare go with the powershot fotos.5x7 is the norm. I've seen 16x 14 of SLR digital cameras pics that still looked pretty darn good. So, I don't intend to sell my fotos. They are my " fun". Overall, what I post here,,is just to show what is possible inside and outside the camera...
No matter how you see " photography"..to get better at it, just take zillions more pictures. Every subject deserves a hundred different angles and or perspectives. The digital revolution has made it alot less expensive to take a zillion fotos and learn from our mistakes..a lot less expensive to develop our " eye" on the world,,a lot less expensive to put our personal stamp on how we see the world.
I'l end all this babbling with
Explore
