Top 3 Most Influential Works.

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Post by Menolly »

Damelon wrote: Finnish was also the language that Tolkien used for the model for the High Elven speech, Quenya.
Ah...the connection becomes clearer, as he is conversant in all the Tolkien elven languages.
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Post by Wyldewode »

Interestingly enough, Tolkien always denied similarities between Wagner's Der Ring des Nibelungen and The Lord of the Rings. There is a really fascinating article (originally given as a lecture) about Tolkien's influences and comparisons to Wagner. You can read it here.
Dr. Bradley J. Birzer wrote:Even the comparisons, though, should not lead one to conclude that Tolkien borrowed from Wagner. Rather,
Tolkien and Wagner each drew from the same sources. Namely, Wagner used the basic stories from the Austrian Nibelungenlied, the Icelandic Elder Edda and Völuspá, and the Norse Volsunga Saga. Tolkien, too, took from these sources. But, the Finnish Kalevala, various Anglo-Saxon poetry, George MacDonald, and G.K. Chesterton also served as influences on Tolkien, directly or indirectly. There were other important influences on him, not so immediately obvious. "Imagine that! You know, he used to have the most extraordinary interest in the people here in Kentucky," Allen Barnett, a Kentuckian and former classmate at Oxford said. "He could never get enough of my tales of Kentucky folk. He used to make me repeat family names like Barefoot and Boffin and Baggins and good country names like that."
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Post by Holsety »

the Icelandic Elder Edda
So the Icelanders took the memories hidden in their DNA and turned it into an oral tradition, huh!?

Anyway, I heard that Steven Erikson's Malazan series was partially inspired by some visigoth/vandal/something or other history. Just made a post on the malazan forums to see if anyone knows what I'm talking about.
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Post by danlo »

(That sounds like a hidden "Neverness" joke. :wink: )
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Post by Wyldewode »

Danlo, I think I will have to read that series, as it bugs me to not know what you are talking about whenever you mention it. :P
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Post by Zarathustra »

news.nationalgeographic.com/news/2001/1 ... ots_2.html
The Kalevala inspired not only Finnish nationalism but also a young English scholar and writer named J.R.R. Tolkien, in whose mind was already taking shape a magical universe that was about to be transformed by Finnish language and legend.

In a letter to W.H. Auden, on June 7, 1955, he remembered his excitement upon discovering a Finnish grammar in Exeter College Library. "It was like discovering a complete wine-cellar filled with bottles of an amazing wine of a kind and flavour never tasted before. It quite intoxicated me; and I gave up the attempt to invent an 'unrecorded' Germanic language, and my 'own language'—or series of invented languages—became heavily Finnicized [sic] in phonetic pattern and structure."

The Finnish language that so delighted the young student became the inspiration for the lyrical tongue of Middle-earth's elves. Tolkien taught himself the ancient and newly codified Finnish to develop his elfin language, and so that he could read the Kalevala in its original Finnish. This achievement opened the door to many further influences from Finnish mythology. Parallels abound between the Kalevala and Tolkien's own saga, in terms of both the characters themselves and the idea of the hero's journey.

The Kalevala features "all the themes of pre-Christian traditions, shape-shifting, mythical demons, magical plants, animals becoming human beings," says Davis, while the story itself "is fundamentally a story of a sacred object which has power, and the pursuit of the mythic heroes who seek that power, to seek a way of understanding what that power means." Davis describes the Kalevala as "a journey of the soul and a journey of the spirit—and that's obviously what drew Tolkien to it."

Tolkien readers have long seen Tolkien's bucolic vision of rural England represented in Middle-earth's Shire, and recognized English farmers in characters such as the hobbit Sam. But those who explore the Kalevala may discover much of the land of the elves, and their language, in the vast snowy spruce forests of Finnish legend.
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Post by Orlion »

I would say any list of influential works would have to include Homer's the Illiad and the Odyssey. After all, these works have been major contributions to western civilization for over two thousand years and were familiar to most (I would almost dare say all) major english writers.
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Post by jacob Raver, sinTempter »

danlo wrote:Have to agree with LOTR and Roland, mine:
A Once and Future King
The Worm Ouroboros
The Stars, My Destination
danlo, I haven't read any of these, though I know of Ourobors...care to synopsize 'em?
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Post by Vraith »

No way I can do 3..they keep winding back and back and back. You pretty much have to put western/mid-eastern mythology all the way back to Inanna and Gilgamesh in [and for at least 40 years, eastern, and indigenous north & south american too]. And for many of the best, philosophy. A much neglected source of inspiration is plays/playwrights (though their sources also wind back and back)
[spoiler]Sig-man, Libtard, Stupid piece of shit. change your text color to brown. Mr. Reliable, bullshit-slinging liarFucker-user.[/spoiler]
the difference between evidence and sources: whether they come from the horse's mouth or a horse's ass.
"Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation."
the hyperbole is a beauty...for we are then allowed to say a little more than the truth...and language is more efficient when it goes beyond reality than when it stops short of it.
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Post by jacob Raver, sinTempter »

Vraith wrote:No way I can do 3..they keep winding back and back and back. You pretty much have to put western/mid-eastern mythology all the way back to Inanna and Gilgamesh in [and for at least 40 years, eastern, and indigenous north & south american too]. And for many of the best, philosophy. A much neglected source of inspiration is plays/playwrights (though their sources also wind back and back)
Bah. Grow a pair and pick three, you dark, furry, monkey-squirrel.
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Post by Vraith »

jacob Raver, sinTempter wrote:
Vraith wrote:No way I can do 3..they keep winding back and back and back. You pretty much have to put western/mid-eastern mythology all the way back to Inanna and Gilgamesh in [and for at least 40 years, eastern, and indigenous north & south american too]. And for many of the best, philosophy. A much neglected source of inspiration is plays/playwrights (though their sources also wind back and back)
Bah. Grow a pair and pick three, you dark, furry, monkey-squirrel.
Alright. For format, 'The Three Musketeers' (however musketeers is spelled)
For Inspiration, whichever Galileo got him in trouble with the church.
For Content, 'Utopia' , Sir Thomas More
Now you better duck, because
{picks up one of his extra pairs, that's right, one of his extra pairs, and hurls them at Jacob's head}
[spoiler]Sig-man, Libtard, Stupid piece of shit. change your text color to brown. Mr. Reliable, bullshit-slinging liarFucker-user.[/spoiler]
the difference between evidence and sources: whether they come from the horse's mouth or a horse's ass.
"Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation."
the hyperbole is a beauty...for we are then allowed to say a little more than the truth...and language is more efficient when it goes beyond reality than when it stops short of it.
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Post by jacob Raver, sinTempter »

Those are probably a delicacy in some country Indiana and Gimli have been through...but I'm not hungry right now, thanx...I just don't like seeing darker versions of Inkheart-friend furballs without their, err...furballs (sorry didn't see the other four, you manly man, man, monkey-squirrel).
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Post by danlo »

Here's, sort of, a synopsis of The Stars, My Destination by some guy at Ain't it Cool News back in 2006 when the film rights were optioned:
However, for everyone that's ever flipped a Bester page, it's THE STARS MY DESTINATION that they'd kill to see translated. Once on a panel in Atlanta I was on, both Harlan Ellison and Ray Bradbury lamented that it'd never see the screen. Neil Gaiman loves it. John Carpenter has been heard to say that it is his, literal, dream project. It isn't hard to see why. Gully Foyle is one f--- of an anti-hero, a proto-cyberpunk badass invented long before cyberpunk was cyberpunk. A great science fiction revenge tale, a brilliant novel that is based loosely upon a story in NATIONAL GEOGRAPHIC about a sailor that spent 4 months during WWII on a raft at sea, watching ship after ship ignoring his cries for help, for fear that he was a lure for a sub attack. That - and THE COUNT OF MONTE CRISTO. However, THE STARS MY DESTINATION rises above being a mere reworking, Bester's prose is so strong as to captivate you from the opening lines. This is one of the great books of the science fiction world.
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Post by Vraith »

Thanks for reminding me about Bester...his work [this book for sure] deserves a re-read.
[spoiler]Sig-man, Libtard, Stupid piece of shit. change your text color to brown. Mr. Reliable, bullshit-slinging liarFucker-user.[/spoiler]
the difference between evidence and sources: whether they come from the horse's mouth or a horse's ass.
"Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation."
the hyperbole is a beauty...for we are then allowed to say a little more than the truth...and language is more efficient when it goes beyond reality than when it stops short of it.
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Post by [Syl] »

Thomas Malory, Washington Irving (whose pseudonym 'William Wizard' is infinitely cooler than 'Robert Jordan'), and Irving Washington... ok, ok... Poe.
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Post by jacob Raver, sinTempter »

danlo wrote:Here's, sort of, a synopsis of The Stars, My Destination by some guy at Ain't it Cool News back in 2006 when the film rights were optioned:
However, for everyone that's ever flipped a Bester page, it's THE STARS MY DESTINATION that they'd kill to see translated. Once on a panel in Atlanta I was on, both Harlan Ellison and Ray Bradbury lamented that it'd never see the screen. Neil Gaiman loves it. John Carpenter has been heard to say that it is his, literal, dream project. It isn't hard to see why. Gully Foyle is one f--- of an anti-hero, a proto-cyberpunk badass invented long before cyberpunk was cyberpunk. A great science fiction revenge tale, a brilliant novel that is based loosely upon a story in NATIONAL GEOGRAPHIC about a sailor that spent 4 months during WWII on a raft at sea, watching ship after ship ignoring his cries for help, for fear that he was a lure for a sub attack. That - and THE COUNT OF MONTE CRISTO. However, THE STARS MY DESTINATION rises above being a mere reworking, Bester's prose is so strong as to captivate you from the opening lines. This is one of the great books of the science fiction world.
Interesting. What year did it come out?
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Post by lucimay »

Syl wrote:Thomas Malory, Washington Irving (whose pseudonym 'William Wizard' is infinitely cooler than 'Robert Jordan'), and Irving Washington... ok, ok... Poe.
:lol:


yes malory (and chaucer, and actually further back...)
yes poe (american anyway along with lovecraft)
yes
vraith... wrote:No way I can do 3..they keep winding back and back and back. You pretty much have to put western/mid-eastern mythology all the way back to Inanna and Gilgamesh in [and for at least 40 years, eastern, and indigenous north & south american too]. And for many of the best, philosophy. A much neglected source of inspiration is plays/playwrights (though their sources also wind back and back)
i agree.
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Post by danlo »

SMD came out in 1956 the year I was born! And, I, actually think the guy who posted that at AICN was Harry (The Stainless Steel Rat) Harrison.

To me to three original voices of fantasy are Lord Dunsany, William Morris and E. R. Eddison with major contributions from Poe and Peake and, possibly a nod to William Hope Hogdson.
Last edited by danlo on Fri Mar 06, 2009 6:00 am, edited 1 time in total.
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Post by Vraith »

jacob Raver, sinTempter wrote:
Interesting. What year did it come out?
Been a while since I read it..it was old then, I'd have to guess late 50's early 60's. As a note that may make it worth your while, a dozen or two of the "greats" call this guy great, I think it's because his storytelling transcends the proven false science. (and if I remember correctly...been a long time...this novel had much that is factually inaccurate now, but effectively still speculatively possible). I'm definitely going to do that re-read as soon as I hunt down a copy.
[spoiler]Sig-man, Libtard, Stupid piece of shit. change your text color to brown. Mr. Reliable, bullshit-slinging liarFucker-user.[/spoiler]
the difference between evidence and sources: whether they come from the horse's mouth or a horse's ass.
"Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation."
the hyperbole is a beauty...for we are then allowed to say a little more than the truth...and language is more efficient when it goes beyond reality than when it stops short of it.
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Post by jacob Raver, sinTempter »

danlo wrote:SMD came out in 1956 the year I was born! And, I, actually think the guy who posted that at AICN was Harry (The Stainless Steel Rat) Harrison.
Do you think it holds up even now? I've read some cyber-punk (can't remember the title) was pretty good, about fifteen years old...

Just wondering cause, umm, like the film, The Searchers...it's considered a classic, but when I watched it...well, it just didn't hold up for me...
danlo wrote: To me to three original voices of fantasy are Lord Dunsany, William Morris and E. R. Eddison with major contributions from Poe and Peake and, possibly a nod to William Hope Hogdson.
What are their premiere works?
Last edited by jacob Raver, sinTempter on Fri Mar 06, 2009 6:03 am, edited 2 times in total.
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