Is the Worm a song?
Posted: Thu Nov 22, 2012 10:45 pm
What is symbolic, a Word, but also flows and, in musical notation anyway looks, like a river, a Worm? And the magic of the Forestals is musical, the magic that can refuse the end.
Maybe the lights at the One Tree were notes. They're described as motes, anyway.
The power of the Seven Words is precedent for the idea that something semiotic has natural and extreme force in the Land. The Worm might be a living river of structures like the Seven Words, in other words.
With all the true names and Words in these stories, I think it's plausible to think that the Laws of nature in the Land are similar to laws of physics as equations, only essentially written in the runescript/corresponding speech known by, say, Caerroil Wildwood. This world is a story, after all. Stories are written or spoken in languages. What better candidate in the Land than the true language of the Land's Earth?
And if the awakening of the Worm is connected to the breaking of the Laws of Life and Death, if it embodies those broken Laws somehow, then maybe it is the song that states those Laws through itself.
EDIT: maybe the Wraiths know the song of refusal. They used white gold's power reflected through the krill to refuse all interlopers in Andelain, after all. Imagine all the Wraiths infused with the light of the krill, trying to hold back the Worm. It is the size of a range of hills, and the Wraiths are in the Andelainian Hills. Okay, that last one's a stretch of wordplay logic... Anyway, the line, "No one will stand to offer, 'Nay,'" from the Wraiths' song at the end of FR also indicates familiarity with the principle of standing up to something and saying no to, refusing, it; and in this case, "it" is also said to be the end of the world.
Maybe the lights at the One Tree were notes. They're described as motes, anyway.
The power of the Seven Words is precedent for the idea that something semiotic has natural and extreme force in the Land. The Worm might be a living river of structures like the Seven Words, in other words.
With all the true names and Words in these stories, I think it's plausible to think that the Laws of nature in the Land are similar to laws of physics as equations, only essentially written in the runescript/corresponding speech known by, say, Caerroil Wildwood. This world is a story, after all. Stories are written or spoken in languages. What better candidate in the Land than the true language of the Land's Earth?
And if the awakening of the Worm is connected to the breaking of the Laws of Life and Death, if it embodies those broken Laws somehow, then maybe it is the song that states those Laws through itself.
EDIT: maybe the Wraiths know the song of refusal. They used white gold's power reflected through the krill to refuse all interlopers in Andelain, after all. Imagine all the Wraiths infused with the light of the krill, trying to hold back the Worm. It is the size of a range of hills, and the Wraiths are in the Andelainian Hills. Okay, that last one's a stretch of wordplay logic... Anyway, the line, "No one will stand to offer, 'Nay,'" from the Wraiths' song at the end of FR also indicates familiarity with the principle of standing up to something and saying no to, refusing, it; and in this case, "it" is also said to be the end of the world.