Heheh. You'd probably get a good kick out of "White and Nerdy", A. It's pretty funny. And it has a lot of Star Trek references, heh.
I'll see if I can remember to bring it the next time I see you.
By the way, any Renn Faire update? I should be coming up this weekend.-jay
New Releases
Moderators: StevieG, dANdeLION, lucimay
-
kevinswatch
- "High" Lord
- Posts: 5592
- Joined: Sat Mar 02, 2002 2:46 pm
- Location: In the dark, lonely cave that dwells within my eternal soul of despair. It's next to a Pizza Hut.
- Has thanked: 6 times
- Been thanked: 5 times
- Contact:
omg...the Admins in Vespers! *grabs broom and sweeps furiously*
*sings weird al's "i goooooot it on eeeeeeebay" while sweeping*
you're more advanced than a cockroach,
have you ever tried explaining yourself
to one of them?
~ alan bates, the mothman prophecies
i've had this with actors before, on the set,
where they get upset about the [size of my]
trailer, and i'm always like...take my trailer,
cause... i'm from Kentucky
and that's not what we brag about.
~ george clooney, inside the actor's studio
a straight edge for legends at
the fold - searching for our
lost cities of gold. burnt tar,
gravel pits. sixteen gears switch.
Haphazard Lucy strolls by.
~ dennis r wood ~
have you ever tried explaining yourself
to one of them?
~ alan bates, the mothman prophecies
i've had this with actors before, on the set,
where they get upset about the [size of my]
trailer, and i'm always like...take my trailer,
cause... i'm from Kentucky
and that's not what we brag about.
~ george clooney, inside the actor's studio
a straight edge for legends at
the fold - searching for our
lost cities of gold. burnt tar,
gravel pits. sixteen gears switch.
Haphazard Lucy strolls by.
~ dennis r wood ~
-
sgt.null
- Jack of Odd Trades, Master of Fun
- Posts: 48352
- Joined: Tue Jul 19, 2005 7:53 am
- Location: Brazoria, Texas
- Has thanked: 8 times
- Been thanked: 10 times
[not by me]
THE MEAT PURVEYORS
All Relationships Are Doomed to Fail
(Bloodshot)
A weird little trend that's been growing over the past few years has been bluegrass bands covering tunes from other genres, and in that time we've heard some doozies. There was that version of Snoop Dogg's "Gin and Juice" from a couple of years ago that Austin's Gourds nailed so perfectly it bordered on genius. Or how about that recent album of bluegrass AC/DC covers by country punsters Hayseed Dixie? Another Austin band, the Meat Purveyors, are culprits as well, recording an infamous 7" single called "The Madonna Trilogy", a brilliant piece of work where they cover Madonna's early tunes "Lucky Star", "Burnin' Up", and "Like a Virgin". Now, reunited after splitting up in 1999, they're back with a new album called All Relationships Are Doomed to Fail, with another mind-boggling cover song in tow. More remarkably, though, is the fact that underneath the layer of hillbilly quirkiness is a band comprised of gifted musicians, talented bluegrass songwriters, and best of all, artists fully in tune with the darker side of a genre that is often too preoccupied with down-home niceties.
But it's that cover song that first grabs you. Their choice of song isn't from out of left field . . . it's from more like foul territory, and it'll have you going, "What?!" upon first listen, and hitting the repeat button to hear it again and again. Of the five notable cover songs on All Relationships Are Doomed to Fail, it's not their version of ABBA's classic "S.O.S.", a great cover of the Seventies pop classic done more out of love for the song than just merely cheeky irony. It's not the touching cover of Nick Lowe's "Without Love", neither. Nor is it their faithful rendition of Ronee Blakley's "Dues" from Robert Altman's great film Nashville (the second Bloodshot Records artist to cover the tune, following Kelly Hogan's version on the Tribute To Robert Altman's Nashville album earlier this year), or the rollicking cover of Ralph Stanley's "Love Me Darling". No, the song I'm talking about is by, of all bands, Ratt.
Yes, Ratt. The same L.A.-based, poodleheaded, fashion-metal band whose popularity last peaked in 1985. And it's not their metal-goes-west, mythical cowboy-rocker "Wanted Man" the Meat Purveyors tackle, either. Nah, that'd be too easy. Instead, the band attacks Ratt's biggest hit, 1984's "Round and Round", and if I may use the same lame baseball analogy again, they zero in on this tune like it's a high heater, swing for the fences, and blast it out of the freakin' park so hard that it wakes up a snoozing Stephen Pearcy behind the counter at the AM/PM somewhere in suburban Los Angeles. Over a triple-speed, galloping acoustic guitar riff, singer Jo Walston (hilariously described in the band's bio as "a cross between Hazel Dickens and Squeaky Fromme") chimes in with those absurd lyrics I've known by heart for 18 years now: "Out in the streets / That's where we'll meet / You walk the fine line / I always cross the line." Fiddler Darcie Deaville and bassist Cherilyn Diamond kick in with full force, and from then on, straight through the whiplash-fast mandolin/fiddle solo by Deaville and Pete Stiles, the song is theirs.
But those people smart enough to shell out the bucks to buy this CD will know that the Meat Purveyors are more than just a novelty act. The seven original songs, written by both Stiles and guitarist/primary songwriter Bill Anderson, hold up very well on their own. "Hey Little Sister", the album's opening track, gets things off to a serious, somewhat dark, start. Over fast, jumpy accompaniment, Walston sings about spousal abuse in a snarky, but foreboding manner that succeeds in a mere 111 seconds, whereas the Dixie Chicks' "Goodbye Earl" failed by going for cheap laughs: "Hey little sister / Just 'cos he hits you / Don't mean that he loves you / Don't let him stand above you . . . I've seen that bruise on the back of your arm / If I find that man's been doin' you harm / I'll cut him down."
Both "2:00 A.M.", with its images of "stale bowl[s] of beer nuts" and staring into empty beer glasses, and "Circus Clown", with its typical circus-like scenarios ("I kept the plates spinnin' as long as I could . . . Do I look like a circus clown to you?"), are both lovely, forlorn waltzes. The barfly rave-up "Thinkin' About Drinkin'" could fit perfectly beside the Replacements' early albums ("When I'm not drinkin' / I'm thinkin' 'bout drinkin' / When I'm not thinkin' / I'm drinkin' 'bout you"), while Stiles' mandolin playing reaches a frenetic pace on the scorching "Truckers Speed". The equally crazy-fast "Stanley Joe" is a nasty little tune about an unfaithful lecher ("He gets more ass than a toilet seat"). Best of all is the white-man-blues feel of "I Have A Devil In Me", a wicked country-blues stomp that sounds like it was recorded for Folkways seventy years ago, where Walston's voice is in fine form as she sings like she belongs on Harry Smith's Anthology of American Folk Music, "I have a devil in me / The way the wind blows the trees / The way it rustles the leaves / The voices talking to me / He makes me put down the phone / He makes me pick up the gun / I have a devil in me."
I heard Steve Earle mention once how the main reason mainstream country radio is so lame is "because they don't play songs about killing people". Hey, even the most mainstream bluegrass album out there, the wonderful O Brother, Where Art Thou?, won't get airplay, despite its massive popularity among latte-sipping urbanites who think they're listening to the latest world music craze. With All Relationships Are Doomed to Fail, the Meat Purveyors, incredible talents hidden under the guise of sardonic musicians, delve even further into the backwoods of country music, coming out wearing what looks like an ironic grin that's really a subversive sneer. It's fun, heartbreaking, and deliciously nasty. The kind of stuff commercial radio is afraid of. By that reason alone, it has to be great.
THE MEAT PURVEYORS
All Relationships Are Doomed to Fail
(Bloodshot)
A weird little trend that's been growing over the past few years has been bluegrass bands covering tunes from other genres, and in that time we've heard some doozies. There was that version of Snoop Dogg's "Gin and Juice" from a couple of years ago that Austin's Gourds nailed so perfectly it bordered on genius. Or how about that recent album of bluegrass AC/DC covers by country punsters Hayseed Dixie? Another Austin band, the Meat Purveyors, are culprits as well, recording an infamous 7" single called "The Madonna Trilogy", a brilliant piece of work where they cover Madonna's early tunes "Lucky Star", "Burnin' Up", and "Like a Virgin". Now, reunited after splitting up in 1999, they're back with a new album called All Relationships Are Doomed to Fail, with another mind-boggling cover song in tow. More remarkably, though, is the fact that underneath the layer of hillbilly quirkiness is a band comprised of gifted musicians, talented bluegrass songwriters, and best of all, artists fully in tune with the darker side of a genre that is often too preoccupied with down-home niceties.
But it's that cover song that first grabs you. Their choice of song isn't from out of left field . . . it's from more like foul territory, and it'll have you going, "What?!" upon first listen, and hitting the repeat button to hear it again and again. Of the five notable cover songs on All Relationships Are Doomed to Fail, it's not their version of ABBA's classic "S.O.S.", a great cover of the Seventies pop classic done more out of love for the song than just merely cheeky irony. It's not the touching cover of Nick Lowe's "Without Love", neither. Nor is it their faithful rendition of Ronee Blakley's "Dues" from Robert Altman's great film Nashville (the second Bloodshot Records artist to cover the tune, following Kelly Hogan's version on the Tribute To Robert Altman's Nashville album earlier this year), or the rollicking cover of Ralph Stanley's "Love Me Darling". No, the song I'm talking about is by, of all bands, Ratt.
Yes, Ratt. The same L.A.-based, poodleheaded, fashion-metal band whose popularity last peaked in 1985. And it's not their metal-goes-west, mythical cowboy-rocker "Wanted Man" the Meat Purveyors tackle, either. Nah, that'd be too easy. Instead, the band attacks Ratt's biggest hit, 1984's "Round and Round", and if I may use the same lame baseball analogy again, they zero in on this tune like it's a high heater, swing for the fences, and blast it out of the freakin' park so hard that it wakes up a snoozing Stephen Pearcy behind the counter at the AM/PM somewhere in suburban Los Angeles. Over a triple-speed, galloping acoustic guitar riff, singer Jo Walston (hilariously described in the band's bio as "a cross between Hazel Dickens and Squeaky Fromme") chimes in with those absurd lyrics I've known by heart for 18 years now: "Out in the streets / That's where we'll meet / You walk the fine line / I always cross the line." Fiddler Darcie Deaville and bassist Cherilyn Diamond kick in with full force, and from then on, straight through the whiplash-fast mandolin/fiddle solo by Deaville and Pete Stiles, the song is theirs.
But those people smart enough to shell out the bucks to buy this CD will know that the Meat Purveyors are more than just a novelty act. The seven original songs, written by both Stiles and guitarist/primary songwriter Bill Anderson, hold up very well on their own. "Hey Little Sister", the album's opening track, gets things off to a serious, somewhat dark, start. Over fast, jumpy accompaniment, Walston sings about spousal abuse in a snarky, but foreboding manner that succeeds in a mere 111 seconds, whereas the Dixie Chicks' "Goodbye Earl" failed by going for cheap laughs: "Hey little sister / Just 'cos he hits you / Don't mean that he loves you / Don't let him stand above you . . . I've seen that bruise on the back of your arm / If I find that man's been doin' you harm / I'll cut him down."
Both "2:00 A.M.", with its images of "stale bowl[s] of beer nuts" and staring into empty beer glasses, and "Circus Clown", with its typical circus-like scenarios ("I kept the plates spinnin' as long as I could . . . Do I look like a circus clown to you?"), are both lovely, forlorn waltzes. The barfly rave-up "Thinkin' About Drinkin'" could fit perfectly beside the Replacements' early albums ("When I'm not drinkin' / I'm thinkin' 'bout drinkin' / When I'm not thinkin' / I'm drinkin' 'bout you"), while Stiles' mandolin playing reaches a frenetic pace on the scorching "Truckers Speed". The equally crazy-fast "Stanley Joe" is a nasty little tune about an unfaithful lecher ("He gets more ass than a toilet seat"). Best of all is the white-man-blues feel of "I Have A Devil In Me", a wicked country-blues stomp that sounds like it was recorded for Folkways seventy years ago, where Walston's voice is in fine form as she sings like she belongs on Harry Smith's Anthology of American Folk Music, "I have a devil in me / The way the wind blows the trees / The way it rustles the leaves / The voices talking to me / He makes me put down the phone / He makes me pick up the gun / I have a devil in me."
I heard Steve Earle mention once how the main reason mainstream country radio is so lame is "because they don't play songs about killing people". Hey, even the most mainstream bluegrass album out there, the wonderful O Brother, Where Art Thou?, won't get airplay, despite its massive popularity among latte-sipping urbanites who think they're listening to the latest world music craze. With All Relationships Are Doomed to Fail, the Meat Purveyors, incredible talents hidden under the guise of sardonic musicians, delve even further into the backwoods of country music, coming out wearing what looks like an ironic grin that's really a subversive sneer. It's fun, heartbreaking, and deliciously nasty. The kind of stuff commercial radio is afraid of. By that reason alone, it has to be great.
Lenin, Marx
Marx, Lennon
Good Dog...
Marx, Lennon
Good Dog...
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[Syl]
- Unfettered One
- Posts: 13021
- Joined: Sat Oct 26, 2002 12:36 am
- Has thanked: 2 times
- Been thanked: 1 time
From Beale Street to Oblivion - Clutch
"It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
-George Steiner
-George Steiner
Anyone heard of this UK guy, MIKA?
My wife and daughter have been playng the album non-stop for the last two days.
Shee-oot... those silly songs are now in my head! (make it stop!!!!)
Give him credit, he wrote some very catchy pop oriented happy songs...
My wife and daughter have been playng the album non-stop for the last two days.
Shee-oot... those silly songs are now in my head! (make it stop!!!!)
Give him credit, he wrote some very catchy pop oriented happy songs...
~...with a floating smile and a light blue sponge...~
love the new Maroon 5 song, Makes Me Wonder, and i can't wait to pick up their new cd when it is released next week. Songs About Jane is among my favorite in a collection of 400+ cd's and in the first year i owned it i probably played it an average of once a day, at least, and there are only 2 songs on the entire cd i ever skip.
Black Sabbath:The Dio Years
Excellent, excellent, excellent. I probably should've just downloaded the new songs (Ear in the Wall kicks ass), but I like supporting bands I enjoy. It would've been nice if they'd just repackaged everything that Dio did with the band in a nifty boxed set, but they didn't, so I'll take this.
Much as I love the old Ozzy stuff (The Wizard, Fairies Wear Boots, Sweetleaf), Dio was/is a far better singer, and at least the band is recording new stuff with him.
Excellent, excellent, excellent. I probably should've just downloaded the new songs (Ear in the Wall kicks ass), but I like supporting bands I enjoy. It would've been nice if they'd just repackaged everything that Dio did with the band in a nifty boxed set, but they didn't, so I'll take this.
Much as I love the old Ozzy stuff (The Wizard, Fairies Wear Boots, Sweetleaf), Dio was/is a far better singer, and at least the band is recording new stuff with him.
"There is only one basic human right, the right to do as you damn well please. And with it comes the only basic human duty, the duty to take the consequences." - PJ O'Rourke
_____________
"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
_____________
"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
_____________
_____________
"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
_____________
"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
_____________
-
I'm Murrin
- Are you?
- Posts: 15840
- Joined: Tue Apr 08, 2003 1:09 pm
- Location: North East, UK
- Contact:
Yesterday I purchased the White Stripes new album, Icky Thump. The songs on the album are all good, I think, but they're not the best I've heard from them. I'd say it seems like an album put together from Jack's more mediocre work, whereas earlier albums have all had at least a few songs that stood out. Perhaps I'll get more of an individual impression on the songs as I listen to the album more, but so far the only song I really notice when it comes on is Conquest--the one song on the album that was not written by Jack White.
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[Syl]
- Unfettered One
- Posts: 13021
- Joined: Sat Oct 26, 2002 12:36 am
- Has thanked: 2 times
- Been thanked: 1 time
A few interesting albums out today. Of course, there's the new Pumpkins album. There's also a new Bad Religion album (Alan, let me know how it is if you get it), New Maps of Hell. They Might Be Giants have teamed up with the Dust Brothers for The Else.
But then there's Beatallica with Sgt. Hetfield's Motorbreath Pub Band.
Sgt. Hetfield's Motorbreath Pub Band
Revol-Ooh-Tion
Blackened the U.S.S.R
Sandman
Helvester of Skelter
A Garage Dayz Nite
Anesthesia (I'm Only Sleeping)
Leper Madonna
Ktulu (He's So Heavy)
For Horsemen
Hey Dude
Sgt. Hetfield's (reprise)
...And Justice for All My Loving
But then there's Beatallica with Sgt. Hetfield's Motorbreath Pub Band.
Tracks -...It was perhaps only a matter of time until another group came along that mashed together two other renowned rock acts, and while Zeppelin and Elvis aren't exactly universes apart musically, the Beatles and Metallica are -- which makes the emergence of Beatallica much more of a curiosity. And somehow the band (whose members go by such colorful nom de plumes as Jaymz Lennfield, Grg Hammettson, Kliff McBurtney, and Ringo Larz) mixes and matches Beatles and Metallica riffs/lyrics pretty flawlessly.
Sgt. Hetfield's Motorbreath Pub Band
Revol-Ooh-Tion
Blackened the U.S.S.R
Sandman
Helvester of Skelter
A Garage Dayz Nite
Anesthesia (I'm Only Sleeping)
Leper Madonna
Ktulu (He's So Heavy)
For Horsemen
Hey Dude
Sgt. Hetfield's (reprise)
...And Justice for All My Loving
"It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
-George Steiner
-George Steiner