(Steve M, you here?)
This goes towards what the Arch might metaphorically represent in the Arch of Time myth. Donaldson calls it a process, a set of ongoing rules. (Compare to: "The Arch, as I have always espoused, is a framework of laws which allows the Earth to be.").STEVE M: Can you clear up certain questions about the Arch of Time. Not to sound to naïve but what precisely is the arch of time. The description given in the text is that the Creator needed a place to for his creation to be so that he created the arch to hold the earth within its confines. Since it is called the “arch of time” does the term refer to a temporal explanation, i.e. the arch begins at the time of creation and ends at the end of time/destruction? Armageddon? etc.? If yes, is there in fact an end of time/end of creation or is the arch in and of itself infinite?
The second part of my inquiry has to do with the concept of the arch or the Land being a prison for Lord Foul. According to the creation story, the creator did not realize until too late that Despite had infiltrated his creation. If the creator were to extend his hand and interfere, the arch of time would be destroyed and despite would be free to wreak havoc in the Universe, hence the necessity of summoning Covenant or Linden to the Land and hoping that the exercise of their free will and choices that are made independent of the creator’s influence will save the Earth/the Land. This leads to another problem does the destruction of the arch of time necessarily mean the destruction of the Earth? In theory, the creator could interfere destroy, defeat or at the very least fight Lord Foul with the result being the Earth and/or the Land continuing along their merry way but with Foul free to wreak havoc throughout the universe. The problem is this. Isn’t despite already present in the universe? Isn’t the very essence of the human psyche a never ending struggle between good and evil? In essence isn’t the terminology we use designating good and evil more symbolic of two opposing forces which yield a new outcome. I.E. thesis + antihesis = synthesis. Moreover, the universe itself reflects a never ending struggle between these forces. Indeed, in many respects isn’t creation and despite manifestations of the same thing? I know that these inquiries cover a lot of ground but the prime inquiry revolves around the fact that the Arch of Time doesn’t really seem to be a prison for Foul at all. Practically speaking, Despite has always and will always be free to wreak its havoc in the universe. In retrospect, I guess this isn’t a question at all but more of a request for a comment on these observations and how they relate to the Chronicles.
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Your questions go in so many directions at once that they’re difficult to address. For example, to say that “the human psyche is a never ending struggle and between good and evil” is enTIREly different than saying “the universe itself reflects a never ending struggle between these forces.” The former assertion is defensible, if open to debate. The latter is at best anthropomorphic, and at worst observably and even theologically suspect. So I’m having trouble filtering my way through to a subject on which I can actually comment.
But the most obvious and necessary comment is that “The Chronicles of Thomas Covenant” are a work of *fiction*, a construct of a human mind. They describe specific characters in specific situations in a specific IMAGINARY reality. They do not contain or even reflect “the universe”: in fact, they don’t pretend to do that. A statement like, “The Arch of Time cannot be a prison for Lord Foul because we see evil everywhere around us” is like saying--forgive me--“We know that oranges do not exist because I’m sitting in a chair.” (Now I remember that this is why I got so tired of “Creator” questions.) Your perceptions about the world, or the universe, in which you live naturally affect how you read a book--as they should--but it’s important not to blur the distinction between the book (a completely artificial fiction which--we hope--follows its own internal rules consistently) and the world in which you live. (And don’t even get me started on the UNIverse).
The Arch of Time *is* a prison for Lord Foul because he is an atemporal (eternal; unfettered by time, causality, or sequence) being who is forced to exist temporally, and who cannot--at present--return to his natural state. Such an “unrealistic” state of affairs is only possible in a work of fiction.
As for the Arch itself: well, I admit that the language is inherently misleading. It implies a pre-defined structure with--among other things--two necessary ends (because an “arch” can’t stand without two ends which are attached to foundations). I regret that. I simply don’t have (and perhaps the people of the Land don’t have) a better way to refer to what is actually a *process*; or a set of on-going rules or mechanics which simultaneously enable things like chronology and consecutiveness (without which life as we know it would be impossible, and the Earth of “The Chronicles” would certainly cease to exist) and prevent things like wandering through eternity, or being everywhere at once, or even being in two places at once. My best analogy is the act of storytelling. “The Chronicles of Thomas Covenant” would be gibberish if I didn’t abide by a number of rules (like the Law of Time), some of which are so obvious that we don’t even think about them. Like sequence, linearity: sentences don’t actually mean anything unless the words are arranged in a very specific order. If you change the order, you change the meaning. And if you remove “order” itself, you remove all meaning. *That*, in its simplest terms, is the Arch of Time. It both imprisons and enhances each individual word, each individual character, each individual situation; each LIFE.
I could go on and on about this; but I’m sure you get the point.
(03/15/2006)
And he points out that some other characteristics of an arch - a beginning and and end resting on a foundation - don't seem to be intended as part of the analogy.
Finally, his use of the word 'imprison' there at the end is interesting ...
[edit] Oh, before I forget ... compare his explanation of order with respect to storytelling with the philosophy of wyrd. Very compelling.