The Classics-pre 1970

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danlo
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The Classics-pre 1970

Post by danlo »

If we're to really decide what's considered the "classics"... Maybe it's black and white, or the change to color.

The African Queen
On The Waterfront
Point Blank
(original) Cape Fear
North By Northwest

those type of movies...

Two days ago I came in in the middle of Paris Blues on AMC...man it seems like a lifetime since I'd seen it first, I was meserised. Killer, slick, emotional, dark film for 1961-even shows minimal drug use-pretty rare even back then. And what a cast: Paul Newman, Joanne Woodward, Sidney Poitier, Louis Armstrong, Diahann Carroll. (probably the film that convinced my Mom that I shouldn't learn the saxophone :wink: )
Last edited by danlo on Thu Jan 24, 2008 2:39 am, edited 4 times in total.
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Post by Cagliostro »

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Post by danlo »

Cool choices, nobody handles a fake phone call better than Gary Grant! :mrgreen: (Did you know that I played Mr. Einstien in High School, complete with Peter Lorre voice?)
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Post by Cagliostro »

Had a friend that played Jonathan (I think...whoever Dr. Einstein was helping out) in high school, and used to help him run his lines.
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Post by Menolly »

After 1970...but...

Billy Jack

...yeah, yeah...laugh
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Post by sgt.null »

Bringing Up Baby - Cary Grant & Kate Hepburn
Lenin, Marx
Marx, Lennon
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Post by danlo »

For some macho reason On the Waterfront is my favorite old classic...mean streets, down and dirty. Marlon Brando's best role as Terry Malloy.
Karl Malden ... Father Barry
Lee J. Cobb ... Johnny Friendly
Rod Steiger
Eva Marie Saint
Elia Kazan directs
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just kicks butt!
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Post by Cail »

Out of the Past is the most bad-assed noir film of all time, starring two of the baddest-assed actors of all time; Robert "Beef, it's what's for dinner" Mitchum, and Kirk Douglas. It's quite simply the greatest movie I've ever seen.

Vanishing Point came out in 1971, but that's definitely a classic as well.
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Post by matrixman »

I think I understand your intention with this topic, danlo, but I feel I need to clarify something. One doesn't have to go back before 1970 for "pre-CGI" movies. Willow from 1987 is generally acknowledged as the first movie that featured a true CGI sequence - the scene where an old woman "morphs" into an animal.

Anything before then, even the original Star Wars trilogy, still used traditional optical effects. SW just used them in a very fresh way.

From the examples you've given, I think you could just say "Classics from before 1970." The "pre-CGI" tag (in your opening post) is unnecessary and perhaps would only lead to discussions of movies you don't want in this thread. :P

Um...about the only black-and-white film from the "classic" era ('40s & '50s?) that I could say I truly enjoyed - I mean really honestly loved watching from beginning to end - was The Third Man. I guess The Maltese Falcon would be runner-up.
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Post by danlo »

Ok deleted! Glad you like the thread! 8)

I've got to see that Cail! Mitchum, as Loremaster would say, is one of the most underrated actors of his day, or any day.
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Post by matrixman »

Aargh! How criminal of me to forget Psycho! Okay, that's my #1 black-and-white classic! No question about it. Whew. Forgive me, Mr. Hitchcock...
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Post by danlo »

In a strange way I like Rope, Vertigo, The Birds and Rear Window a little better. I had a flash of Jimmy Stewart in my dreams last night. :P
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Post by Montresor »

Is this topic limited to American cinema pre-1970s? I'm of the opinion that the mid-1960s to late 1970s was the golden age of American cinema, myself. If the topic also includes non-hollywood stuff, I shall stay out, as I could be here forever listing Japanese cinema from the 1950s and '60s.
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Post by lucimay »

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and just to cover some more Hitchcock...

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and because i've been reading the Westerns thread...

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Post by A Gunslinger »

The 400 blows! Yeah!

Also... the Blue Angel! Check it out.

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Post by lucimay »

8O oh hell yeah...

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you're more advanced than a cockroach,
have you ever tried explaining yourself
to one of them?
~ alan bates, the mothman prophecies


i've had this with actors before, on the set,
where they get upset about the [size of my]
trailer, and i'm always like...take my trailer,
cause... i'm from Kentucky
and that's not what we brag about.
~ george clooney, inside the actor's studio


a straight edge for legends at
the fold - searching for our
lost cities of gold. burnt tar,
gravel pits. sixteen gears switch.
Haphazard Lucy strolls by.
~ dennis r wood ~
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Post by sgt.null »

Shane
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Lenin, Marx
Marx, Lennon
Good Dog...
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Post by danlo »

I loves me some Richard Widmark!
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Post by Cail »

danlo wrote:I loves me some Richard Widmark!
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W000t!

Great film.

I gotta add The Great Escape too. Might as well throw in Stalag 17 while we're at it.
"There is only one basic human right, the right to do as you damn well please. And with it comes the only basic human duty, the duty to take the consequences." - PJ O'Rourke
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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Post by dlbpharmd »

Good calls on Stalag 17 and The Maltese Falcon.
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