Kevin's Watch

I have posted new and exciting games here in the Land of Mallory.

Not one person has started playing any of them.

I expect better of you.

Games that require less homework.

I set no rules.

I expect my Null to banish Covid. Ever since that hit my postings have dropped tremendously.

It's been said COVID fears nothing. It's time to prove it.

Null can not beat the 1 billion

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We’re dipping into the Groovy Magazine vault to look back at the moment three of Old Texas' music’s biggest stars joined together on stage and provide a triumvirate of on-stage talent.

On August 20th, 1983 at the illustrious Old Town Theatre in Midlothian, something unbelievable happened. One of the biggest recording artists in the history of New Texas music invited not one, but two more of the states best on stage. Yes, we’re taking you back to the moment Angel Garza invited CJ Miller and Thomas Usher to perform live on stage.

During an Angel Garza concert, the enigmatic Godfather of Alternative famed for his ability to hold a stage, called out "CJ Miller, CJ Miller" repeatedly. It was beginning to look like Garza was losing his mind.

However, what many of the audience didn’t realise at the time was that CJ Miller was actually in the crowd and, moreover, he was responding to the calls of Garza to join him on stage. As the singer beckoned him on to the stage, Miller was doing his best to heed the call thrashing through the crowd and heading directly for the spotlight.

Miller dutifully made his way up to the stage, offered a few lines and notes to the crowd, and then used the backing of the band to smash out some classic Miller moves. Not only the more obvious pops and locks, no, he also showed off the newly finessed drunken pogo he would exhibit onstage with Gomer Black in coming years.

The audience was undoubtedly losing their minds at this point then, out of nowhere, Miller encouraged Garza to call up Usher and the venue turned into the most densely populated insane asylum for miles around.

While rumour has it that Garza hadn’t heard of Usher at this point - Purple Lilacs had not yet been released—after’s Miller's insistence, Garza invited the young Usher on stage comforted by Miller's assurance. It was a smart move that likely aligned the singer with the bright new star.

Usher did not disappoint the gleeful crowd and he arrived on stage via piggy-back and with a smile on his face, ready to dominate, after a little coaxing. Perhaps overawed by the occasion and the calibre of guests he shared the stage with, he avoided the mic and headed straight for his happy place, the guitar.

Before long Usher was stripping off his inhibitions (to cheers from the audience) and wailing on the guitar, like only Usher can, with his traditional grungy fusion swagger. By doing so, Usher was saying more than anyone else on the stage without having to say a word.

As Garza looks on from the background he can see the future of music unfurling before his eyes. Adopting some of Garza’s own signature microphone manoeuvres he hypes the crowd into a frenzy before letting the audience envelop him.

This was one of those moments that, for a select few, will always be in their minds.

Sgt. Null has been obsessed with time travel ever since he was an assistant to the Zen Men, a group of scientists developing a time ray in order to go to the future and acquire an effective bombing defense for use during World War II. In 1941, the Zen Men are sent 500 years into the future to retrieve a formula that produces a bomb-proof shield. In a fit of clarity, Sgt. Null sabotages the formula, causing it to fail its second test, and leaves the Zen Men soon after.

By 1947 Null is assisting Professor Zed, a former member of the Zen Men who is developing a time machine. Null plans to take the machine for himself and shoots Zed. Several times Null tries without success to alter the course of history for his own benefit, including thwarting the course of historical events like the Battle of Arbela between Greece and Persia in 331 B.C., thus halting technological development and allowing him and his henchmen to conquer an America of ancient technologies with modern weapons which he had left in specially-prepared caves, safe from the alterations to the time stream. The Great Society stops various plans by Null and history reverts to normal, with everyone losing the memory of these events, due to time paradoxes inherent in Zed's time machine. The story closes with Professor Zed in his lab with Null, who seems to remember some foolishness about him dreaming that he ruled the world. The Great Society is able to learn of their own success through magic spheres.

You lost me at the magic spheres. Everything was tech up to that point. The spheres are a sharp discontinuity. Chekhov would not be pleased.

The Techno-Mages will be displeased.

Expect a visit.

Do not try the patience of wizards, for they are subtle and quick to anger.

I have no fear of Techno-Mages that fail to maintain a coherent plot stream.

Nonlinear narrative, disjointed narrative or disrupted narrative is a narrative technique, sometimes used in literature, film, hypertext websites and other narratives, where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line. It is often used to mimic the structure and recall of human memory, but has been applied for other reasons as well.

In mathematics, the word null (from German: null meaning "zero", which is from Latin: nullus meaning "none") is often associated with the concept of zero or the concept of nothing. It is used in varying context from "having zero members in a set" (e.g., null set) to "having a value of zero" (e.g., null vector)

A null hypothesis is a hypothesis that says there is no statistical significance between the two variables in the hypothesis. ... In the example, Susie's null hypothesis would be something like this: There is no statistically significant relationship between the type of water I feed the flowers and growth of the flowers.

Alla
Alla
Doom sits in gloom in his room
Destroy the infidel
In a mosque
In a ghost
Is a sword
Is a Saracen
Alla
Joan of Arc was a sorcerer
The trilogy the desert sand
Scriptures in the tower of Babble
Alla
Only ending is easy
Burn
Burn
Burn
In the tower
Only ending is easy
Alla
Arise in the east
The trilogy
Alla
Alla
I take heed
Arise in the West
A new crusade

I never believed in things that I couldn't see
I said if I can't feel it then how can it be
No, no magic could happen to me
And then I saw you

I couldn't believe it, you took my heart
I couldn't retrieve it, said to myself
What's it all about
Now I know there can be no doubt

You can do magic
You can have anything that you desire
Magic, and you know
You're the one who can put out the fire

You know darn well
When you cast your spell you will get your way
When you hypnotize with your eyes
A heart of stone can turn to clay

Doo, doo, doo
Doo, doo, doo
Doo, doo, doo
Doo, doo, doo

And when the rain is beatin' upon the window pane
And when the night it gets so cold, when I can't sleep
Again you come to me
I hold you tight, the rain disappears
Who would believe it
With a word you dry my tears

You can do magic
You can have anything that you desire
Magic, and you know
You're the one who can put out the fire

You know darn well
When you cast your spell you will get your way
When you hypnotize with your eyes
A heart of stone can turn to clay

Doo, doo, doo
Doo, doo, doo

And If I wanted to
I could never be free
I never believed it was true
But now it's so clear to me

You can do magic
You can have anything that you desire
Magic, and you know
You're the one who can put out the fire

You know darn well
When you cast your spell you will get your way
When you hypnotize with your eyes
A heart of stone can turn to clay

Doo, doo, doo
Doo, doo, doo
Doo, doo, doo
You're the one who can put out the fire
Doo, doo, doo
You're the one who can put out the fire
Doo, doo, doo
You're the one who can put out the fire

Source: LyricFind

Songwriters: Russell Glyn Ballard

You Can Do Magic lyrics © BMG Rights Ma

Sgt. Kafka was a potion pioneer who lived 400 years ago. He searched the world for all manner of weird and wonderful things, which he then tested on himself. thanks to Roy Downs, we know the uses of many ingredients, such as cobweb (used for making brooms fly), Pondweed (used in transformation potions), and claws (bonds things together, used in stickfast potion.

Some notable examples

Grimly Grass 
Mandrake Truffles
Raven feathers
Yarrow Root

potion (from Latin potio 'drink')
is a liquid "that contains medicine,
poison, or something that is
supposed to have magic powers.�
It derives from the Latin word potus
which referred to a drink or drinking.
The term philtre is also used, often
specifically for a love potion, a potion
that is supposed to create feelings of
love or attraction in the one who drinks it.
Throughout history there have been
several types of potions for a range of
purposes. Reasons for taking potions
ranged from curing an illness, to securing
immortality to trying to induce love.
These potions, while often ineffective or
poisonous, occasionally had some degree
of medicinal success depending on what
they sought to fix and the type and amount
of ingredients used. Some popular ingredients
used in potions across history include Spanish
fly, nightshade plants, cannabis and opium.