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Creator Questions and Ambiguity

Posted: Mon Jan 19, 2009 3:35 am
by thewormoftheworld'send
On SRD's GI forum, Creator questions abound. Every SRD fan seems to want to know more about his role in events. There is no question about the existence of a Creator per se. There is a certain necessity, however, in leaving certain questions up in the air, such as:

Is the old man in the ochre robe the Creator or just a crazy old man?
Was Hile Troy from the "real" world or was he just an element of TC's delusion?
Did Covenant will himself back from near death or was it the work of a divine will?
Is the Land as real, or even more real than, TC's own world?
Is it possible to share a dream?

Whatever the "real story" is, such questions must never be answered.
To attempt to answer them either way would spoil the lesson to be learned from the First Chronicles. And that lesson is: dreams are only as real as you make them out to be, and as a corollary, pain and pleasure are just as real in dreams as they are in reality. Pain and pleasure, as a result, are just as real whether you experience them in reality or not, and they can have real emotional consequences.

Therefore, the answer to all such questions is: it doesn't matter. Because to answer affirmatively to either side of the ambiguity is to lose that which makes this lesson, the substance of the stories, possible.

I'm not saying in the subject line that Creator questions are out of bounds. There is, after all, a Creator character in the stories; my question there only involved the intentional ambiguity surrounding the identity of the old man in the ochre robe.

Posted: Mon Jan 19, 2009 5:33 am
by rdhopeca
I think the lesson is more that whether you are dreaming or not, you must decide what matters to you, and act to save it...whether you succeed or not. The dream aspect becomes unimportant.

In that sense, whether there is a Creator or not also becomes unimportant; what is important is what TC learns to love and fight for.

Posted: Mon Jan 19, 2009 7:31 am
by thewormoftheworld'send
rdhopeca wrote:I think the lesson is more that whether you are dreaming or not, you must decide what matters to you, and act to save it...whether you succeed or not. The dream aspect becomes unimportant.

In that sense, whether there is a Creator or not also becomes unimportant; what is important is what TC learns to love and fight for.
You're not disagreeing with me so much as bringing up a point I had mentioned in another thread:
TheWormoftheWorld'sEnd wrote:TC can write the Land off as an illusion, but what he cannot do is write it off as unimportant to him.
So as I said before, what's important to TC, those things he values, are more relevant than whether or not the Land and everything connected with it are real. Pain, guilt, love, are real aspects of the Land, in other words, they are the Land's reality for him. The dream, delusion, or whatever he rationally believes it is which inflicted him had negatively impacted his leper reality through his irrational, emotional reactions, despite his religion of Unbelief. (Remember that reason is the handmaiden to faith, in this case, faith in those "religious" rituals which maintain his existence against leprosy; the doctors [priests?] in the leprosarium [temple?] preached to him that leprosy was the most important thing in his life.) Despite his Unbelief, TC was emotionally forced into doing something to bring his guilt to some kind of completion.

I think the plot boils down to the fact that TC had to do something to free himself of guilt: "He had learned that the innocent do not sleep. Guilt begins in dreams." And, "the dreams of men ; belong to God."

What does that second line mean anyway? Guilt is a religious concept, namely, original sin. This becomes, in the novel, the law which binds TC to his leprosy and his rituals.

There was something about that line which drove TC crazy and helped drive his desire to avoid sleep, but I could never figure out what it is.

There's a possible connection with the old view that leprosy is a sign of sin and a curse from God. Perhaps that line served only to increase his feelings of guilt by telling him that God was punishing him through his dreams by (1) sending him to a virtual Garden of Eden - the Land, health and freedom from leprosy - and then (2) his fall from grace, which was very short-lived, in the rape of Lena. Perhaps God seemed to be telling TC, at this point in the story, that even in his very dreams he is not worthy, that there is no escaping the inevitable and fundamental "disease" which goes deeper than leprosy or any physical or mental disorder, that he deserved his leprosy and being seemingly cured of it did not release him from the fundamental core of his being, his original sin.

(For those who don't know, "original" in this sense has a transcendental connotation, in that you are necessarily a sinner no matter what you do, and in fact in this view there is no redemption. That is what I mean when I say "from the core of his being." The fact that TC eventually finds his way out of sin and guilt has no place at this point in the story.)

Posted: Mon Jan 19, 2009 3:08 pm
by deer of the dawn
This is rather beside the point but--
For those who don't know, "original" in this sense has a transcendental connotation, in that you are necessarily a sinner no matter what you do, and in fact in this view there is no redemption.
You got the first part right. However, the point of Christianity is Christ worked redemption out for us because we couldn't do anything about original sin. There IS redemption, but not by our own doing...

I hesitate to address your questions further because I don't know how much of the books you have read, so I've spoilered some of my responses below.
Is the old man in the ochre robe the Creator or just a crazy old man?
Spoiler
Clearly, he is the Land's Creator. At least, TC and Linden think so.
Was Hile Troy from the "real" world or was he just an element of TC's delusion?
Spoiler
Unless you believe the entirety of the Land is a delusion, you must conclude that Troy is from Covenant's world.
Did Covenant will himself back from near death or was it the work of a divine will?
Spoiler
Depends on whether you see the Land's Creator as divine or not. He was clearly involved in healing Covenant in Covenant's world.
Is the Land as real, or even more real than, TC's own world?
Spoiler
Remember, this is fiction. Since TC's original world is modeled on our own, we have to assume it is supposed to be real; and eventually as you read through the series you decide that the Land is also real, fictionally. But each reader has to weigh their own definition of reality.
Is it possible to share a dream?
Kind of a moot question. If you believe the Land is a dream, the answer has to be yes; if you believe it to be real then it's doesn't have anything to do with anything.
Whatever the "real story" is, such questions must never be answered.
Most of them ARE answered by reading and finding out. Different readers will come up with different answers, I suppose, but if you put the pieces together, I don't think they'll be too different.

Posted: Mon Jan 19, 2009 5:02 pm
by thewormoftheworld'send
deer of the dawn wrote:This is rather beside the point but--
TheWormoftheWorld'sEnd wrote:For those who don't know, "original" in this sense has a transcendental connotation, in that you are necessarily a sinner no matter what you do, and in fact in this view there is no redemption.
You got the first part right. However, the point of Christianity is Christ worked redemption out for us because we couldn't do anything about original sin. There IS redemption, but not by our own doing...
I know, and I addressed this by saying
TheWormoftheWorld'sEnd wrote:The fact that TC eventually finds his way out of sin and guilt has no place at this point in the story.
So I'm aware of the Covenant of Law and the Covenant of Grace issue. But at this point in the story there is only the Law without Redemption.
TC has fallen from grace in the Garden of Eden (the Land), we're still in the Old Testament part of the story, as it were, his leprosy and guilt are the strictures placed upon him.

I don't see how you can say it wasn't relevant in a context where God was mentioned. I don't know why those lines from a book about God and guilt caused TC so much distress. I'm saying maybe it has something to do with his leprosy and original sin. And maybe not. But the point about original sin has to be addressed in the same context as my question. Do I claim to know why TC does what he does at every instant of the books, or why he reacts strangely to words in books? It remains a fact that leprosy was, at one time, equated with sin and guilt, and I'm sure it still is in many places. The use of the capital "G" in "God" is a Christian reference, although it all remains oblique. SRD gives many clues but no direct answers, but he does admit that Christian concepts lie at the very core of his being and cannot be denied even if he himself is not a Christian.
deer of the dawn wrote:I hesitate to address your questions further because I don't know how much of the books you have read, so I've spoilered some of my responses below.
I've read all eight Chronicle books at least twice.
Is the old man in the ochre robe the Creator or just a crazy old man?
Spoiler
Clearly, he is the Land's Creator. At least, TC and Linden think so.
Was Hile Troy from the "real" world or was he just an element of TC's delusion?
Spoiler
Unless you believe the entirety of the Land is a delusion, you must conclude that Troy is from Covenant's world.
You're missing the point of the thread. Ambiguity is the key here, not accepting one or the other of the two alternatives. If you decide one or the other, then you have missed the lesson. And the lesson is, it doesn't matter if the Land is real or not, it doesn't matter if Hile Troy is a person from TC's "real" world or not. The lesson is that pain, guilt and love are what's important, and as I also pointed out, "TC can write the Land off as an illusion, but what he cannot do is write it off as unimportant to him." Those two elements don't contradict; the Land was made important to him because of the way it made him feel, whether it is real or not.
Did Covenant will himself back from near death or was it the work of a divine will?
Spoiler
Depends on whether you see the Land's Creator as divine or not. He was clearly involved in healing Covenant in Covenant's world.
Is the Land as real, or even more real than, TC's own world?
Spoiler
Remember, this is fiction. Since TC's original world is modeled on our own, we have to assume it is supposed to be real; and eventually as you read through the series you decide that the Land is also real, fictionally. But each reader has to weigh their own definition of reality.
Is it possible to share a dream?
Deer of the Dawn wrote:Kind of a moot question. If you believe the Land is a dream, the answer has to be yes; if you believe it to be real then it's doesn't have anything to do with anything.
Whatever the "real story" is, such questions must never be answered.
Deer of the Dawn wrote:Most of them ARE answered by reading and finding out. Different readers will come up with different answers, I suppose, but if you put the pieces together, I don't think they'll be too different.
The story doesn't say if those things are real or not, but they must be treated as real because of the emotional impact they have. TC had to find some way to maintain his Unbelief, after all, while nevertheless bringing a conclusion to his disturbing dream through his own efforts:

"How is it possible that you can loathe or love where you do not believe?"
"Nevertheless."
"How is it possible to disbelieve where you loathe or love?"
"Still."

Thus TC navigates between the horns of the dilemma. Whether or not the Land is real, it is still important to him because of what it has cost him.

Posted: Mon Jan 19, 2009 10:18 pm
by Zarathustra
I’ve spent way too much time on this post. I feel very strongly about these issues as they relate to this story. Please don’t interpret my passion or the lengthy response as an attack upon anyone’s beliefs.
TheWormoftheWorld'sEnd wrote:. . .faith in those "religious" rituals which maintain his existence against leprosy; the doctors [priests?] in the leprosarium [temple?] preached to him that leprosy was the most important thing in his life.
In what sense was VSE religious? The VSE “ritual” was for self-preservation, not for sacrifice, worship, reverence, selflessness, or any other possible “religious” sense. TC lived his life according to a dehumanizing set of rules and behaviors which distanced him from his humanity and turned him into merely a “survival machine” (which is why in the first couple pages he is described as having a “mechanical” gait). There is no passion, no hope in this set of rituals, only a stubborn refusal to accept death. I see absolutely no reason to suppose that doctors are priests, or that the leprosaruim is a temple. Can you back this up with something from the book?

TheWormoftheWorld'sEnd wrote:I think the plot boils down to the fact that TC had to do something to free himself of guilt:
I wholeheartedly disagree that the point of these books is to free himself of guilt. Rather, I think it’s more about how to live with the consequences of being an imperfect, “guilty” person (in other words, a real human being)—i.e. how to resist the temptation of doing something extravagant and deadly (like the Ritual of Desecration) or something life-denying like the Oath of Peace or the Bloodguard’s Vow. These absolutist attempts to atone for one’s guilt, weakness, or imperfection lead to even worse consequences.

Innocence is defined by Donaldson as impotence, or worse.
Donaldson wrote:Such "Covenant"-esque ideas as "innocence is impotence" and "only the guilty have power" are inferences drawn from the basic precepts of free will. They might be rephrased thus: only a person who has truly experienced the consequences of his/her own destructive actions is qualified to evaluate--is, indeed, capable of evaluating--his/her future actions in order to make meaningful choices between destruction and preservation. Hile Troy is an interesting example. He's "innocent" in a way that Covenant is not: he's never done anything even remotely comparable to the rape of Lena. As a result, he's bloody dangerous. He literally doesn't know what he's doing: he hasn't learned the kind of humility that comes from meeting his own inner Despiser face-to-face. Therefore, in spite of all his good intentions, he makes decisions which bear an ineluctable resemblence to Kevin's.

Do you doubt me? Look at Troy's "accomplishments." If Mhoram hadn't saved his bacon at the edge of Garroting Deep, his decisions would have effectively destroyed the Lords' ability to defend the Land. He's just too damn innocent. He hasn't learned the self-doubt, the humility, that makes Covenant hesitate, or that makes Mhoram wise.

(07/13/2004)
Clearly, the goal isn't innocence. Nor is it a rigid, absolute purge of guilt.

TheWormoftheWorld'sEnd wrote:Guilt is a religious concept, namely, original sin. This becomes, in the novel, the law which binds TC to his leprosy and his rituals.
Guilt is not a strictly religious concept. (It is also a legal concept, and it is a social concept.) To interpret it strictly in religious terms robs this concept--and these books--of their universality. I think there is plenty of evidence that Donaldson does not present Covenant’s leprosy as evidence of his “original sin,” something for which he must be redeemed. One example is the tent revival in the Power that Preserves. The religious people in that scene—who present this concept you’re advocating—are portrayed as mistaken and overly judgmental. Indeed, the people who preach such ideas are shown to be frauds who only spout this rhetoric because they want to extract the “offering” (i.e. money).

Another example is the general worldview of those living in the Land during The Wounded Land. The idea that people are guilty simply from being born is presented by the author as a lie told by Lord Foul and the Clave. Sunbane is presented as a punishment for the people of the Land, a punishment that our protagonists, TC and LA, react to with abhorrence. The Sunbane is a distortion of the way things should be. Thus, “punishment for original sin,” is explicitly portrayed by this author as something undeserved and “evil.”
On page 115, in the Wounded Land, Donaldson wrote:. . . part [of TC] raged at the brutality which had taught people like Sunder to think of their own lives as punishment for a crime they could not have committed. . . “
Donaldson wrote:"Original sin" is only one of the many distortions that I was programmed to accept without question. Since then, I've learned to think in ways that would doubtless horrify my parents (or at least my mother); but the templates underlying the beliefs I was raised to share still influence me. So I find it difficult to think of things like innocence or purity as being either viable or desirable. Hence my rather assertive comments on the subject in other contexts.

(10/10/2007)
So this brings up the question, “Why is Covenant ‘guilty’?” Ignoring the dubious status of his actions in the Land (rape, inaction, ect.), he is guilty of despair and despite in the real world (which then manifest themselves in the Land). He has lost hope, and has isolated himself from meaningful connection with others through the rigid “Law of Leprosy.” His life has become inauthentic, through his reaction to leprosy. Lesprosy is not his original sin. Leprosy isn’t a sign of his guilt. Leprosy is a symbol of his mortality, and his guilt comes in how he responds to that unattractive truth.

TheWormoftheWorld'sEnd wrote:Perhaps God seemed to be telling TC, at this point in the story, that even in his very dreams he is not worthy, that there is no escaping the inevitable and fundamental "disease" which goes deeper than leprosy or any physical or mental disorder, that he deserved his leprosy and being seemingly cured of it did not release him from the fundamental core of his being, his original sin.
My reaction to this interpretation vehement opposition. I’ll try to keep that emotion out of my post; but I do want to indicate the degree to which I find this antithetical to Donaldson’s story. It is a perversion of this story, in my opinion, a perversion that reminds me of the Sunbane itself, and the poor inhabitants of the Land who view Sunbane as their just punishment. Rather than spend more time arguing the issue here, why don’t you ask Donaldson if he thinks Covenant deserved leprosy? (Let me know if you plan to do this, because if you don’t, I will.) In my opinion, the point of this series is so diametrically opposed to your interpretation, I’m literally astonished to see things like this posted on his fansite.

There is an undeniable Christian component to the imagery and language of this story. However, I think the purposes of this author is to subvert or reinterpret those Christian concepts.
Donaldson wrote:I was raised and educated (through 11th grade) by Christian fundamentalists; so naturally I was thinking of the profound differences between the Old and New Testaments, specifically as those differences pertain to the relationship between God and Man (forgive the male word Man: it's appropriate in this context), the "covenant of law" versus the "covenant of grace." That this is apt won't surprise anyone familiar with the Bible. The "old" Thomas Covenant can't survive unless he abides by the strict rules of his illness (hence his Unbelief, his rigidity, his difficulty giving or accepting forgiveness). The "new" Thomas Covenant finds the grace/love/open-heartedness to transcend his old laws.

But I hasten to add that while all this is very "Christian" in its sources it is by no means "Christian" in its application and development. It was a natural starting point for me, but I have taken it in directions which would doubtless have horrified the missionaries of my childhood.

(05/27/2004)
This quote gives his interpretation of law vs grace: these are personal stages in Covenant himself. The Christian imagery is a symbol for TC’s personal growth, not the other way around! Donaldson is using the weight or gravitas of this religious language tell a story about a character, instead of using a character to symbolize stages of Christianity. The latter case would be allegory (which he explicitly denies he’s doing) while the former case simply borrows from the heritage of Christian “myth” to imbue his tale with an archetypal weight and intensity.

Posted: Mon Jan 19, 2009 11:22 pm
by thewormoftheworld'send
Malik23 wrote:I’ve spent way too much time on this post. I feel very strongly about these issues as they relate to this story. Please don’t interpret my passion or the lengthy response as an attack upon anyone’s beliefs.
TheWormoftheWorld'sEnd wrote:. . .faith in those "religious" rituals which maintain his existence against leprosy; the doctors [priests?] in the leprosarium [temple?] preached to him that leprosy was the most important thing in his life.
In what sense was VSE religious? The VSE “ritual” was for self-preservation, not for sacrifice, worship, reverence, selflessness, or any other possible “religious” sense. TC lived his life according to a dehumanizing set of rules and behaviors which distanced him from his humanity and turned him into merely a “survival machine” (which is why in the first couple pages he is described as having a “mechanical” gait). There is no passion, no hope in this set of rituals, only a stubborn refusal to accept death. I see absolutely no reason to suppose that doctors are priests, or that the leprosaruim is a temple. Can you back this up with something from the book?
The part where doctors are priests is not in the book. The doctors and the leprosarium are part of the book.

All you have to do to see my point is to see this "religion" in the most secular terms. I did define "religious" in a previous post, perhaps on another thread and you didn't see it. It will be easy enough to find the definition again, here it is:

wordnetweb.princeton.edu/perl/webwn?s=religious
extremely scrupulous and conscientious; "religious in observing the rules of health"

But then, it is also possible to make a religious analogy work in a stronger sense of that word. Why? Well, where did the concept of "redemption" originate? You can't just ignore the religious underpinnings when those concepts are the very source of the concepts used to write the book - and even SRD admits that his religious upbringing is in the core of his being and cannot be denied even if they are secularized to the point where they are hardly recognizable as religious in the strong sense.

Please don't think I'm ignoring parts of your posts, I am hanging on to every word. Sometimes snippage is necessary for brevity but that doesn't mean I didn't read or ignored the part snipped. But if you understand that I already know about SRD's secular-religious point of view that is a starting point for understanding me at least. It's really enough to point out that there is a deity or two portrayed in these books, and that "elohim" literally means "god."
Malik23 wrote:
TheWormoftheWorld'sEnd wrote:I think the plot boils down to the fact that TC had to do something to free himself of guilt:
I wholeheartedly disagree that the point of these books is to free himself of guilt. Rather, I think it’s more about how to live with the consequences of being an imperfect, “guilty” person (in other words, a real human being)—i.e. how to resist the temptation of doing something extravagant and deadly (like the Ritual of Desecration) or something life-denying like the Oath of Peace or the Bloodguard’s Vow. These absolutist attempts to atone for one’s guilt, weakness, or imperfection lead to even worse consequences.

Innocence is defined by Donaldson as impotence, or worse.
TC did indeed free himself of guilt, for the crimes he committed, in the eyes of the people of the Land, and in his own eyes. He did not free himself of the capacity for guilt, his humanity, or his humility. He freed himself to return to his rituals which keep him alive. Recall that, wracked with guilt over such issues as the fall of his daughter Elena, TC had given them up completely in the "real" world.

You're talking past my point by addressing freeing himself of the capacity for guilt, that which indeed makes us human as you said. That's not the same thing as removing guilt, atoning for one's sins (rape of Lena, etc.). TC did something which atoned for his sins, and washed away his guilt. He is still human however because he still has the capacity for guilt - and he is still a leper which is, in religious terms, significant of sin and punishment. TC never gave that up, he chose his leprosy existence over spending the rest of his life as a hero in the Land. In this way, he affirmed his core humanness and humility. I'm not saying that he affirmed any religion.

SRD is, after all, a humanist/existentialist, and he overtly writes like one.
But if you deny the covert Christianity inherent to these books you deny SRD what he called the very core of his being, the product of his upbringing in India with missionaries, and his listening as a child to a thousand sermons preaching about all these issues. This background, this core of his being, cannot be expunged, and it is present in his novels as a backdrop theme.
Malik23 wrote:
Donaldson wrote:Such "Covenant"-esque ideas as "innocence is impotence" and "only the guilty have power" are inferences drawn from the basic precepts of free will. They might be rephrased thus: only a person who has truly experienced the consequences of his/her own destructive actions is qualified to evaluate--is, indeed, capable of evaluating--his/her future actions in order to make meaningful choices between destruction and preservation. Hile Troy is an interesting example. He's "innocent" in a way that Covenant is not: he's never done anything even remotely comparable to the rape of Lena. As a result, he's bloody dangerous. He literally doesn't know what he's doing: he hasn't learned the kind of humility that comes from meeting his own inner Despiser face-to-face. Therefore, in spite of all his good intentions, he makes decisions which bear an ineluctable resemblence to Kevin's.

Do you doubt me? Look at Troy's "accomplishments." If Mhoram hadn't saved his bacon at the edge of Garroting Deep, his decisions would have effectively destroyed the Lords' ability to defend the Land. He's just too damn innocent. He hasn't learned the self-doubt, the humility, that makes Covenant hesitate, or that makes Mhoram wise.

(07/13/2004)
Clearly, the goal isn't innocence. Nor is it a rigid, absolute purge of guilt.
Not what I said.

And I don't think Hile Troy was innocent, he was naive - but that's another topic. If he was innocent he wouldn't have paid the price he paid. That is perhaps why SRD used scare-quotes around the word "innocent" in the quote above. Hile Troy was originally free from any burden of guilt, there was no stricture of such law placed on his existence in the Land. So he was free to pursue a destructive course in that sense. He was guilty of nearly destroying the Land's ability to defend itself, as you said, so his guilt was earned as the story progressed.
Malik23 wrote:
TheWormoftheWorld'sEnd wrote:Guilt is a religious concept, namely, original sin. This becomes, in the novel, the law which binds TC to his leprosy and his rituals.
Guilt is not a strictly religious concept. (It is also a legal concept, and it is a social concept.) To interpret it strictly in religious terms robs this concept--and these books--of their universality. I think there is plenty of evidence that Donaldson does not present Covenant’s leprosy as evidence of his “original sin,” something for which he must be redeemed. One example is the tent revival in the Power that Preserves. The religious people in that scene—who present this concept you’re advocating—are portrayed as mistaken and overly judgmental. Indeed, the people who preach such ideas are shown to be frauds who only spout this rhetoric because they want to extract the “offering” (i.e. money).

Another example is the general worldview of those living in the Land during The Wounded Land. The idea that people are guilty simply from being born is presented by the author as a lie told by Lord Foul and the Clave. Sunbane is presented as a punishment for the people of the Land, a punishment that our protagonists, TC and LA, react to with abhorrence. The Sunbane is a distortion of the way things should be. Thus, “punishment for original sin,” is explicitly portrayed by this author as something undeserved and “evil.”
SRD wrote:A couple of people have asked this. Remember, I was raised and educated (through 11th grade) by Christian fundamentalists; so naturally I was thinking of the profound differences between the Old and New Testaments, specifically as those differences pertain to the relationship between God and Man (forgive the male word Man: it's appropriate in this context), the "covenant of law" versus the "covenant of grace." That this is apt won't surprise anyone familiar with the Bible. The "old" Thomas Covenant can't survive unless he abides by the strict rules of his illness (hence his Unbelief, his rigidity, his difficulty giving or accepting forgiveness). The "new" Thomas Covenant finds the grace/love/open-heartedness to transcend his old laws.

But I hasten to add that while all this is very "Christian" in its sources it is by no means "Christian" in its application and development. It was a natural starting point for me, but I have taken it in directions which would doubtless have horrified the missionaries of my childhood.
I truly believe, based on my reading of this passage from the GI, that SRD finds many ideas springing from religion to be abhorrent. However, SRD's religious upbringing, the fact that he states that the very name "Covenant" is a reference to both the OT and the NT, the fact that SRD himself states in the GI that TC's struggles in the Land represent his struggles with Law (the old testament) and rebirth into the freedom of redemption (the new testament) cannot be denied.
Malik23 wrote:
On page 115, in the Wounded Land, Donaldson wrote:. . . part [of TC] raged at the brutality which had taught people like Sunder to think of their own lives as punishment for a crime they could not have committed. . . “
Donaldson wrote:"Original sin" is only one of the many distortions that I was programmed to accept without question. Since then, I've learned to think in ways that would doubtless horrify my parents (or at least my mother); but the templates underlying the beliefs I was raised to share still influence me. So I find it difficult to think of things like innocence or purity as being either viable or desirable. Hence my rather assertive comments on the subject in other contexts.

(10/10/2007)
So this brings up the question, “Why is Covenant ‘guilty’?” Ignoring the dubious status of his actions in the Land (rape, inaction, ect.), he is guilty of despair and despite in the real world (which then manifest themselves in the Land). He has lost hope, and has isolated himself from meaningful connection with others through the rigid “Law of Leprosy.” His life has become inauthentic, through his reaction to leprosy. Lesprosy is not his original sin. Leprosy isn’t a sign of his guilt. Leprosy is a symbol of his mortality, and his guilt comes in how he responds to that unattractive truth.
Leprosy isn't a sign of guilt? It depends on which social context you use.

Sickness in general certainly is a sign of mortality. However, what's significant in terms of the Chronicles is that TC chose at the end to return to his social isolation and leprosy rather than live out a life of health and heroic social stature in the Land. This was not an affirmation of mortality, but an affirmation of the "real" world along with its hard, cold realities such as social stigma and illness.
Malik23 wrote:
TheWormoftheWorld'sEnd wrote:Perhaps God seemed to be telling TC, at this point in the story, that even in his very dreams he is not worthy, that there is no escaping the inevitable and fundamental "disease" which goes deeper than leprosy or any physical or mental disorder, that he deserved his leprosy and being seemingly cured of it did not release him from the fundamental core of his being, his original sin.
My reaction to this interpretation vehement opposition. I’ll try to keep that emotion out of my post; but I do want to indicate the degree to which I find this antithetical to Donaldson’s story. It is a perversion of this story, in my opinion, a perversion that reminds me of the Sunbane itself, and the poor inhabitants of the Land who view Sunbane as their just punishment. Rather than spend more time arguing the issue here, why don’t you ask Donaldson if he thinks Covenant deserved leprosy? (Let me know if you plan to do this, because if you don’t, I will.) In my opinion, the point of this series is so diametrically opposed to your interpretation, I’m literally astonished to see things like this posted on his fansite.

There is an undeniable Christian component to the imagery and language of this story. However, I think the purposes of this author is to subvert or reinterpret those Christian concepts.
Lol. Well, TC certainly CHOSE leprosy, did he not? And in this way he affirmed it, did he not? WHY oh WHY would anybody choose leprosy over living in the beauty and health of the Land, and moreso, choose NOT to live out the rest of his days as a hero in the hearts of all its inhabitants, and instead, return to social stigma and chronic illness?

I certainly will risk annoying anybody by putting such questions out there rather than merely putting my hands in my pockets and shrugging it off with a simple "I don't know."

[snipping the same quote from the GI I gave above]
Malik23 wrote:This quote gives his interpretation of law vs grace: these are personal stages in Covenant himself. The Christian imagery is a symbol for TC’s personal growth, not the other way around! Donaldson is using the weight or gravitas of this religious language tell a story about a character, instead of using a character to symbolize stages of Christianity. The latter case would be allegory (which he explicitly denies he’s doing) while the former case simply borrows from the heritage of Christian “myth” to imbue his tale with an archetypal weight and intensity.
Absolutely, Donaldson is certainly no religious CS Lewis, I agree with you there! I am already familiar with SRD's stance on this issue and have been for some time. I guess I expect my posts to be interpreted from my understanding, which is basically the same as yours, but I can't expect everything.

Posted: Tue Jan 20, 2009 9:11 pm
by Zarathustra
WWE, ok fair enough. Perhaps I have misunderstood your points. It wouldn't be the first time. Maybe my passion is getting in my way, maybe you're not expressing yourself as well as you could, or maybe we are talking around each other.

I'm not going line-by-line. I just wanted to say that, sure, leprosy has been traditionally viewed as "judgment from god" or a sign of guilt. And Donaldson is playing against that traditional view, being ironic. Nietzsche did something very similar with Zarathustra, showing an "anti-Christ" figure who turned every Christian virtue into a vice.

I feel that you have been missing the ironic nature of the Christian references in Donaldson's work. But perhaps I've missed the fact that you already know this--which is itself ironic. :)

Posted: Tue Jan 20, 2009 9:41 pm
by thewormoftheworld'send
Malik23 wrote:WWE, ok fair enough. Perhaps I have misunderstood your points. It wouldn't be the first time. Maybe my passion is getting in my way, maybe you're not expressing yourself as well as you could, or maybe we are talking around each other.

I'm not going line-by-line. I just wanted to say that, sure, leprosy has been traditionally viewed as "judgment from god" or a sign of guilt. And Donaldson is playing against that traditional view, being ironic. Nietzsche did something very similar with Zarathustra, showing an "anti-Christ" figure who turned every Christian virtue into a vice.

I feel that you have been missing the ironic nature of the Christian references in Donaldson's work. But perhaps I've missed the fact that you already know this--which is itself ironic. :)
I guess "ironic" would be the word for it. SRD calls it that. But it is ironic in the sense of being critical towards religion while at the same time relying on religious concepts.

There is one case I know of in which SRD is obliquely critical of religion. SRD uses the example of the Elohim, a name that means "god." It is not ironic that godlike beings are snobbish and selfish, IOW, they are narcissistic the way gods would be if any existed. It may also be highly critical of religious types who think they are better than the rest of us and live only for their own salvation. The very basis of Christianity, personal salvation, is selfish in that sense. They're not supposed to be snobbish about it, but sometimes they are.

That being said, TC's redemption from guilt, from the original sin (the rape of Lena) which he welcomed upon the Land and himself on his first arrival, is not ironic. Those who deserve redemption are those who need it the most. If that is ironic, it originates with Christianity and is not SRD's own invention.

It just so happens that lepers were considered the lowliest of all sinners. It would be ironic if it had been a Christian, and not a leper, who found himself in the Land and raped Lena. But since it was a leper, and one who was characterized as somewhat of a lecher from the beginning of the book, it only makes sense, the rape scene was actually TC staying in character.

Re: Creator Questions and Ambiguity

Posted: Thu Jan 29, 2009 5:55 pm
by spoonchicken
Is the old man in the ochre robe the Creator or just a crazy old man?
Was Hile Troy from the "real" world or was he just an element of TC's delusion?
Did Covenant will himself back from near death or was it the work of a divine will?
Is the Land as real, or even more real than, TC's own world?
Is it possible to share a dream?

1) The old man IS the Creator 2)Hile Troy was from the real world 3)Divine will, on the part of the Creator 4)The Land is real 5)No. Personally, I think the primary lesson of the First Chronicles (for both TC and the reader), is that....circumstances don't matter. What matters, is that we remain true to ourselves, and the things we believe in, regardless of what's going on around us. SRD himself basically states this out loud, at the end of TPTP, just before TC touches his ring to the Illearth Stone, and the fight begins. And besides, it's certainly true enough for all of us in our lives, isn't it? Certainly is for me, anyway...

Posted: Thu Jan 29, 2009 6:16 pm
by spoonchicken
Guilt is not an exclusively religious concept. Furthermore.....the theory of evolution wouldn't have helped the storyline at all. SRD needed to explain how things came into being, so he invented a rough parallel to all basic organized religions, simply as a successful literary tool. "Good" vs. "Evil".

Posted: Thu Jan 29, 2009 9:49 pm
by thewormoftheworld'send
spoonchicken wrote:Guilt is not an exclusively religious concept. Furthermore.....the theory of evolution wouldn't have helped the storyline at all. SRD needed to explain how things came into being, so he invented a rough parallel to all basic organized religions, simply as a successful literary tool. "Good" vs. "Evil".
You're taking my guilt comment out of context. "Guilt is a religious concept, namely, original sin." The context was original sin, which is guilt "all the way down" to your very core. Original sin is an exclusively religious concept.

I'm not sure why you're responding about the theory of evolution.

As far as answering my questions about the reality of the Land or the Creator, their reality doesn't matter, what matters is that they are important to TC. That idea is not original with me, I got it from the GI or from one of SRD's interviews.

I did not address the lesson "be true to ourselves." But one can be true to oneself whether the Land is real or not. The Land being real is not a requirement for any lessons, as far as I know.

But my thesis was that attempting to answer the questions, effacing the ambiguity left behind by SRD, negates the lessons. Because it is the question of the reality of the Land, i.e., TC's chronic Unbelief, upon which his entire struggle in the first Chronicles is based. Unbelief and leprosy. Doubting this reality led to major negative consequences for TC and other characters. Despair leads to Despite, and it even began to affect his health in the "real" world. On the other hand, TC could not afford to believe in the Land. So he took the middle route between the horns of the dilemma. If you ignore this then you miss the lesson that the Land is important to him whether or not it is real. ("Nevertheless...Still...") TC in the end affirmed the importance of the Land to him - but not its reality.

Posted: Thu Jan 29, 2009 10:12 pm
by spoonchicken
I think your thesis is a wonderful one to postulate. I'm not argueing that; I completely agree, that the ambigiuity is crucial tro the story. I just thought I'd toss in my 2 cents, that's all... :D

Posted: Fri Jan 30, 2009 12:57 am
by thewormoftheworld'send
The ambiguity is crucial to the understanding the lesson of the first Chronicles. And even if the Land was a dream, dreams are real in a sense, they are real to the extent that they can affect you. Furthermore, SRD stated somewhere that what you do in a place where there seems to be no real consequences says much about your character. A good conscience is not concerned with consequences, but with doing the right thing no matter the circumstance.

But now that the importance of the Land to TC has been established, we're on to the next lesson in the Second.

You may have a point about religion and evolution, I'm just not certain what it is. For our world, the (inadequate) solution to evolution vs. whatever-flavor-creationist-theory is to say that the Creator started the universe rolling, including its evolution. And God has set in place Law to keep it rolling. But I don't think there's a Law of Evolution in the Land.