Country Music: Misunderstood or Evil?
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Country Music: Misunderstood or Evil?
Living in Georgia, I have to put up with a SLEW of otherwise intelligent human beings singing some of the dumbest, most hick-sounding bull-crap to ever violate my ears. So, to me, its influence is worse than “Gangsta Rap“ is. Verdict? Evil.
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Country music is a whole lot of very different things. And it includes among others Johnny Cash and Willie Nelson, who were/are about the coolest guys ever (and wrote and sang some of the coolest songs).
I even think I prefer bad country to bad rap. Even bad country usually at least has pretty tunes.
I even think I prefer bad country to bad rap. Even bad country usually at least has pretty tunes.

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Eh, I hated country when I was younger, as I also grew up in a hick town. I find the older stuff isn't too bad, Willie, Johnny, Hank, etc. The newer stuff, though... it's not evil, but it might as well be.
As much as you may hate gangsta rap, Foul, I think you might like Tupac if you gave it a chance.
As much as you may hate gangsta rap, Foul, I think you might like Tupac if you gave it a chance.
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With the exception of some old country, Hal Ketchum, Martina McBride & Dwight Yoakum I agree with everything that's been said above. Especially the post 9-11 ultra-patriot pap. I like Ketchum and McBride for the quality of their voices not their "lumped" association to the genre. I love Yoakum for his way of cutting against the grain, songwriting abilities and Merle Haggard-ish vocals. His "rebelliousness" is almost in the same mold as Johnny, Willie and David Allen Coe. I respect the Dixie Chicks for telling Bush where to stick it! 

Last edited by danlo on Sat Oct 04, 2003 8:11 am, edited 1 time in total.
fall far and well Pilots!
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Dunno if it's country, but this has to be evil.
"It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
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