Added to my Blockbuster queue.....Lucimay wrote:Usivius wrote: Fearless (the Jeff Bridges one) --- balled like a baby at the end of that one...
wow! this is one of my favorite movies. VERY powerful. i always recommend this movie to people. i love peter weir's direction and the end is good but, 'scuse me, can you say ROSIE PEREZ!! omg...she's just BRILLIANT!! the toolbox scene.
Movies guaranteed to make a grown man cry
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Me as well...Sounds like a good recommendation!
War is an ugly thing, but not the ugliest of things. The decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth war is much worse. The person who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself. John Stuart Mill
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I've seen most of them.
Strangly, I only cried durring Armageddan...the scene where Bruce Willis is just about the blow the detonator, and in stead of his life flashing before his eyes it was his daughter's life.
I wouldn't say I cried a lot...but my eyes certainly welled up.
Steel Magnolia was sheer and utter torture. The only movie I hated as much may have been Thelma and Louise....and possibly Beaches.
As for SPR...although I loved the movie, It brought no tears to my eyes...maybe cause I'm not a vetran, I don't know.
Crying like a baby..? Probebly only at ET, the first time I saw it, when I was five.
Strangly, I only cried durring Armageddan...the scene where Bruce Willis is just about the blow the detonator, and in stead of his life flashing before his eyes it was his daughter's life.
I wouldn't say I cried a lot...but my eyes certainly welled up.
Steel Magnolia was sheer and utter torture. The only movie I hated as much may have been Thelma and Louise....and possibly Beaches.
As for SPR...although I loved the movie, It brought no tears to my eyes...maybe cause I'm not a vetran, I don't know.
Crying like a baby..? Probebly only at ET, the first time I saw it, when I was five.
I thought you were a ripe grape
a cabernet sauvignon
a bottle in the cellar
the kind you keep for a really long time
a cabernet sauvignon
a bottle in the cellar
the kind you keep for a really long time
Er, the blind guy was from Deep Impact...Fist and Faith wrote:Same thing. When the blind guy is saying goodbye to his kids via the video-radio. Good God!dlbpharmd wrote:But Armageddon? WTF? Cry from boredom, perhaps....
And in Deep Impact, when the crowds are gathered outside the caverns, or whatever that safe place is, hoping to get in. And somebody holds up a little blond boy to the passing vehicle, hoping someone in the vehicle will grab their boy and take him in so he can live... Damn, I can barely type even that tiny description!![]()

I had a lump in my throat when Tea Leoni's character gave up her seat on the helicopter for the other woman and her kid. Also, when Leoni stood with her dad on the beach to meet their fate. Deep Impact moved me way more than Armageddon.
One heartbreaker of a film that is special to me is For The Moment (1994) - set on the Canadian prairies during WW II, about a local married farm girl who has a secret fling with an Aussie bomber pilot (who is there as part of the Commonwealth's pilot training program), while her husband, as well as her brother, are away at war. This movie had its share of lumpy throat moments, and one that totally made me break down: Lill (Christianne Hirt), the farm girl, is just going out into the yard to hang her laundry...but we know something is up because the scene is played in slow motion, accompanied by subdued, sorrowful music. The camera tracks her, then pans to the right, where we see a car slowly drive up to her house. Out steps an army officer, head bowed with a letter in his hand. The camera follows him back to Lill, who stands frozen as the officer hands her the letter. She reads the letter, then in a daze walks away, then collapses to her knees. Her father and sister at the other side of the yard rush to her, and we see her mouth the awful news to them. This whole slo mo sequence is one continuous shot, no edits. That gives the scene its emotional wallop, as every moment of sadness is magnified. Just a well executed, deceptively simple shot.
I also must mention the closing scene of Charlie Chaplin's City Lights (1936). The Little Tramp and the blind girl whom he helped are at last reunited in one of the greatest tearjerking moments ever. It gets to me every time - just thinking about the scene gets my eyes moist. I revere Chaplin.
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Yeah? Hm... Then I guess there aren't any moments in Armegeddon for me.Matrixman wrote:Er, the blind guy was from Deep Impact...Fist and Faith wrote:Same thing. When the blind guy is saying goodbye to his kids via the video-radio. Good God!dlbpharmd wrote:But Armageddon? WTF? Cry from boredom, perhaps....
And in Deep Impact, when the crowds are gathered outside the caverns, or whatever that safe place is, hoping to get in. And somebody holds up a little blond boy to the passing vehicle, hoping someone in the vehicle will grab their boy and take him in so he can live... Damn, I can barely type even that tiny description!![]()
However, that means Deep Impact is even better, because this stuff you mention is also fantastic!! Two excellent scenes!
You sure about that blind guy? Heh.Matrixman wrote:I had a lump in my throat when Tea Leoni's character gave up her seat on the helicopter for the other woman and her kid. Also, when Leoni stood with her dad on the beach to meet their fate. Deep Impact moved me way more than Armageddon.
All lies and jest
Still a man hears what he wants to hear
And disregards the rest -Paul Simon

Still a man hears what he wants to hear
And disregards the rest -Paul Simon

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I watched Deep Impact with my daughter yesterday and lost it at the end when Tea Leoni and Maximillian Schell are standing on the beach arm-in-arm.
"There is only one basic human right, the right to do as you damn well please. And with it comes the only basic human duty, the duty to take the consequences." - PJ O'Rourke
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
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"Men and women range themselves into three classes or orders of intelligence; you can tell the lowest class by their habit of always talking about persons; the next by the fact that their habit is always to converse about things; the highest by their preference for the discussion of ideas." - Charles Stewart
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"I believe there are more instances of the abridgment of the freedom of the people by gradual and silent encroachments of those in power than by violent and sudden usurpations." - James Madison
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That is a good moment, but I never thought much of either of those two meteor movies...
I am ashamed of myself. 'Tis true! The last time I saw that movie was about 5 years ago and as soon as that moment happens, the girl's eyes widen with realization, and a cut to the Tramp's smiling face, nervously biting his finger... wow, that was amazing.... (tears welled)I also must mention the closing scene of Charlie Chaplin's City Lights (1936). The Little Tramp and the blind girl whom he helped are at last reunited in one of the greatest tearjerking moments ever. It gets to me every time - just thinking about the scene gets my eyes moist.
~...with a floating smile and a light blue sponge...~
Matrixman wrote:Well, I don't remember any blind guys from Armageddon - just blinding, over the top cinematography and Ben Affleck's blinding white teeth!

But if you're all about the destination, then take a fucking flight.
We're going nowhere slowly, but we're seeing all the sights.
And we're definitely going to hell, but we'll have all the best stories to tell.
Full of the heavens and time.
We're going nowhere slowly, but we're seeing all the sights.
And we're definitely going to hell, but we'll have all the best stories to tell.
Full of the heavens and time.