Step back, boys and girls. She's a gusher.
That's how Donaldson once described the fruitful intersection of two imaginitive ideas. And it's exactly how I feel right now. So, of course, I want to tell you about it. And, because I think it is a useful addition to this [*cough* award-not-winning] thread, I'm telling you about it here.
A Tale of Two Cosmologies, Part II
In the Gradual Interview was wrote:Daniel Bauer: Mr. Donaldson:
Thanks for creating and sharing a wonderful world with the Thomas Covenant novels. It is great to immerse myself in fantasys like this.
I confess that as a reader I tend to only get the first layer of many things. I've tried repeatedly (back in my college days) to interpret depth, but my creative writing teachers always seemed to indicate that my interpretations were beyond what the author intended. How they knew, I still don't know - but I learned to stop "reading into things."
To that end, I'd like to know if I'm missing one thing in particular, regarding the "Wierd," "Wurd," and "Worm of the world's end". I get that these are different interpretations of the fundamental make-up of the land, similar to concepts of "God," "Jehovah," and "Allah" (which I believe are different interpretations based on the same supernatural being). Different people see the same things differently, hence the different terms. However, you must delicately choose when to use each word (and sometimes you use all three).
Am I (again) trying to read more into your text than is there? Or am I missing something more by skimming the surface?
Thanks again for the Land, and for the opportunity to connect with you in this forum.
______________________
I have no idea what your “creative writing teachers” (?) thought they were talking about. Any truly creative act, almost by definition, has more depth than the reader/viewer/hearer/recipient is able to absorb “by skimming the surface.” Very broadly speaking, bookstores seem to be full of books written by people who don’t think enough (or at all). It seems strange that “creative writing teachers” would encourage you to think less.
But I assure you that my use of “Weird”, “Wurd,” “Worm,” and “Wyrd” is not an accident. And I chose them all because they sound sort of like Word: “In the beginning was the Word,” which is certainly a fundamental truth about *my* creative process. I can’t speak for concepts like “God,” “Jehovah,” and “Allah” (or “Vishnu”); but I *can* say that I’m nowhere near done exploring Weird/Wurd/Worm/Wyrd/Word--and that I intend these near-homophones to convey a meaning which is difficult to communicate by other means.
(01/22/2006)
(Dan? Are you on the Watch?)
The question begins with a similar premise as my original post - that different myths arise from different interprtations of the same fundamental concepts. However, the author of the question has followed a slightly different path to get there.
Instead of linking Worm and Würd to the Arch and the Rainbow, as I did, Dan's linked it to some other things, based on the clue of sound - "near homophones". He brings 'Weird', as in "The Weird of the Waynhim", into the family of 'Worm' and the 'Würd'.
However, you cannot imagine how intrigued and surprised and pleased I was to read that Donaldson replied with "I’m nowhere near done exploring Weird/Wurd/Worm/Wyrd/Word". Because he
without suggestion added into the list '
word'!
In order to express my delight, I have to relate something from my past, which is the second part of the gusher.
Once, before I had ever read
The Second Chronicles, I had given much thought to the relationship between the words 'wyrd' and 'word'.
Briefly, 'wyrd' means "fate", or even "fate personified". In larger terms:
In Wikipedia was wrote:The word comes from Anglo-Saxon verb weorþan, to become, and itself derives from an Indo-European root verb meaning to turn. In its literal sense, it refers to the past, or That which has become. In its wider sense, it refers to how past actions continually affect and condition the future. It also stresses the interconnected nature of all actions, and how they influence each other. The concept has some relation to the ideal of predestination. Unlike predestination, however, the concept of Wyrd implies that while we are affected and constrained by our past actions, we are constantly creating our own Wyrd through how we respond to present situations.
Shortly after I had learned about this word 'wyrd', I also heard about a possible relationship with the word 'word'. Specifically, I stumbled onto a proposition (see
www.odinic-rite.org/wyrd2.html) that the text of John 1:1
- In the beginning was the word and the word was with God and the word was God
might not really had been, or should have been, or would've been better, as
- In the beginning was the wyrd and the wyrd was with God and the wyrd was God
What a fascinating concept! At first I interpreted this to mean, “In the beginning, all that was fated to ever be, was known to God and layed out by God, and may in a sense even
be what ‘God’ ultimately is.” And that made enough sense that I though that I was On To Something, and took it to heart.
Of course, these days I can see that my interpretation of this text was somewhat off. 'Wyrd' isn't precisely 'fate'. It is, more correctly, the means by which the past shapes the future. You might even consider it to be the framework and rules by which things that happen happen. In other words, the laws of causality. "In the beginning were the Laws of Physics and Quantum Mechanics, and that's all 'God' is", if you will. I know that quite a few people would agree with the sentiment, if not the means of arriving at it.
Another intesting aspect of ‘wyrd’ is that, in one word, it captures a philosophy that predestination and free will are not mutually exclusive, but are instead two interlinked forces which together shape the world.
In Wikipedia was wrote:The Web of Wyrd is a popular analogy, which shows how all actions are interconnected, as well as the fact that everything we do has far-reaching consequences. Essentially, this Web of Wyrd is described as a cloth being woven upon a loom by the Norns. The woof is woven along the warp. The former represents past actions, while the latter represents a particular instance in time. The entire cloth is the overall design. While the previous design is the foundation upon which the future course is based, it is possible to change the cloth within the context of the past. In the same manner, it is possible to change the future by carefully determining our present actions, which are conditioned by the past from which it springs.
As I said, I had internalized these concepts before reading
The Second Chronicles. Consequently, when I read
The Weird of the Waynhim in
The Wounded Land, I immediately recognized the allusion to "weird" which Donaldson was making. And when I read
Elemesnedene in
The One Tree, Daphin’s description of the Würd of the Earth was not unfamiliar to me. In fact, I dare say it's familiarity made it unremarkable and therefore unremarked in my earlier posts.
By now, you can probably guess the rest of my post. But I'm going to lay it all out, for completeness. It's a good way for me to express my pleasure, anyway.
We're not introduced to the Weird of the Waynhim until
The Second Chronicles. Hamako speaks the words.
In [u]The Wounded Land[/u] was wrote:"In the Waynhim tongue, Weird has several meanings. It is fate or destiny - but it is also choice, and is used to signify council or decision-making. It is a contradiction - fate and choice. A man may be fated to die, but no fate can determine whether he will die in courage or cowardice. The Waynhim choose the manner in which they meet their doom.
Here, Donaldson’s use of ‘weird’ is obviously drawn from ‘wyrd’, from which ‘weird’ is entymologically derived. And it expresses the same unification of fate and free will which is the essence of wyrd. (What’s another contradiction to Donaldson?)
To the Waynhim, wyrd is their life-view of fate. In addition, wyrd also represents to them “council and decision-making”.
"Durhisitar will consult the Weird of the Waynhim," the man said, "but I doubt not that aid will be granted.
The Waynhim take action by measuring the consequences of different choices, by extrapolating the wyrd into the future. And we know that the Waynhim have espoused wyrd because of the way that they were created.
"A vast gulf lies between creatures that are born and those that are made. Born creatures, such as we are, do not suffer torment at the simple fact of physical form. ... It is far otherwise with the Waynhim. They were made-as the ur-viles were made-by deliberate act in the breeding dens of the Demondim. … That is the Weird of all Demondim-spawn. Each Waynhim and ur-vile beholds itself and sees that it need not have been what it is. It is the fruit of choices it did not make. From this fact both Waynhim and ur-viles draw their divergent spirits.”
According to wyrd, the future becomes from the choices of the past, and the Waynhim are profoundly aware that the choices of the Demondim are what have caused their existance.
Finally, notice how the author prompts us to think about the meaning of the word ‘weird’.
Covenant wanted to ask the meaning of the term Weird; but he already regretted having halted Hamako's tale.
Weird is
significant to Donaldson.
And we’re introduced to the Würd of the Earth by Daphin, when she converses with Linden.
In [u]The One Tree[/u] was wrote:"What are you?" she inquired in a constrained voice. "The heart of the Earth. The center. The truth. What does all that mean?"
"Sun-Sage," replied Daphin, "we are the Würd of the Earth."
She spoke clearly, but her tone was confusing. Her Würd sounded like Wyrd or Word.
Wyrd? Linden thought. Destiny-doom? Or Word?
Or both.
Into the silence, Daphin placed her story. It was an account of the creation of the Earth; and Linden soon realized that it was the same tale Pitchwife had told her during the calling of the Nicor. Yet it contained one baffling difference. Daphin did not speak of a Worm. Rather, she used that blurred sound, Würd, which seemed to signify both Wyrd and Word.
Wyrd and Word. Ah!
First we have the proposition that the Würd and the Worm are the same; it’s practically stapled to the reader’s forehead. The
Elohim are a part of the Earth’s creation. If the Worm is another aspect of the Arch of Time, then so is the Würd … and so are the
Elohim? We can be comfortable with that thought (See “Reading Runes: The Sons of Elohim”). But from this alone – Würd is Worm – we don’t really gain any additional insight as to how, exactly, this all happens to be.
But the author also encourages us, by prompting us to think about the meanings of words, to see that the Würd, and therefore the Worm and the Arch, is also the Wyrd. And Wyrd is Weird, which links us to the Weird of the Waynhim. The
Elohim have their own Weird!
Which leads to the intriguing question – do the
Elohim arise from their Würd in the same way that the Waynhim arise from their Weird? Is wyrd what “the heart of the Earth” is?
One things is for sure. The
Elohim consult their Würd, as a source of council and decision-making, precisely as the Waynhim do their Weird. “All truths are within us, and for these truths we seek into ourselves." We are the Würd of the Earth; all truths are within our Würd, and for these truths we seek into our Würd.
And now we touch upon the intriguing use of the word ‘word’. Worm is Würd is Wyrd … is Word.
Why did Donaldson throw in ‘word’? I am biased. I cannot help but believe that Donaldson is thinking about “In the beginning was the word … the wyrd … the word …” According to John, the creation of the Earth and the heavens sprang up from The Word, making The Word some sort of cosmic ultimate wellspring, a mystical phenomenon from which both substance and future sprang.
Believing that The Word is The Wyrd is not a hard step to take. More importantly, the concept, while not widely known, was nevertheless known; Donaldson would have encountered it. And, as I like to encourage people to believe (see “Reading Runes: The Sons of Elohim”), I think Donaldson uses such contraversial theological thinking as the basis for many of his ideas.
If wyrd is the means by which the past shapes the future, the framework and rules by which things that happen happen, then not only can you conclude that The Wyrd was The Word, but you can also conclude that The Wyrd/The Word is also the Arch of Time! The Arch, as I have always espoused, is a framework of laws which allows the Earth to be; the Laws of Donaldson’s fantasy physics.
Donaldson points out the relationship quite directly, albeit without seeming consequence, when he writes “Her Würd sounded like Wyrd or Word. Wyrd? Linden thought. Destiny-doom? Or Word? Or both.” What other word can he be thinking of, if not The Word?
And if the Arch is brought into it, so is the Worm. The Worm is the Arch is the Wyrd is the Word is the Würd. Worm and Würd are united in a cosmological sense. Now there is no mystery as to why the story of the Würd of the World’s End is identical to the Worm of the World’s End. Daphin’s tale reinforces the connection directly, through the use of creation myths.
It is inescapable that The Word/The Wyrd is the underpinning of Donaldson’s cosmology. Everything revealed to us in
The Second Chronicles, the Weird and the Worm and the Würd, all lead us to The Word and the Wyrd. Words which “blur together”.
Daphin says, “Sun-Sage, we are the Würd - the direct offspring of the creation of the Earth. From it we arose, and in it we have our being. Thus we are the heart, and the center, and the truth, and therefore we are what we are. We are all answers, just as we are every question.” I believe that understanding The Word/The Wyrd brings us closer to realizing exactly what she means. The
Elohim arise from The Word/The Wyrd as the Earth itself does, from a framework of actions and consequences, ultimately originating with The Creator himself – the only candidate. The
Elohim are joined to the Earth through common creation.
Is this the complete answer? No. Donaldson himself says that this is unresolved in the story yet, and that he intends to resolve it in the remaining Chronicles. I could not be happier.
And, just to dot the I’s and cross the T’s, let us remember one other near-homophone of Worm, Word, Wyrd, Weird, and Würd.
World.
.