Batman: Where to start?
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Batman: Where to start?
Hello there!
I have only read one Batman story: The Dark Knight Returns. I am interested in reading digging into some of the "best of" from Batman's comics, but I'm not sure where to start.
I'm looking specifically for stories that are current available in a self-contained graphic novel format. These are some I've heard of but don't know a lot about:
The Killing Joke
The Long Halloween
Arkham Asylum
Batman: Year One
Knightfall
Hush
But there are a lot more I don't know. What are the best ones? Which should I look at first?
I have only read one Batman story: The Dark Knight Returns. I am interested in reading digging into some of the "best of" from Batman's comics, but I'm not sure where to start.
I'm looking specifically for stories that are current available in a self-contained graphic novel format. These are some I've heard of but don't know a lot about:
The Killing Joke
The Long Halloween
Arkham Asylum
Batman: Year One
Knightfall
Hush
But there are a lot more I don't know. What are the best ones? Which should I look at first?
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I really liked Killing Joke. Year One was good, too. I haven't read the others, but I'm sure someone here has.
You don't have this on your list, so maybe you already know, but in case you don't, Dark Knight Strikes Again is awful.
You don't have this on your list, so maybe you already know, but in case you don't, Dark Knight Strikes Again is awful.
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Blow away dandelion
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I'm just a dandelion
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Dandelion will make you wise
Tell me if she laughs or cries
Blow away dandelion
I'm afraid there's no denying
I'm just a dandelion
a fate I don't deserve.
High priest of THOOOTP
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* This post carries Jay's seal of approval
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Re: Batman: Where to start?
Arkham Asylum is excellent. Grant Morrison does a fascinating take on the Batman villains.I'm Murrin wrote:
?
I also enjoyed the Long Halloween very much. Calender Man and Solomon Grundy are done well. the story focuses on Harvey Dent (Two-Face)
Batman : Snow is also excellent. featuring Mr. Freeze and Batman gathering a team of civilians, much like Doc Savage.
also Morrison's Batman : the Black Glove. which updates the Club of Heroes.
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Year One
Get that first. Live and breath it. Fantastic. It's written by Frank Miller, who wrote Dark Knight Returns. David Mazzucchelli's art is amazing. It looks a little odd and cartoony sometimes, but it's a homage to the old style. But that's only some panels here and there. For the most part, it's incredible. Miller/Mazzucchelli is the same team that did the fantastic Daredevil Born Again story.
Ten Nights of the KGBeast was a cool 4-part story that was reprinted as a trade paperback.
Legonds of the Dark Knight was a good comic. Different writer/artist teams did stories of 2-5ish issues. en.wikipedia.org/wiki/Batman:_Legends_of_the_Dark_Knight#Story_Arcs
This is among my very favorite single-issue stories of all comic books:
Not sure how easy it would be to get, though.
All of these are very accessible.
Get that first. Live and breath it. Fantastic. It's written by Frank Miller, who wrote Dark Knight Returns. David Mazzucchelli's art is amazing. It looks a little odd and cartoony sometimes, but it's a homage to the old style. But that's only some panels here and there. For the most part, it's incredible. Miller/Mazzucchelli is the same team that did the fantastic Daredevil Born Again story.
Ten Nights of the KGBeast was a cool 4-part story that was reprinted as a trade paperback.
Legonds of the Dark Knight was a good comic. Different writer/artist teams did stories of 2-5ish issues. en.wikipedia.org/wiki/Batman:_Legends_of_the_Dark_Knight#Story_Arcs
This is among my very favorite single-issue stories of all comic books:
Not sure how easy it would be to get, though.
All of these are very accessible.
All lies and jest
Still a man hears what he wants to hear
And disregards the rest -Paul Simon
Still a man hears what he wants to hear
And disregards the rest -Paul Simon
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i picked books that stand on their own as great reads. knowing more about the mythos will only deepen your appreciation.I'm Murrin wrote:How accessible would you say these things are? A lot of comic book stories seem like they heavily rely on knowledge of the wider continuity to understand what's going on...
Kingdom Come is also excellent. Julie enjoyed it and she knows little of the comics world.
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One of the top ten best story arcs to date.Fist and Faith wrote:the fantastic Daredevil Born Again story.
I cannot remember what they were called but there was a special stand-alone series of Batman comics that rephrased and refreshed some characters and stories. The story of which I am specifically thinking is called "Venom" and featured the military researcher who invented the performance-enhancing drug Venom and Batman becoming addicted to it for a short time after failing to rescue the researcher's daughter. The researcher had arranged her deathtrap on purpose specifically to make Batman fail--it was impossible to save her without having the enchanced strength Venom would give.
Other stores from that line included a recharacterization of The Cavalier, who was a movie stuntman by day and a fledlging crimefighter by night. He got forced into committing crimes by a slimy businessman after saving the businessman's mistress from jumping off a bridge and falling in love with her.
Two other good stories I recall:
Gotham by Gaslight--essentially steampunk Batman with Bruce Wayne in 1890s Gotham when apparently Jack the Ripper resurfaces in the United States.
Holy Terror--the United States failed to win independence from England, who retained her world power status and had conquered half the planet, placing everything under a very strict and ultraconservative Church of England that doubled as the government. Bruce Wayne, newly-ordained priest, decides that he must fight against the system that ordered the death of his parents for running an underground medical clinic. Cameos by Saul Erdel (governmental mad scientist researching people with special abilities), Zatanna as a Salem-style witch working for Erdel, and the ultra-top-secret "Green Man" project of Erdel's--Erdel found him as a child but as he got older he grew more willful until Erdel discovered a way to neutralize him. The Green Man is not who you think it is, though.
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i always love Matt Wagner's art on Batman...
Last edited by sgt.null on Mon Oct 01, 2012 12:40 pm, edited 2 times in total.
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Yesterday I read Batman: Year One. It was interesting, not quite what I expected.
I didn't really think the Batman parts worked all that well - something about his voice didn't quite fit. But the story is less Batman: Year One and more James Gordon: Year One, really (with Batman's origins for the most part occuring off-scene), and Gordon's story was excellent.
I didn't really think the Batman parts worked all that well - something about his voice didn't quite fit. But the story is less Batman: Year One and more James Gordon: Year One, really (with Batman's origins for the most part occuring off-scene), and Gordon's story was excellent.
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Finished reading BATMAN:THRILLKILLER the other day (at one sitting).
This was an unusual Batman story. Howard Chaykin seems to have changed all the rules as how Batman, Batgirl, and Robin, relate to each other. And the supervillian Bianca Steeplechase aka. the Joker was a new one on me - (reminded me of Ma-Ma, Lena Headey from the Judge Dredd movie).
Dan Brereton's use of acrylics isn't something I think I've seen before either. As a matter of fact, I didn't think the painting of captions worked at first. They felt too static, the action scenes looked like they were stuck in freeze frame. But when I read the dialogue at a slower pace, like taking 2 or 3 seconds per word, they soon appeared to take on life and the acrylic art became much more fluid.
THRILLKILLER is well worth checking out. I found this one in the local library so you shouldn't have much difficulty in tracking it down.
This was an unusual Batman story. Howard Chaykin seems to have changed all the rules as how Batman, Batgirl, and Robin, relate to each other. And the supervillian Bianca Steeplechase aka. the Joker was a new one on me - (reminded me of Ma-Ma, Lena Headey from the Judge Dredd movie).
Dan Brereton's use of acrylics isn't something I think I've seen before either. As a matter of fact, I didn't think the painting of captions worked at first. They felt too static, the action scenes looked like they were stuck in freeze frame. But when I read the dialogue at a slower pace, like taking 2 or 3 seconds per word, they soon appeared to take on life and the acrylic art became much more fluid.
THRILLKILLER is well worth checking out. I found this one in the local library so you shouldn't have much difficulty in tracking it down.
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Last night I read Arkham Asylum: A Serious House on Serious Earth. It was an unusual one, mostly for Dave McKean's art style, and the sparseness of the story. It all seems to move very fast, and not be particularly fleshed out, but there's all sorts of symbolism in there (as Morrison makes clear in the annotated script included in this edition) that I didn't entirely pick up on. I had no idea who half the characters were, even the ones I had already heard of. (Clayface is referenced, but you're never told that the character who appears is Clayface. There's a Professor Milo I'd never heard of before whose name isn't actually used in the comic at all, so that went straight past me.)
I kinda feel like Morrison was trying to be more clever with his depictions of the characters here than he was capable of pulling off. Perhaps the very large changes that came about when his script was turned into McKean's art removed something necessary to that side of it. It's certainly a good-looking book, with a style to it I hadn't seen before.
(The plot, of course, is a very strong influence on the premise of the Batman: Arkham Asylum video game. There's even a lot of bonus content in the game regarding the Spirit of Arkham, which tells the story of Amadeus Arkham created here in the graphic novel. So I knew something of the story before I began.)
I'm thinking of picking up The Killing Joke and The Long Halloween next.
I kinda feel like Morrison was trying to be more clever with his depictions of the characters here than he was capable of pulling off. Perhaps the very large changes that came about when his script was turned into McKean's art removed something necessary to that side of it. It's certainly a good-looking book, with a style to it I hadn't seen before.
(The plot, of course, is a very strong influence on the premise of the Batman: Arkham Asylum video game. There's even a lot of bonus content in the game regarding the Spirit of Arkham, which tells the story of Amadeus Arkham created here in the graphic novel. So I knew something of the story before I began.)
I'm thinking of picking up The Killing Joke and The Long Halloween next.