Pink Floyd!!

[sgt.null]

I'm having a bit of trouble finding the Committee stuff - I found this - https://www.youtube.com/watch?v=FYKpT6Z5Yqk which is parts 1, 2 and 8 apparently.

Null, do you have any links or is this the right one?

3 through 7 are available but have the movie dialogue.
https://youtu.be/38R-rozdlkY

I forgot to post this with Piper at the Gates of Dawn
https://youtu.be/5pAwfSntPic

The original lyrics of Matilda Mother.
"A previously unreleased alternative version was released in a 40th anniversary reissue of The Piper at the Gates of Dawn; parts of this version's lyrics are also from Belloc's Cautionary Tales, i.e. Jim and Henry King, whereas the chorus is the same as in the standard version."

[StevieG]

Ummagumma - Record Two

The Grand Vizear's Garden Party
Entrance : Nick's then wife Lindy on flute. It's not a song though.
Entertainment : somehow it makes the drum solo worse.
Exit : at 42 seconds it's too long.

Null Rating : I - 0. II - 0. III - 0.
Song Rating - 0 out of 10.

And we have our first perfect 0

Thanks for that review, very entertaining. Yeah, I don't think there's anything worse than Nick Mason's Grand Vizier.

[StevieG]

Part 2 - starts like a hotel piano player noodling, ends with the piano falling down the elevator shaft. So from dull to awful.

Gold! Such an apt description.

[StevieG]

The Committee



Released: 1968
StevieG rating: 1.8/10

As far as I'm aware, this is an unreleased soundtrack. The Pink Floyd parts go for around 15 minutes (linked in the above posts):

Part 1 - short and sickly. The "played backwards" version is almost better, which lifts it from 0/10 to 1/10
Part 2 - better. More of a song, nearly. Birds (!) at the start. Pleasant enough but very undeveloped - 3/10
Parts 3-7 - I was distracted by the philosophical discussion over the top of these parts. But then listened to it again. It's really just keyboard sounds, a weak bass line at times, background music that really doesn't do anything for anyone - 1/10
Part 8 - this is easily the best part of the soundtrack. It has a repeating melody. Potential to become a real song - it builds reasonably well. It would be interesting if they reworked this one and we could see if it turned out to be anything worth listening to - 5/10

Soundtrack rating: 1.8/10

[StevieG]

Zabriskie Point



Soundtrack released: March 1970
StevieG rating: 4/10

I haven't seen this film. An interesting thing to note is that the male lead, Mark Frachette, had a short life due to robbing a bank, and dying in prison aged 27 from a weightlifting accident.



https://en.wikipedia.org/wiki/Mark_Frechette


Heart Beat, Pig Meat

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 1/10

It has an interesting start, kind of a heartbeat sound - which is obviously something they utilised in future albums. But after the opening, nothing happens.


Crumbling Land

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 6/10

Nice guitar intro, nice shuffle beat, nice harmonies, nice bridge, nice outtro. No complaints.


Come in Number 51, Your Time is Up

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 6/10

I quite like this variation on Careful with that Axe Eugene. It still has that moody, creepy build up, and then explodes into a blood-curdling scream (no "Careful with that Axe Eugene" whisper) followed by the main thrust of the song. And it wraps up reasonably quickly, which I quite like.


Country Song (Red Queen Theme)

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 7/10

When I first heard this, I instantly felt transported to the Obscured by Clouds album. I reckon it would have fit nicely on that album. There's a lot to like about this song: it has a great melody, shades of Barrett, the guitar sound is great, great piano. Unfortunately it fades out... but that doesn't diminish the song.


Unknown Song

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 4/10

The intro sounds a lot like the future Floyd. Acoustic guitar intro. The problem with this one is it just trips along for way too long - it sounds pleasant to start with, but then just doesn't stop, and then it fades out.


Love song version 6

Written by: Waters, Gilmour, Mason, Wright
StevieG rating: 3/10

Pretty much 12 bar blues with alternating guitar and piano solos. Gilmour and Wright just jamming. It sounds good for a while, but yeah, it just has no purpose.


Love song version 4

Written by: Richard Wright
StevieG rating: 1/10

Aimless piano noodling. It's like going into an old-school restaurant or bar where an old guy is tapping away on the grand piano and seems like he'll never stop until they cart him away. Eventually you just want to put him out of his misery.

[StevieG]

One more song before launching into the next album.

Embryo

Written by: Roger Waters
StevieG rating: 5/10

There seem to be multiple versions of this song. This one is the shorter studio version. Yet another dreamy track with a good melody. One of the longer versions I listened had a heavier feel to it and a much extended guitar solo and some great drumming by Nick Mason.

[sgt.null]

Stevie G

Glad you are enjoying my reviews, as I am enjoying yours.

Any thoughts on the alternate Matilda Mother?

We should do solo albums next.

And I forgot Moonhead, John Latham, Beechwood, Scream, Vegetable Man, etc.

We should combine rare, unreleased tracks at the end. Some are worth the listen.

[sgt.null]

The Committee

Part One : some backwards tape. Nothing here. Reminds a lot of Revolution 9 by the Beatles. I hate that song.

Part Two: again with the stupid birds. But then we get some decent music. I wish they had expanded this track and wrote a proper song. It moves with a nice beat. They had something and wasted it.

Part Three : uninteresting noises mostly covered up by insipid dialogue. Does not make me want to see the film.

Part Four : same as last song. But now with even more insipid philosophy mumbo-jumbo. I want to bash the speakers in the film about the head for torturing us so.

Part Five : I've already forgotten the barely there music. The bass is annoying, because you hope against hope that they launch into One of These Days. But no, just two twits blathering about a committee.

Part Six : Rick playing a funeral dirge? Apropos.

Part Seven : Floyd recycles Careful With That Axe Eugene.

Part Eight : this is good, could have been better. Ditch the stupid birds tweeting at the beginning. Excise the Do You Play Bridge? And fix the muddled ending. But it builds nicely and is a relaxing instrumental. Like Stevie G. I wish they had worked on it more.

Null Ratings...

I - 0 out of 10
II - 3 out of 10
III - 0 out of 10
IV - 0 out of 10
V - 0 out of 10
VI - 0 out of 10
VII - 1 out of 10
VIII - 5 out of 10

"Album" Rating - 1.125 out of 10

[sgt.null]

Zabriskie Point

Heart Beat, Pig Meat : nice title. I like the drum beat. The rest of the collage does not work for me. Not a fan of them. Just random noise and dialog. No thank you.

Crumbling Land : country Floyd? Not an aspect of the band we see often. It is a nice shuffle. Some pointed Waters lyrics. It works.

Come In Number 51, Your Time is Up : firstly the title.
https://en.m.wikipedia.org/wiki/Careful ... xe,_Eugene
I like this version a lot. Roger's screams sound louder and I really like his bass playing towards the end. Great version.

Red Queen Theme : I absolutely love this song. It should have been on a proper album. I'm thinking Atom Heart Mother. I love Roger's Through the Looking Glass inspired lyrics. Dave's vocals are spot on. And his guitar playing is strong through out. I love this song.

Unknown Song : definitely too long. Floyd would cannibalize the beginning acoustic guitars for Brain Damage on Dark Side. The second half bass would end up in Funky Dung off Atom Heart Mother. The two styles do not work well together.

Love Song Six : a band named after two blues men plays a 12 bars blues. Not a necessity, but nice to hear Rick in the forefront.

Love Song Four : agreed. It just wanders. Aimless noodling. Sorry Rick.

In addition we have a few more songs...

The Riot Scene ... the bones of what became Us & Them.
https://youtu.be/emG883Wjgg0
The beginning and end are repetitious. But the middle part is gorgeous. You can hear what Rick is going for.

Looking at Map - early instrumental version of what becomes Red Queen.Dave's lead guitar isn't there yet.
https://youtu.be/9fthwldipwA

On the Highway : early version of Crumbling Land. https://youtu.be/jTw16Jk8aWI
These early versions provide a nice insight into a working band. Floyd seemed to save every scrap of music for later use.

Take Off - I cant find any history of this. To me it kind of sounds like the fast part of Money? Let me know what you think Stevie G.
https://youtu.be/pt8_6O05l8M

Auto Scene - Red Queen Theme instrumental with Rick on harpsichord
https://youtu.be/jTw16Jk8aWI

Null Ratings

Heart Beat, Pig Meat - 2 out of 10
Crumbling Land - 6 out of 10
Number 51 - 7 out of 10

Album Rating - 5 out of 10

----------------------------------

Bonus Tracks Rating

Red Queen Theme - 8 out of 10
Unknown Song - 2 out of 10
Love Song Six - 4 out of 10

Bonus Rating - 4.6 out of 10

-------------------------

I posted the last few as a reference point.

[sgt.null]

I have seen the film Zabriskie Point. It is a film of it's time. Very hippie, avant-garde. It's worth a watch if you can find it.

Embryo - I like this version well enough. It is moody. A nice Waters lyric. But they did better versions live. Live Gilmour plays a mean guitar. Rick shares vocals and they jammed out. See here.
https://youtu.be/Tsd2GSK80vs

Null Rating

Studio - 6 out of 10
Live - 7 or 8 out of 10

[StevieG]

Any thoughts on the alternate Matilda Mother?

I like the lyrics. I looked them up and most of them are taken directly from the Cautionary Tales of Jim, Henry and Matilda. They fit well in the song. I listened to the original again, and they're pretty good too. They both work.

We should do solo albums next.

I have been thinking about that as the reviews have been going. It wasn't in my original plan, but I think it's important to do them to tell the whole story. The question is, do we do them in between the Floyd reviews as they are released, or wait until the end of the band reviews, and then do the solo stuff? I'm thinking we do them directly after all the Floyd reviews, and before the rarities etc.

And yeah, we can do the rare, unreleased and alternate stuff at the end.

[StevieG]

Riot Scene - it's amazing what it became. Knowing what it became helps me appreciate Rick's composition here. The thing that stands out for me here is that a lot of his early work is hard going - Sysyphus and others - but this is really listenable. The band must have picked up on that later to rework into Us and Them.

On the highway - you linked Auto Scene, here's On the Highway https://www.youtube.com/watch?v=9kWdKMmbV30. It's a good early version.

Take off - interesting. I can see some correlation with the middle section of Money, especially the guitar sound. This song is very undeveloped but as you say, they definitely used almost all their ideas for the future.

Auto scene - this may be the first time in my life that the harpsichord sounds like it should be there! It helps that the song it became is so good.

[sgt.null]

I would do solo at the end. Each member
Did albums. To varying success.

[StevieG]

Atom Heart Mother



Released: October 1970
StevieG rating: 4.1/10

This will be interesting

They continued the theme a bit from Ummagumma in that each member has a song on this album. "Alan's psychedelic breakfast" is credited to all of them, but I think Nick Mason was responsible for a lot of it.

The album is comprised of one long track on the first side, followed by the band member songs on side 2.

Some band members expressed negative views on this album years later. Gimour called it "a load of rubbish. We were at a real down point ... I think we were scraping the barrel a bit at that period". Water said "If somebody said to me now - right - here's a million pounds, go out and play Atom Heart Mother, I'd say you must be fucking joking."

Personally if someone offered me that sort of money, I'd do it - but I guess he is richer than me.


Atom Heart Mother

Written by: Mason, Gilmour, Waters, Wright, Geesin
StevieG full song rating: 4.5/10

This could make or break this album! It's interesting that Ron Geesin had a writing credit on this one - apparently he did a lot of work on pulling together, including getting an orchestra involved.

This is a very orchestral song in 6 parts, which I'll rate separately. I can appreciate that they went hard on this one, I imagine it would have taken a huge amount of effort to put together. At nearly 24 minutes, it is truly an epic, and I think sets them further on the path towards better lengthy songs in the future. I think it's probably their longest song in one sitting - Shine On is probably longer if put together but I can't think of a longer composition.

Part 1 - Father's Shout (4/10): It starts with a tune up. Somewhere in there it reminds me of Star Wars. Then it introduces the main theme of the song, which is the make or break part IMO. I like the main theme. This part suffers from the in-between bits that are uninteresting.

Part 2 - Breast Milky (6/10): The bass and organ kick in, and a nice cello solo ensues. The song is still flowing well at this stage. When Dave comes in with some slide guitar and then a further guitar solo, it elevates the song a lot with a nice variation on the main theme.

Part 3 - Mother Fore (5/10): This is the choir section. The opening reminds me of something that I can't quite put my finger on right now. It builds tension, maybe for a bit too long, has a horror movie feel to it. Then the drums kick in and lift it a bit.

Part 4 - Funky Dung (6/10): I'm not unhappy they did this part. The bass line starts it off, and I'm reminded of "Any Colour You Like" for a bit. Once again, when Dave comes in he lifts this part with a great guitar solo - this bit has shades of Shine On to it. It does drag a bit, before the choir comes in with an unexpected crazy voice part which gives it a completely different feel, before circling back to the main theme. The song could easily end at this point. It probably should have.

Part 5 - Mind Your Throats Please (0/10): Probably the part that shouldn't have been. Unnecessary filler. This is where the song loses me and I detach from it.

Part 6 - Remergence (6/10): It makes up for the previous part to a degree. The start of it reminds me strongly of Echoes. They can't seem to get going to begin with, until it eventually winds its way toward the main theme again. But wait! It's not over yet as it quietens down a bit with a violin solo, followed by a guitar solo which lifts it again and moves toward the TRIUMPHANT finale with a BIG ending.


If

Written by: Roger Waters
StevieG rating: 6/10

This has a quiet, moody tone with a nice tune and dark lyrics. We have an explicit mention of insanity, which as we know is a prevalent theme moving forward. There's a decent guitar solo and piano input. There are also 2 big positives about this: no bird sounds, and no fade-out!

Summer '68

Written by: Richard Wright
StevieG rating: 4/10

It starts well, and the verse has a good melody. I'm not a fan of the lyrics. So it's about a one-night stand that he will have in the next location too. He seems to be bored with the whole charade and blaming the groupie. But I get the feeling there's some self-loathing in there too. The chorus, or "How do you feel?" part is where I think it's a bit weak. Then the orchestra kicks in - it must have been available while Atom Heart Mother was recorded. It's ok I guess.

Fat Old Sun

Written by: David Gilmour
StevieG rating: 4/10

It is apparently one of David's favourites, but I'm not such a fan. The guitar solo is pretty good, but the rest of the song - meh.

Alan's Psychedelic Breakfast

Written by: Mason, Gilmour, Waters, Wright
StevieG rating: 2/10

I have to preface this with a personal pet hate of mine - I can't stand it when people chew in your ear. And this "song" has Alan doing just that in a way that is almost un-listenable to me. It has 3 parts, and 3 sections of music.

Part 1 - Rise and Shine (1/10): It starts with a dripping tap, which I believe Roger was experimenting with as a musical option. Then bloody Alan comes in and destroys my ears with insipid talk and breakfast preparations. Finally the music arrives, such as it is, background elevator music that couldn't possibly motivate the most hard-core Floyd fan.

Part 2 - Sunny side up (2/10): Alan comes back and pours himself a tea or coffee, and some cereal (rice bubbles?) and proceeds to slurp and gulp the thing, driving me completely around the bend. Acoustic guitar fades in, followed by drifting ambient music. I give it a 2/10, only for the guitar part.

Part 3 - Morning Glory (3/10): And now he's cooking bacon, or eggs, whatever. Finally we get some potentially decent music, with the piano developing nicely until Alan comes back in and spoils it for everyone. When he disappears again, the music develops further, but not in any satisfying way. Then he's back again at the end, and we're left listening to that dripping tap until the end of time....

[StevieG]

One more single song before the next album:

Biding My Time

Written by: Roger Waters
StevieG rating: 7/10

This song was released in May 1971 on the Relics compilation, but looks like it was actually recorded in 1969. I think it should have been on an album. It starts as a pretty standard laid back bluesy track, but once the singing is done, it transforms into a all-in jam session and just keeps building. Great guitar from Dave, trombone from Rick, drumming from Nick. It almost has a Caberet feel to it. I find myself grooving along to it.

[StevieG]

Ok, I'm going to keep going while I'm on a roll

Meddle



Released: October 1971
StevieG rating: 7/10

I'm not sure I can adequately describe the vast leap Pink Floyd made from ALL their previous work to this album. Their 6th studio album was released in the year of my birth. The thing that interests me in reading about the making of the album is that they really struggled to find any material, they devised a series of (failed) experiments to try and come up with something worthy to put on the album. And somehow they came up with a bunch of great tracks.

Once again, we have one side filled with a single 23-minute song, and the other with shorter works. Thankfully, they ditched the idea of continuing with the solo songs by each band member.


One of these Days

Written by: Gilmour, Waters, Wright, Mason
StevieG rating: 9/10

What a greater opener! We start with wind! Wind is a sound effect that features highly on this album. Then the double-tracked bass comes in, and you feel like there's something special brewing. The bass, played by Gilmour and Waters, has a delay that reverberates through the song - it echoes! It builds really well with some keyboard input, and then the awesome drumming intro, and upright steel guitar (which is spectacular live) before Mason chimes in with "One of these days, I'm going to cut you into little pieces!"

I read a quote from Mason: Possibly the most interesting thing about "One of These Days" is that it actually stars myself as vocalist, for the first time on any of our records that actually got to the public. It's a rather startling performance involving the use of a high voice and slowed down tape.

And then, BAM! A lot of future elements are crammed into the next section. This is a great song.



A Pillow of Winds

Written by: Gilmour, Waters
StevieG rating: 7/10

The wind of the previous song starts this one off. Signature acoustic guitars start this one, and it continues with a quiet melody modulating between major and minor sounding parts. I like the lyrics of this one.



Fearless

Written by: Gilmour, Waters
StevieG rating: 7/10

The inclusion of "You'll never walk alone" is a nice touch to this pleasant song. I really like the guitar sound and the singing on this one. It cruises along and I find myself singing along to it.



San Tropez

Written by: Roger Waters
StevieG rating: 7/10

This a groovy, jazzy, breezy number composed by Roger Waters. It's another one you can trip to along quite happily. The lyrics roll gracefully off the tongue. Throw in an appropriate slide guitar solo, and a nice piano solo near the end in a typical Rick Wright jazz style, and you have another winner. I'll ignore the fade out!



Seamus

Written by: Gilmour, Waters, Wright, Mason
StevieG rating: 6/10

I guess this is their "novelty" song. It's a real blues based track, with a dog "singing" along. I think it's pretty funny, and it has some nice guitar work. Apparently it was voted one the worst Floyd songs in Classic Rock Review, which is rubbish - they should read our review so far - there are far worse songs than this out there.



Echoes

Written by: Gilmour, Waters, Wright, Mason
StevieG rating: 6/10

They're improving with every attempt at a long epic song. I'm going to split this song up because it does have some changes. I'm not sure if there are specific "Parts" to it so I'm splitting up according to my subjective opinion.

Part 1 - from 0m --> 7m:01s (10/10): The first 7 minutes of this are sublime. It begins with the famous "ping" and builds nicely to the vocal part. The lyrics are great. The main theme of the song is really impressive, and then it moves into a cool guitar solo. I can't fault it, and I couldn't think of any changes that would improve it.

Part 2 - 7:01--> 11ish (4/10): Ok, so now we get into a new rhythm, a repeating drum, keyboard and bass line. Some guitar noodling. It goes on and on. I'm ok with it as a general section, but I prefer music the builds to something significant. A lot of their previous work builds to nothing. This section doesn't really build, it just moves along and then fades into the next section (uh oh).

Part 3 - 11ish --> 15ish(1/10): Here we are at the "filler" section. Albatrosses (I think we established ) sing away with various other sound effects. I'm not opposed to some of this, but this section drags and drags. I'm not a fan. 4 minutes feels like 30.

Part 4 - 15ish --> 23:31(9/10): The ping comes back, followed by a very lengthy build up to the grand finale. In this case, I'm happy for the long build up, because it's building up to something special. It starts with the ping, and keyboard comes in with some cool chords, followed by a Wall sounding guitar, slowly followed by drums, and up it builds to a great sounding guitar explosion, before seguing into the refrain once again.

Cloudless every day you fall upon my waking eyes
Inviting and inciting me to rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning

And no one sings me lullabies
And no one makes me close my eyes
So I throw the windows wide
And call to you across the sky

And on goes the music in a triumphant way, before moving into the wind once again. I said before starting this review that the middle section stops it from being a great song. I thought I might be retracting my previous statement, as parts of it are absolutely great. But I haven't changed my opinion based on this latest listen - if only the middle section was more interesting.

[Menolly]

Do you guys watch reaction videos on YouTube? There's a 27 year old in Orlando, FL who did a first listen to Meddle track by track. He claims he grew up on a genre called Progressive Metal, such as a group called Dream Theater, but he's listening to a variety of music from the '60s - '80s on his channel, including Yes, Genesis, Pink Floyd, and The Moody Blues (my favorites).

Watching his reactions has been priceless. I'm really enjoying it. Plus, he's actually introducing me to new-to-me music, as well.

If you're interested, he's on YouTube under the handle JustJP.

[sgt.null]

Atom Heart Mother

Atom Heart Mother

I : Father's Shout - up to 1:25 we just have the orchestra tuning up. Then we get the actual music, interrupted by the sounds of war and a motorcycle. They should have ditched the extraneous nonsense and stuck with the musical motif. Keep the orchestra and band only.

II : Breast Milky - a nice bass line, but it kind of just meanders. It's nice enough, but it needs to move the song along. David could have given us a stronger guitar line here.

III : Mother Fore - the orchestra starts strongly. Mixing with band nicely. But we encounter the choir. It drags the pace down. During this we get a bass line that Roger would recycle on Animals. This piece goes on for too long.

IV : Funky Dung - easily the best part of the song, before they try to ruin it. Every member is playing strong. David's guitar really smokes. But the stupid vocal improvs! They needed somebody better than Geesin working the booth for them.

V : Mind Your Throats Please - unnecessary.

VI : Reemergence - slow start but it hits hard after that. The orchestra and choir are both used well here. They should have built outwards from this.

In all there are parts that work well and parts that should have been cut. They should have worked more on it to get it right. It could have been so much better.

Null Rating
I - 3 of 10. II - 4 of 10. III - 3 of 10. IV - 6 of 10. V - 1 of 10. VI - 6 of 10.
Total Song Rating - 3.8 out of 10.


If - love the lyrics. The music doesn't get in the way, it adds a lovely texture. When he sings the for the second time, "I'd be late" the addition of "Again" is a nice writer's touch. Very underrated song.

Null Rating - 7 out of 10.

Summer '68 - groupies seem to be a reoccurring Rick theme. There are parts I really like. But the orchestra is not one of them. The lyrics needed to be punched up. Charlotte Pringles? But the "my friends are lying in the sun" is touching. As a group they aren't working hard enough to complete these songs.

Null Rating - 5 out of 10.

Fat Old Sun - great song. But the weakness and strength is Dave. His lyrics, bass and guitars are great. But he drums on the track, it needs Nick. All and all a favorite.

Null Rating - 8 out of 10.

Alan's Psychedelic Breakfast

Rise and Shine - I hate listening to Alan I like Rick's piano work.
Sunny Side Up - listening to Alan eat is disgusting. I like Dave's guitar.
Morning Glory - I just cant finish. I hate this song.

Null Rating I - 0 out of 10. II - 0 out of 10. III - 0 out of 10.
Song Rating - 0 out of 10.

Whatever nice musical bits exist, are ruined. I haven't listened to the entire song in 33 years since I first heard it. I will likely never listen to the song again. They could have finished the song with Red Queen and Biding my Time. What a wasted opportunity.

Album Rating : 4.7 out of 10.

[StevieG]

Do you guys watch reaction videos on YouTube? There's a 27 year old in Orlando, FL who did a first listen to Meddle track by track. He claims he grew up on a genre called Progressive Metal, such as a group called Dream Theater, but he's listening to a variety of music from the '60s - '80s on his channel, including Yes, Genesis, Pink Floyd, and The Moody Blues (my favorites).

Watching his reactions has been priceless. I'm really enjoying it. Plus, he's actually introducing me to new-to-me music, as well.

If you're interested, he's on YouTube under the handle JustJP.

I have listened to "Lost in Vegas" doing some reactions, which are really entertaining. I just listened to JustJP reacting to Echoes. He makes some good points. Interesting that he likes the middle part so much. I get what he's saying but it doesn't really do much for me.

[StevieG]

Sarge, I am glad you hated Alan's Psychedelic Breakfast. It would be an interesting contest between that and Grand Viziers...

Oh, and I just realised I made a mistake with Echoes ending - it's that Shepherd Tone, not wind.