drew wrote:Yeah, like what was the point of Eowyn going to Helms Deep, and Frodo sending Sam away?
And the raid of the Warg-riders, and Aragorn appearing to be killed by them, and Faramir behaving like a power-hungry jackass, and a Nazgûl coming within spitting distance of Frodo at Osgiliath of all places, yet somehow failing to grab the Ring while the grabbing was good. Oh, and let's not forget the
literal cliffhanger at Mount Doom.
Orson Scott Card pegged it exactly right. These are the kind of cheap plot tricks they teach you in film school as a way of winding up the tension. Well, LOTR had all the tension it could stand without cheap plot tricks. Jackson monkeyed with the story, and not to its improvement.
What remains is still an amazing achievement in filmmaking. You don't improve Mona Lisa by adding mascara, lip gloss, and a big white porcelain grin. You don't improve Beethoven's Ninth by dubbing in some really hot modern guitar licks. And you don't improve
The Lord of the Rings by juicing it up with sophomoric screenwriting tricks. It's a pity Mr. Jackson didn't have the penetration to see that.
Without the Quest, our lives will be wasted.