StevieG wrote:Bizet's Carmen suite is probably the only opera I can listen to in its entirety - I love it! Others, I like parts of, but not all. But admittedly, that's from my very limited repertoire. I'd be interested in your absolute favourite - so I can check it out?
Whoops, I forgot about Carmen. I've heard some of it, not the whole thing.
Absolute favorites? That's a deep question! I hope you mean classical in general, not just opera...
Respighi: Ancient Airs & Dances -- a beguiling set of Renaissance-era pieces arranged for modern ensemble by Ottorino Respighi. I always play this music at springtime.
Berg: Wozzeck -- post-WWI opera about a lowly, mentally fragile soldier whose belittling superiors and uncaring wife cause him to fall into paranoia and madness. A bleak work, but not that long for an opera (right around 2 hours), and it's gripping from start to finish.
Beethoven: the Symphonies - his 9 symphonies form the bedrock of my classical music listening.
Bartok: Concerto for Orchestra -- stirring virtuoso piece that, despite its modernity (or because of it), is filled with warmth and humor.
J.S. Bach: the Goldberg Variations -- my absolute favorite piano/keyboard work. Glenn Gould's inimitable 1981 recording is the only one I really need.
Mahler: Symphony No. 3 -- this "Ode to Nature" is an epic, the longest symphony ever written. Yet the amazing thing about it is its chamber-like transparent sound, its intimate sense of communion.
Bruckner: Symphony No. 8 -- if Mahler loved to commune with nature, Bruckner loved communing with his God. The 8th Symphony is a huge work, and maybe the most ardent expression of his devotion.
Holst: The Planets -- Who doesn't love this? It's an orchestral spectacular. I like to use
Mars, the Bringer of War when I'm trying out audio equipment.
Ravel: Daphnis et Chloe -- it was technically meant to accompany the ballet of the same name. Whatever. It stands by itself as an intensely rapturous piece of music.
Reich: Eight Lines -- you can call it minimalist or just mesmerizing. American composer Steve Reich, and his rival, Philip Glass, are my favorite practitioners of this style of contemporary music. Indeed, those two more or less invented the form. Reich's Eight Lines is the one I play the most often. It's only 17 minutes long, but it evokes the hustle-and-bustle of modern life, while at the same time a wistful undercurrent expresses a longing for tranquility.
(I think you can tell I really thought about my answer.)