Hashi Lebwohl wrote:
An updated Creature wouldn't have to be stitched together from corpses but the result of an obsessed researcher artificially creating a human being from the genetic sequencing all the way to forced maturation in the lab.
I think its this kind of approach that tends to nullify interest in classic properties. There are some elements to admittedly outdated concepts that must be re-imagined for a modern audience. However removing something as recognizable as the appearance of Frankenstein's Monster makes revisiting the property somewhat unnecessary. The scenario of an obsessed researcher artificially creating a human being from the genetic sequencing all the way to forced maturation in the lab has similar dna but isn't even in the same visual family.
What I believe fans of the classic Universal Monsters want is something visually authentic but also much improved or else you end up with an unfortunate I.N.O. situation similar to the 1998 version of Godzilla.
Making a feature film about Bugs Bunny but using an anthropomorphic, smart Alec Kangaroo might be fun but it aint Bugs Bunny. IMHO.
As far as The Mummy is concerned I was dismayed when I saw the first trailers and realized that the new film borrows much from the Stephen Sommers Mummy series. Don't get me wrong, I actually liked Sommers films for the most part but I never thought of them as related to the classic Mummy films. I had hoped that the new film would at least try to recapture what was appealing about the classic and translate it for modern audience consumption.
As far as I can tell the studio and film makers missed an opportunity to do something really exciting but went for the easy action/adventure route as if audiences aren't already being crushed by Fast and Furious/Transformers ultra stupidity.
My hope is that I will find some way to enjoy The Mummy this weekend.