
I like all phases of Floyd. and I think that the band could go on, recruiting younger members until no original members were left.
Moderators: StevieG, dANdeLION, lucimay
Maybe I'm missing your point, but they had the quadraphonic sound on the Division Bell tour, too. Except that it spanned an entire arena. I was in the middle of the floor, so I had a perfect 3-d quad image. When the spotlights on booms hovered over the crowd to the sound of helicopter sound-effects, it really seemed like a helicopter flying over us.Lord Foul wrote: If I had a time machine, I'd definitely love to see Floyd performing pre-Dark Side, when folks still thought of them as the Gods of London's underground. A smaller venue is just more appealing/intimate to me. They also had that whole quadraphonic trickery going around the entire room, so stuff sounded like it was behind and above you.
Was no point. Just like smaller concerts, much the same way Waters did (who conversely loathed stadium venues).Malik23 wrote:Maybe I'm missing your point, but they had the quadraphonic sound on the Division Bell tour, too.Lord Foul wrote: If I had a time machine, I'd definitely love to see Floyd performing pre-Dark Side, when folks still thought of them as the Gods of London's underground. A smaller venue is just more appealing/intimate to me. They also had that whole quadraphonic trickery going around the entire room, so stuff sounded like it was behind and above you.
yeah but that's Roger Waters' PIG up there iddenit, Sarge.sgtnull wrote:some say that with out Syd there is no Pink Floyd.
and equally as respectfully...think of King Crimson. all i'm saying is...it's a different combination with a different emphasis...different muse altogether...even tho these three players are 3/4's of Pink Floyd or 3/5's, however you look at it, and its not Floydoid without waters. its gilmour, wright, and mason. and i think waters brought something to the ensemble that changed it, made it Floyd. thats as articulate as i can be in stating this most subJECTive kind of opinion. i don't know as i can prove or disprove my point by getting more detailed in my analysis or not, but i'll just start out by saying waters' theatricality is what made it a Floyd show...Gilmour Wright and Mason LEARNED THAT and learned it well, but they learned it from Waters. and waters was inspired by barrett. of course you could always counter that they did it everybit as good with or without waters. and i'd agrEE with that.Cail wrote:Luci, I respectfully disagree. MLoR and TDB are two outstanding albums that are pure PF. Gilmour (and Wright and Mason) is as much a part of the PF sound as Waters ever was.
Exploding bed was during On The Run.Lord Foul wrote:Exploding beds?! Oh, right, it's a Floyd concert.
If I had a time machine, I'd definitely love to see Floyd performing pre-Dark Side, when folks still thought of them as the Gods of London's underground. A smaller venue is just more appealing/intimate to me. They also had that whole quadraphonic trickery going around the entire room, so stuff sounded like it was behind and above you.
It was broadcast on FM. I taped it.Cheval wrote:(I have a LOT of cassettes with interviews and tidbits from the band.
My personal favorite is Roger Waters & Friends doing The Wall, at the Berlin Wall,
as it was broadcast live from Germany.
It has commentary, interviews, and when the concert stopped near the beginning and re-started.
Unfortunatly, it was NOT televised here in the U.S., as where it was in Europe.
The released video has none of these things.)
That's where I recorded it from also.Wayfriend wrote:It was broadcast on FM. I taped it.Cheval wrote:(I have a LOT of cassettes with interviews and tidbits from the band.
My personal favorite is Roger Waters & Friends doing The Wall, at the Berlin Wall,
as it was broadcast live from Germany.
It has commentary, interviews, and when the concert stopped near the beginning and re-started.
Unfortunatly, it was NOT televised here in the U.S., as where it was in Europe.
The released video has none of these things.)
You gotta love Van Morrison's rendition of comfortably Numb.