

Moderators: deer of the dawn, Furls Fire
Very cool. I enjoyed reading this. Especially #22, which always works for me.Edge wrote:Belief & Technique for Modern Prose
by Jack Kerouac
22. Dont think of words when you stop but to see picture better
Leda And The Swan
A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By his dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.
How can those terrified vague fingers push
The feathered glory from her loosening thighs?
How can anybody, laid in that white rush,
But feel the strange heart beating where it lies?
A shudder in the loins, engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?
Powerful (and somewhat disturbing) images there!duchess of malfi wrote:This is a poem by the great Irish poet, William Butler Yeats. It retells a Grrek myth about how Zeus, king of the gods, takes on the form of a swan in order to rape the maiden Leda as she bathes. One of the children resulting from this act was Helen of Troy.
Leda And The Swan
WB Yeats - The Second Coming
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
William Blake
The Divine Image (from Songs of Innocence)
To Mercy, Pity, Peace, and Love,
All pray in their distress:
And to these virtues of delight
Return their thankfulness.
For Mercy, Pity, Peace, and Love,
Is God, our father dear:
And Mercy, Pity, Peace, and Love,
Is Man, his child and care.
For Mercy has a human heart,
Pity, a human face:
And Love, the human form divine,
And Peace, the human dress.
Then every man of every clime,
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.
And all must love the human form,
In heathen, Turk, or Jew.
Where Mercy, Love, & Pity dwell,
There God is dwelling too.
Nalorna
by Michael Moorcock
Ten times thou saw'st the fleet fly by:
The skies illum'd in shining jet
And gold, and lapis lazuli.
How clear above the engines' cry
Thy voice of sweet bewilderment!
(Remember, Nalorna, remember the Night).
"Could I but know such ecstacy again,
When all those heroes of the air
Knel't down as one and call'd me fair,
Then I would judge Nalorna more than bless'd!
Immortal Lords immortal, too, made me!
(I am Nalorna, whom the flying godlings loved)."
"Ah, Nalorna, so many that are dead loved thee!
Slain like wingèd game that falls beneath the hunter's shot.
First they rose up, and then with limbs outspread, they
drop'd:
Through fiery Day they plung'd, their bodies bright;
Stain'd bloody scarlet in the sun's sweet morning light.
(But Remember, Nalorna, remember only the Night)."
Ten times, Nalorna, did the fleet sweep by!
Ten hands saluted thee, ten mouths
Ten garlands kiss't; ten silent sighs
Sailed down to thee. And then, in pride,
Thou rais'd soft arms and pointed South.
(Oh, Remember, Nalorna, only the Night).