Valerian and the City of a Thousand Planets
Posted: Tue Nov 14, 2017 7:57 am
This, Luc Besson's sort of follow up to The Fifth Element, came to the screen, first with high hopes, then with crushingly critical reviews - and finally with (I believe) a pretty decent box office return worldwide and a more positive exit poll figure (79 percent on Google said they enjoyed it). Against this backdrop I had pretty mixed feelings as to what to expect from the film and alas I'm sorry to say that for me at least the reviewers got it right.
This is a film that, while it may work for the kids and adolescents, is so shallow and not even very good or original in the visual department, that it is unlikely to find any fans amongst the older viewers. The two young stars are attractive - but not engaging, and you struggle to build any enthusiasm for the end result of their adversarial type of foreplay. The one thousand planets are so off the shelf, so cartoonist in their color that the rubber-clad nature of their inhabitants seems entirely fitting and simply dull, dull, dull.
All in all about as much fun as a bowl of cold porridge and I could simply weep to see such fare served up by the man who gave us Leon.
This is a film that, while it may work for the kids and adolescents, is so shallow and not even very good or original in the visual department, that it is unlikely to find any fans amongst the older viewers. The two young stars are attractive - but not engaging, and you struggle to build any enthusiasm for the end result of their adversarial type of foreplay. The one thousand planets are so off the shelf, so cartoonist in their color that the rubber-clad nature of their inhabitants seems entirely fitting and simply dull, dull, dull.
All in all about as much fun as a bowl of cold porridge and I could simply weep to see such fare served up by the man who gave us Leon.