Posted: Sun Jan 24, 2010 2:39 am
The pacing was damn good, but the rest of it...the acting, utter lack of suspense, dialogue - all mediocre at best and crappy much of the time.
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Yeah I thought of DWW and AMCH too, but then realised where I'd seen this before, when it was called the Last Samurai.Kil Tyme wrote:Oh, there's a plot and an intense story line, but it is a reused theme, a la "Dancing With Wolves", "Little Big Man", "A Man Called Horse", etc. This is really a Western theme and so Avatar is a SciFi/Western movie, of sorts; they even have bows and arrows in the flick. Anyway, I liked the movie in general, but agree that with all this time to think, ponder and then work the film, Cameron should have come up with better dialog. I'd be embarrased if I were him to let this film out with the lines they gave the merc leader. My 13 yo niece even groaned at some of those lines. Some stupid stuff happened in this flick and I reject as believable the premise of the mercs wanting to blow the cats away just to get at some rock under a big tree, but I enjoyed the ride anyway; some really excellent action seqs despite a tired general plot.
Sorry, just caught upjacob Raver, sinTempter wrote:What would you consider an Aussie film then? Just wondering what you mean.StevieG wrote:Well, that's not my opinion- I found Titanic sort of interesting but (I'm not sure if this is valid, but as an Aussie, I notice it) too bloody American (runs for cover).
Avatar interested me more. So I guess the moral is, go check it out for yourself.IMO, it had some good tension in the second half.
I wasn't really talking about the Australian film industry but now that it has been brought up I totally agree with the above statement, and would expand it to other countries also. I do like films that show the culture/landscape etc of a country or town, but when they're heavy-handed and lacking in subtlety it distracts from the film itself.Montressor wrote:I would sadly consider almost all Australian films made too Australian. It's the reason why the Aust film industry is a lame horse. The best stuff are the films which aren't so concious of the fact that they are Australian, in my opinion.
For a good metaphor though, it has to be analagous...and I don't think anything in the movie is analagous to our reality.Rigel wrote:Because that's what a metaphor is? It's not something real, it's something imagined which is analogous to something real.Tjol wrote:For starters, Pandora doesn't actually exist, Unobtanium doesn't exist, Navi don't actually exist, so how does the movie equal a metaphor for this planet or the noble savage?
People complain about the metaphor because it's a metaphor for an imagined ideal.
I complain about the movie because, apart from the CG, it wasn't a very good movie.
LOS ANGELES, Jan 24 (Reuters) - "Titanic" just hit an iceberg named "Avatar."
James Cameron's sci-fi spectacular replaced his maritime melodrama as the biggest international release of all time during the weekend and is on the verge of claiming its worldwide crown, which also includes North American receipts, distributor 20th Century Fox said on Sunday.
The News Corp (NWSA.O)-owned studio said "Avatar" has sold $1.841 billion worth of tickets worldwide during its unbroken six-week reign, and was a day or so away from surpassing the seemingly insurmountable $1.843 billion racked up by "Titanic" in 1997-1998.
The international portion stands at $1.288 billion, eclipsing the $1.242 billion haul of "Titanic."
In North America, "Avatar" may have to wait up to two weeks to sink the $601 million total of "Titanic," Fox said. Moviegoers in the United States and Canada have chipped in $552.8 million, enough to replace 2008's "The Dark Knight" ($533 million) as the second-biggest movie of all time.
Data are not adjusted for inflation, and "Avatar" ticket sales got an additional boost from premium pricing for 3-D screenings. Imax Corp (IMAX.O) said its big-screen engagements have sold a record $134 million worth of tickets worldwide.
The biggest movie of all time in North America -- adjusted for inflation -- is 1939's "Gone with the Wind," with sales of almost $1.5 billion, according to tracking firm Box Office Mojo. "Avatar" ranks No. 26 by that measure.
truthfully the best measure of a films success is the number of times people paid to see it in a theatre. Number of tickets sold.The "adjusted for inflation" measurement is pretty much irrelevant to me.
If they want to trot out Gone With The Wind every time box office stats come up, that's their business.
Well, an even better measure would be number of people who went to see the movie - but that doesn't necessarily correlate with the number of sold tickets, because of course some people may watch a movie more than once.Usivius wrote:truthfully the best measure of a films success is the number of times people paid to see it in a theatre. Number of tickets sold.The "adjusted for inflation" measurement is pretty much irrelevant to me.
If they want to trot out Gone With The Wind every time box office stats come up, that's their business.
But no one uses that one...
I disagree there.Xar wrote:Well, an even better measure would be number of people who went to see the movie - but that doesn't necessarily correlate with the number of sold tickets, because of course some people may watch a movie more than once.Usivius wrote:truthfully the best measure of a films success is the number of times people paid to see it in a theatre. Number of tickets sold.The "adjusted for inflation" measurement is pretty much irrelevant to me.
If they want to trot out Gone With The Wind every time box office stats come up, that's their business.
But no one uses that one...
If you want to break that down even further, one would have to consider the following: in Gone With the Wind days, video entertainment was much more limited than it is now. For that type of entertainment, you almost had to go to a movie theater to see a moving picture (I believe it came out right around the time when television was in its infancy). Now you have cable television with HD programming, DVR's, DVD players, Blu-Ray discs, and you can even watch most of your favorite shows on the internet. Personally, I have a pretty sweet home theater myself (projector, high quality surround sound) which means I purposefully wait to see some movies so that I can watch them in the comfort of my own home.dANdeLION wrote:If it were up to me, I'd just go by the number of tickets sold....the whole adjusting for inflation business seems unnecessary if you just compare apples to apples.
You've gotta see this movie in 3-D, freakin' awesome! That being said, I'd opt for the curved screen. Even if it's a bit smaller, you can always sit up front to get the feel of a larger screen, and you probably don't want to be in front for a gigantic screen. I have only seen two movies at IMAX: Matrix Reloaded and Avatar. MR was packed and I got stuck in the very front row in front of a gigantic enormous ridiculous screen and while very breathtaking, it was a bit much(not to mention I had my neck cranked back 90 degrees...imagine being ten, twenty feet away from something several stories tall). I saw Avatar on a smaller screen, but it was still very immersive. That curved screen does wonders for pulling you inside of the movie.Menolly wrote:Speaking of the IMAX showings, we're planning on going down to Orlando around Valentine's Day. From no IMAX to a choice of several! If Avatar is still being shown in IMAX format in a couple of weeks.
That said, there seems to be a selection of two types of IMAX theaters in Orlando which is showing Avatar in 3-D: the classic design featuring a flat screen that ranges in size from 51'x37' to 117'x96' and a "multiplex" design which features a slightly curved screen that ranges in size from 47'x24' to 74'x46'. While I can tell which type of screen the theater has, I have no way of finding out screen size without calling the theater.
But, I'm not really concerned about screen size. What I am curious about is which IMAX format is better in 3-D to see Avatar? Has anyone experienced both the classic and the multiplex formats? Which is better?
Shuram Gudatetris wrote:You've gotta see this movie in 3-D, freakin' awesome!
Nice to know, thanks!Shuram Gudatetris wrote:That being said, I'd opt for the curved screen. Even if it's a bit smaller, you can always sit up front to get the feel of a larger screen, and you probably don't want to be in front for a gigantic screen. I have only seen two movies at IMAX: Matrix Reloaded and Avatar. MR was packed and I got stuck in the very front row in front of a gigantic enormous ridiculous screen and while very breathtaking, it was a bit much(not to mention I had my neck cranked back 90 degrees...imagine being ten, twenty feet away from something several stories tall). I saw Avatar on a smaller screen, but it was still very immersive. That curved screen does wonders for pulling you inside of the movie.
Definitely.Shuram Gudatetris wrote:Whichever you choose, though, be sure to see it in IMAX 3D, you WILL NOT regret it!
Thanks! I'll research that.Shuram Gudatetris wrote:Oh yeah, another tip: if your orlando theaters are anything like Kansas City theaters, the earlier showings will be cheaper. We have three different IMAX's in KC, and all have four showings through out the day. While the times vary from theater to theater, the pricing was all the same: $9 first showing, $11 second showing, $13 third, $14 fourth. So really that first showing isn't much more than a standard ticket price.