Arrangement & Production

Who's listening to what, what's going on in the music industry....

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Lord Mhoram
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Post by Lord Mhoram »

Does anyone else not like Phil Spector's producing?
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Post by Cail »

I didn't like it a bit on The Ramones' End of the Century album at all.
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Lord Mhoram
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Post by Lord Mhoram »

He also ruined Leonard Cohen's Death of a Ladies' Man.
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Post by Cail »

I guess it worked well with the type of music he was doing in the 50s & 60s, but I think it removes any sense of energy or drama from the music.
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
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Lord Mhoram
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Post by Lord Mhoram »

Definitely. I think the wall-of-sound sounds sort of stale.
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Post by lucimay »

and speaking of brilliant...arrangment, production...

King Crimson

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Trey Gunn, Adrian Belew, Robert Fripp, and Pat Mastelotto
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Post by matrixman »

I posted this in Cail's previous thread about best-produced albums:
Cheap Trick: Dream Police -- a common criticism of this album is that it's too polished and lacks the energy of the band's Live at Budokan release. Well, I say that's hogwash! Back in '79, Dream Police was the album that showed this 8-year old kid how exciting and gorgeous a rock album can sound.

Simple Minds: Street Fighting Years -- depending on your point of view, this was either SM at their sublime best or pretentious worst. Released in '89, this album is to me a grand (and grandiose) commentary on the angst and turmoil of the Eighties.The album was produced by Stephen Lipson and Trevor Horn (of Yes), and what they provide here is a wide-open sound. This was the band's first digital recording but with analog mixing, so SFY retained a certain "warmth" in its sound that was perhaps lacking in other early digital efforts from the '80s.

Radiohead: Kid A -- Heh, I've already blabbed on about this album in the Radiohead thread. Everything about the production just seems impeccable. Huge sound, yet an intimate feel.
Btw, I just happened to buy the 25th anniversary re-issue of Cheap Trick's Dream Police. Still lovin' the album after all these years.

Also love the production on U2's Nineties albums: Achtung Baby, Zooropa and Pop. From what I've read here in Vespers, I know that many of you don't care for post-Eighties U2, but personally I found the band much more interesting, both musically and visually, after it "re-invented" itself for the '90s and beyond.

Guess you'd like some mention of classical/folk stuff, Lucimay, so...

The Planets! I've been listening to it so much for that dissection of mine that I'm almost sick of it, heh. But there's no doubt that a good recording of this work can really show off your stereo system. I mentioned James Levine's version with the Chicago Symphony, a 1989 digital recording. It packs a punch, and still outshines newer versions that I've heard. I use Mars from it as a reference test track.

In the World or Folk or Celtic section (depending on which store you're in) I adore Loreena McKennitt. She built her own studio and produced her own albums. I think her masterpiece remains 1994's The Mask and Mirror. The sound is dense and intoxicating, blending Western and Eastern musical styles. When I first listened to this album, I was totally mesmerized. It was like being taken to the Land, or some other far off place. (Fellow Watcher Iryssa is a fan of McKennitt as well, but she hasn't been around for a long time.) The Mask and Mirror was re-issued in 2004 in remastered sound (along with McKennitt's other albums). I use Santiago from the CD as another reference test track.
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Post by danlo »

Alan Parsons rules! (as I've said in another thread) Dark Side of the Moon, Abbey Road, I Robot, Pyramids, Eye in the Sky---list goes on...

...definately agree with Loreena McKennitt.
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Post by sgt.null »

if you want well produced grunge, try Screaming Tree's Sweet Oblivion. never before or since has the band sounded this good. with a sheen to rival Nirvana's Nevermind.
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Post by Usivius »

:lol: heheh, take Lucymay to bring in a Crimso reference ... Well, I happen to agree. Most Crimson albums irk me because, although the music is absolutely fantastic!!!! there always seems to be something amiss the way everything is mixed. "Power to Beleive" changed that for me. This is nearly a perfectly mixed/produced album from them.

And speaking of Eno! ... Brian Eno is a production GOD! Everything he touches is brilliant and sounds imaculate and perfect for the artist/band. So far, of all the albums he has had his fingers on, I would have to say the best produced is Bowie's "Outside 1.0". Absolutely stunning. Turn off the lights, put the headphones on (or turn up the speakers) and lay down and just listen ...

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Post by danlo »

...no arguement at all with Eno. 8)
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