This is random
Posted: Wed Nov 17, 2004 7:16 pm
In fact, I don't know why I'm posting it. Nonetheless, I am.
I struggle to find a better way to describe the sensation than “opening”. It’s like switching on an electromagnet; where before there was inanition, there is suddenly affinity and invisible forces. The sensations are vague, and not easily defined in the terms of those who don’t experience them, but I shall make the attempt. Everything feels. Everything feels of something. In the same way that a visual display of magnetic forces will reveal a mass of lines and curves, swirling and moving, so a visual representation of these mysterious landscapes would show emanations from all things, the whole world immersed in the colours. But of course there is no visual representation, to the best of my knowledge. The colours are sensations, detected in the back of my neck, the top of my spine, and the base of my skull. The sensations are fuzzy, like the feeling I would expect from the thronging sleet on an untuned television screen. That is always present. Each object, person, or – more importantly – purpose makes waves in that. The waves feel different, depending on what is being sought. Some options (for it is always options, whether a direction, a person, an item, anything) feel pleasant and soothing, some feel jarring and uncomfortable. Some simply repel with considerable force, and some draw powerfully. The repulsion and attraction seem to be the alarm bells, the screaming of my hidden senses, clamouring for my urgent attention. The more indistinct sensations are the ones I experience when I am consciously or semi-consciously seeking an answer. When I am required to select which hand contains the coin, or which of several envelopes contains the money, I “open” - I reach out and feel. I have to gauge which sensation is the one I’m looking for, and experience suggests it’s not the pleasant one. It’s usually a sensation of mild discomfort, a vague ache mixed with a niggling compulsion, liked being nagged. But it takes time to assess which feeling is which; my “sense” appears to require a few moments of tuning, of refinement, before I can make a sound judgement; and I also need to observe, for the sensations aren’t fixed – they ebb and flow like water or thermal currents in the air, mingling and overlapping, momentarily eclipsing other sources. This is why I don’t like to operate the delicate machinery of the senses under pressure – to use a poor analogy, it is like (I would imagine) trying to perform painstaking surgery on national TV. The pressure of people expecting a result makes it more difficult to sift through the fluid mass. It introduces doubt, which is the seed of error; it’s possible to misjudge the…”currents”, for want of a better word…occasionally, but others who don’t experience this probably won’t understand that. They expect that it’s as simple as a ping and a yes or no, they don’t realise it takes skill and practice to interpret the emanations. Having said that, as long as I’m not being unduly pressured, and there is little expectation on me to give the correct answer, I usually do. A little trial and error taught me which sensation, roughly, is the target. I do occasionally wonder how much there is to this; would further practice enable me to extend my reach – perhaps learn what other types of emanations mean? On the other hand, the texture (that’s an apt word) seems to vary depending on context. Whatever I’m seeking, it always has the same texture. Perhaps the other textures (for there are many – it’s not as simple as “target” and “not target”) are just random interference, or perhaps they mean something. I’m intrigued, and I may yet seek a way to investigate…
I struggle to find a better way to describe the sensation than “opening”. It’s like switching on an electromagnet; where before there was inanition, there is suddenly affinity and invisible forces. The sensations are vague, and not easily defined in the terms of those who don’t experience them, but I shall make the attempt. Everything feels. Everything feels of something. In the same way that a visual display of magnetic forces will reveal a mass of lines and curves, swirling and moving, so a visual representation of these mysterious landscapes would show emanations from all things, the whole world immersed in the colours. But of course there is no visual representation, to the best of my knowledge. The colours are sensations, detected in the back of my neck, the top of my spine, and the base of my skull. The sensations are fuzzy, like the feeling I would expect from the thronging sleet on an untuned television screen. That is always present. Each object, person, or – more importantly – purpose makes waves in that. The waves feel different, depending on what is being sought. Some options (for it is always options, whether a direction, a person, an item, anything) feel pleasant and soothing, some feel jarring and uncomfortable. Some simply repel with considerable force, and some draw powerfully. The repulsion and attraction seem to be the alarm bells, the screaming of my hidden senses, clamouring for my urgent attention. The more indistinct sensations are the ones I experience when I am consciously or semi-consciously seeking an answer. When I am required to select which hand contains the coin, or which of several envelopes contains the money, I “open” - I reach out and feel. I have to gauge which sensation is the one I’m looking for, and experience suggests it’s not the pleasant one. It’s usually a sensation of mild discomfort, a vague ache mixed with a niggling compulsion, liked being nagged. But it takes time to assess which feeling is which; my “sense” appears to require a few moments of tuning, of refinement, before I can make a sound judgement; and I also need to observe, for the sensations aren’t fixed – they ebb and flow like water or thermal currents in the air, mingling and overlapping, momentarily eclipsing other sources. This is why I don’t like to operate the delicate machinery of the senses under pressure – to use a poor analogy, it is like (I would imagine) trying to perform painstaking surgery on national TV. The pressure of people expecting a result makes it more difficult to sift through the fluid mass. It introduces doubt, which is the seed of error; it’s possible to misjudge the…”currents”, for want of a better word…occasionally, but others who don’t experience this probably won’t understand that. They expect that it’s as simple as a ping and a yes or no, they don’t realise it takes skill and practice to interpret the emanations. Having said that, as long as I’m not being unduly pressured, and there is little expectation on me to give the correct answer, I usually do. A little trial and error taught me which sensation, roughly, is the target. I do occasionally wonder how much there is to this; would further practice enable me to extend my reach – perhaps learn what other types of emanations mean? On the other hand, the texture (that’s an apt word) seems to vary depending on context. Whatever I’m seeking, it always has the same texture. Perhaps the other textures (for there are many – it’s not as simple as “target” and “not target”) are just random interference, or perhaps they mean something. I’m intrigued, and I may yet seek a way to investigate…