
I "get" the Roger and Jeremiah link, but not the Jeremiah and Anele one.
Moderators: dlbpharmd, Seareach
I thought that this response was very informative.In the Gradual Interview, SRD wrote:Perry Bell: Hello Stephen,
I was wondering if you have a certain schedule that you follow for writing. I have heard a few authors have to follow a routine to produce their work, but others have stated their imaginations dont work that way, that they have to write when the ideas come.
This might hit the spoiler territory I think. Now that TC is back, I assume (I wont say the joke to assume) you'll be juggling the P.O.V. ( point of view) for both characters. Will you find that to be more challenging than your other works? Also, are you glad to have TC back FINALLY? I know us readers missed him.
Thanks for all you do.
Happy Holidays!
Perry Bell
Reno Nevada.
- There's nothing spoiler-ish about your "schedule" question; but I'm sure I've already answered in somewhere in the GI. By personality, I'm the kind of guy who needs a routine. In addition, I'm a "tortoise" rather than a "hare": I'm inclined to think that "slow and steady" produces good work more reliably than "fast and furious". (I am, however, well aware that every writer is different.) So I'm very methodical, both in how I write, and in how I organize my writing time.
"Fatal Revenant" certainly conveys the impression that some POV juggling will become inevitable--if it isn't already. But my feelings about that may be very different than yours. *I* haven't missed Covenant, a) because he's dead, and b) because I'm so in love with Linden. (And c) because I'm SO tired of hearing readers complain about her. <rueful smile>) In addition--as you've suggested--I always find juggling POVs to be very challenging. NOT, strangely, in the first "Covenant" trilogy: there every POV felt to me like an extension of Covenant's. But here: well, it's huge. Personally, I haven't actually spent much time observing all of history simultaneously; so I can only guess at the stresses this might exert on the observer.
(01/21/2008)
This is what Roger (maquerading as TC) tells Linden. So now we know that this is actually "true."Wayfriend wrote:Apparently, Covenant is able to observe "all of history simultaneously" now. Maybe this is because he is Dead, or because he is Time Warden, or a combination of both.SRD wrote:Personally, I haven't actually spent much time observing all of history simultaneously; so I can only guess at the stresses this might exert on the observer.
That's a good point about the Theomach, he may be able to observe other times. Maybe it's a skill he himself has; or maybe he can somehow "visit the Arch of Time" (for lack of a better metaphor).Wayfriend wrote:Apparently, the concept of being able to observe other points in time is actually part of the story.
Also, I'm sure Covenant must have some additional powers to go with these powers of observation. Otherwise he's not a time warden, only a time observer.
In the Gradual Interview, SRD wrote:Perry Bell: Hello Stephen,
I was wondering if you have a certain schedule that you follow for writing. I have heard a few authors have to follow a routine to produce their work, but others have stated their imaginations dont work that way, that they have to write when the ideas come.
This might hit the spoiler territory I think. Now that TC is back, I assume (I wont say the joke to assume) you'll be juggling the P.O.V. ( point of view) for both characters. Will you find that to be more challenging than your other works? Also, are you glad to have TC back FINALLY? I know us readers missed him.
Thanks for all you do.
Happy Holidays!
Perry Bell
Reno Nevada.
- There's nothing spoiler-ish about your "schedule" question; but I'm sure I've already answered in somewhere in the GI. By personality, I'm the kind of guy who needs a routine. In addition, I'm a "tortoise" rather than a "hare": I'm inclined to think that "slow and steady" produces good work more reliably than "fast and furious". (I am, however, well aware that every writer is different.) So I'm very methodical, both in how I write, and in how I organize my writing time.
"Fatal Revenant" certainly conveys the impression that some POV juggling will become inevitable--if it isn't already. But my feelings about that may be very different than yours. *I* haven't missed Covenant, a) because he's dead, and b) because I'm so in love with Linden. (And c) because I'm SO tired of hearing readers complain about her. <rueful smile>) In addition--as you've suggested--I always find juggling POVs to be very challenging. NOT, strangely, in the first "Covenant" trilogy: there every POV felt to me like an extension of Covenant's. But here: well, it's huge. Personally, I haven't actually spent much time observing all of history simultaneously; so I can only guess at the stresses this might exert on the observer.
(01/21/2008)
Ossie: Hi Stephen. Just finished Fatal Revenant and I think in time it will become one of my favourites in the entire series. I spent the first half of the book with a mild sense of uncertainty what was going on, but from the big revealing of The Truth you are more than rewarded for sticking with it. Thanks!
My question is about time travel. So far you have taken a very "pure" view of time travel: eg the Staff of Law was lost for all the time between when Linden retrieved it & the present, so going back & bringing it forward did not alter any of the history of the Land in between, because it was lost & not used anyway. This avoids the whole Terminator-style chicken & egg paradox: someone comes back in time from the future to alter things in the present, which ends up creating the exact circumstances in the future that allows them to come back in the first place. A cool concept in its own way, but too mind-bending to really make much sense - I prefer your way!
However in Fatal Revenant, there seem to me to be several times where things *do* happen when Linden goes back to the past, which should fundamentally alter the history of the "present" Land: healing Berek's army comes to mind, but also teaching him about hurtloam, the Theomach teaches him the 7 words, Linden warns the Viles about the Ravers etc. I guess it seems that the Theomach always found Berek so much of that could be explained, but surely Linden healing his army never happened in the "real" past, and this would completely alter the history of Berek in the present (I know he won anyway, but....?). Ditto the hurtloam - I guess you could say that they eventually discovered it themselves, but it just opens up the whole "Linden first taught them about hurtloam, the knowledge was passed down through time until someone eventually taught her about it so she could go back and teach them etc" paradox? And wouldn't the warning about the Ravers have the potential to completely change the history of the Viles being influenced by them?
This is absolutely not to criticise the "integrity" of the story - I'm sure this is all much clearer to you! - it is merely to help my understanding. Nevertheless I loved FR & eagerly awaiting the rest of the story. Thanks.
Respectfully: I thought I answered all of these questions in "Fatal Revenant". For example, the Theomach went to Berek in order to educate him. So if Linden hadn't explained about hurtloam, the Theomach would have done so. As the Mahdoubt explains, the Theomach *interpreted* Linden's healing so that it fit within the "real" history of Berek and his descendants. And I tried to make it clear that the Viles were already aware of the nature of the Ravers. Yes, Linden *risked* altering the, well, let's call it the "story" of the Viles. But she failed because the ploy to get her to surrender the ring failed: the resulting battle with Caerroil Wildwood confirmed the Viles on the *known* path of their story. (I'm rather proud of that paradox: Linden's foes, seeking to induce her to violate history, are forced to act in a way that preserves history.)
I've worked hard to put Linden's foray into the past into a context that preserves the integrity of the past.
(01/21/2008)
On a serious note: I'm surprised that that's surprising.dlbpharmd wrote:That just pisses me off...."I'm so in love with Linden." Bah!
It's not surprising to me at all. In fact, Fist and I have talked about it quite a bit. SRD's feelings for Linden are obvious. His callousness toward Covenant was surprising ("*I* haven't missed Covenant) It's also surprising to me that I have a 30 year emotional investment in Covenant and SRD doesn't seem to share that.On a serious note: I'm surprised that that's surprising.
Maybe he just meant that for him TC had reached his personal apotheosis at the end of WGW and he simply has nothing more to say about him, there is nowhere to develop that character any further.dlbpharmd wrote:It's not surprising to me at all. In fact, Fist and I have talked about it quite a bit. SRD's feelings for Linden are obvious. His callousness toward Covenant was surprising ("*I* haven't missed Covenant) It's also surprising to me that I have a 30 year emotional investment in Covenant and SRD doesn't seem to share that.On a serious note: I'm surprised that that's surprising.
And that statement should put to bed any idea that Covenant has no where to go, that he culminated in WGW and that's the end. If so, why write a story about him?Relayer wrote:When SRD says "trust me, it's still the Chronicles of TC" ... I do.
Thomas Worthington wrote: ...snip...
Linden is the deadweight that I have to carry about to get one final look at the wonderful Land. But, Christ on a bike, I really wish I could do it without her!
When you were drawing together the ideas for the Last Chronicles, did you give much thought to the effect of changing the primary focus from one character to another? Did the danger of losing some readers, for whom T.C. was someone that they had come to identify with, ever factor into your plans or did you never give it a thought? Not that you're losing this one, I hasten to add.
Whew!SRD, in vexation wrote:Reactions like yours are a constant source of bafflement to me. Over the past, now, 30 years, I've spent HUNDREDS of hours listening to people whine about what a jerk Covenant is, what a self-pitying little bitch he is, what an unpleasant and even reprehensible individual he is--and now that my readers can finally take a break from him, what do I get? Why, what a jerk Linden is, what a self-pitying little bitch she is, what an unpleasant and even reprehensible individual she is, WHY CAN'T WE HAVE MORE COVENANT? (Of course, you didn't actually say those things yourself; but lots of other people have, and you implied the same.) There's an underlying message here that's much more profound than it sounds. But in the meantime, guess what? I am who I am. I write about the characters I write about because they need me to write about them. Or because they're the only characters I *can* write about. If you don't "get" that after 30 years, I can't help wondering why you're still here.
Take that, THOOLAH!Relayer wrote:Thomas Worthington wrote: ...snip...
Linden is the deadweight that I have to carry about to get one final look at the wonderful Land. But, Christ on a bike, I really wish I could do it without her!
When you were drawing together the ideas for the Last Chronicles, did you give much thought to the effect of changing the primary focus from one character to another? Did the danger of losing some readers, for whom T.C. was someone that they had come to identify with, ever factor into your plans or did you never give it a thought? Not that you're losing this one, I hasten to add.Whew!SRD, in vexation wrote:Reactions like yours are a constant source of bafflement to me. Over the past, now, 30 years, I've spent HUNDREDS of hours listening to people whine about what a jerk Covenant is, what a self-pitying little bitch he is, what an unpleasant and even reprehensible individual he is--and now that my readers can finally take a break from him, what do I get? Why, what a jerk Linden is, what a self-pitying little bitch she is, what an unpleasant and even reprehensible individual she is, WHY CAN'T WE HAVE MORE COVENANT? (Of course, you didn't actually say those things yourself; but lots of other people have, and you implied the same.) There's an underlying message here that's much more profound than it sounds. But in the meantime, guess what? I am who I am. I write about the characters I write about because they need me to write about them. Or because they're the only characters I *can* write about. If you don't "get" that after 30 years, I can't help wondering why you're still here.