More
Released: June 1969
StevieG rating:
3.8/10
This is a soundtrack album to the movie
More which I haven't seen, but it seems an appropriate movie for Pink Floyd to make a soundtrack, being about drugs and heroin addiction.
I feel I might be being a little harsh on this album review, since I haven't seen the film, and some of the music in context might fit. I also thought I would rate this album way lower than what I actually did because when I first heard it (back in the day) I wasn't impressed. However there are a few songs that have since caught my attention.
Roger Waters is emerging as the principal songwriter from here. And there are some sounds that reflect their future work. The album starts reasonably well, but deteriorates pretty rapidly.
Many of the songs feature a fade-out, where the song doesn't actually end but just fades out to nothing. From what I read, this technique started in the 50s and continued for decades. I don't like it as a musical technique, but if I like the song it doesn't worry as much as when I don't like the song. If I don't like the song, the fade-out infuriates me!
Cirrus Minor
Written by: Roger Waters
SG rating: 6/10
This dreamy song introduces some of the Pink Floyd staples, like nature / bird noises, acoustic guitar and improved lyrics. It opens with a minute of nature / bird sounds, which is a bit much, but it's ok, and moves into a trippy lyrical melody. It's then followed by a
Saucerful of Secrets style of organ with nice chord progressions. Not bad.
The Nile Song
Written by: Roger Waters
SG rating: 5/10
I remember quite liking this song when I first heard it. It has modulating chords, where it just keeps progressing up - was great fun to play on guitar. But since then, I find it a little raucous and annoying. Still, it's interesting, and probably one of the heaviest songs the Floyd have in their repertoire.
Crying Song
Written by: Roger Waters
SG rating: 6/10
It takes a while to get going, but the melody is really interesting. I really like the way it goes. Nice little guitar solo at the end too - Gilmour apparently sings on most, if not all, of the songs on this album, and his guitar influence is starting to take hold. I'm not a fan of the old 'fade out' as far as songs go. It might be this era, but it feels like they just don't know how to end the song, or are just lazy.
Up the Khyber
Written by: Mason, Wright
SG rating: 3/10
Yeah. Jazz improv, or whatever it is. Keyboard noodling, I think I'll call it. Not much of a song.
Green is the Colour
Written by: Roger Waters
SG rating: 7/10
I would officially call this a "hidden gem". Seagull sounds, which becomes a regular part of their songs in the future. It has a pleasant melody and another dreamy feel, and a great piano solo in the studio version. Friggin fade out is annoying but not a deal-breaker...
Cymbaline
Written by: Roger Waters
SG rating: 5/10
Apparently this one was played live quite a bit. It's ok, but I'm not the biggest fan. The old fade-out comes into play again.
Party Sequence
Written by: Waters, Wright, Gilmour, Mason
SG rating: 3/10
It doesn't really hold my attention, and then it just fades out... Maybe it's significant in the context of the film, but apart from that, skip.
Main Theme
Written by: Waters, Wright, Gilmour, Mason
SG rating: 3/10
5 and a half minutes wasted, IMO. It goes nowhere and then just fades.
Ibiza Bar
Written by: Waters, Wright, Gilmour, Mason
SG rating: 5/10
The Nile Song - lite. It sounds so similar to the Nile Song that I almost always skip it. And it fades out...
More Blues
Written by: Waters, Wright, Gilmour, Mason
SG rating: 2/10
Guitar noodling. Boring and pointless. Once again, maybe it works in the context of the film.
Quicksilver
Written by: Waters, Wright, Gilmour, Mason
SG rating: 1/10
As a song, it's a complete waste of time. I think it's supposed to depict a nightmare. It certainly is one to listen to.
A Spanish Piece
Written by: David Gilmour
SG rating: 1/10
This song annoys me no end. I'd be happy never to hear it again.
Dramatic Theme
Written by: Waters, Wright, Gilmour, Mason
SG rating: 3/10
The bass line reminds me of future Floyd. That's probably the best thing about the song.