What are you reading in general?
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- deer of the dawn
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- deer of the dawn
- The Gap Into Spam
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I read Mother Tongue years ago and loved it. Which of his others are to be recommended, Av?Avatar wrote:I do tend to like his books.Sorus wrote:Reading one of Bill Bryson's books on etymology (The Mother Tongue: English and How it Got that Way) inspired me to reread The Canterbury Tales.
--A
Be kind, for everyone you meet is fighting a great battle. -Philo of Alexandria
ahhhh... if only all our creativity in wickedness could be fixed by "Corrupt a Wish." - Linna Heartlistener
ahhhh... if only all our creativity in wickedness could be fixed by "Corrupt a Wish." - Linna Heartlistener
- deer of the dawn
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Thank you.Avatar wrote:Hmmm, Notes From A Small Island, Notes From A Big Country, and A Short History Of Nearly Everything were my favourites. Life and Times of the Thunderbolt Kid was ok, but not his best I felt.
--A
Be kind, for everyone you meet is fighting a great battle. -Philo of Alexandria
ahhhh... if only all our creativity in wickedness could be fixed by "Corrupt a Wish." - Linna Heartlistener
ahhhh... if only all our creativity in wickedness could be fixed by "Corrupt a Wish." - Linna Heartlistener
- Linna Heartbooger
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Been reading a book on leadership:
"A Failure of Nerve: Leadership in the Age of the Quick Fix" by Edwin H. Friedman.
It is intriguing, unnerving, and I've been... well, applying stuff out of it.
His analysis of emotional triangles is... I dunno, revolutionizing.
Also been nibbling away at bits of "Bold Love" by Dan B Allender and Tremper Longman III
(When I first encountered that book, I was like, "here is the non-fiction version of TCoTC!")
One thing I'm amused by is that I read one book, and the author hates the word "empathy," and I read the other and they love it.
And yet each has much of value to offer.
"A Failure of Nerve: Leadership in the Age of the Quick Fix" by Edwin H. Friedman.
It is intriguing, unnerving, and I've been... well, applying stuff out of it.
His analysis of emotional triangles is... I dunno, revolutionizing.
Also been nibbling away at bits of "Bold Love" by Dan B Allender and Tremper Longman III
(When I first encountered that book, I was like, "here is the non-fiction version of TCoTC!")
One thing I'm amused by is that I read one book, and the author hates the word "empathy," and I read the other and they love it.
And yet each has much of value to offer.
I had the same thought... and then "Phenomenology and the Carpentry of Things" made me do a double-take...Avatar wrote:Guerrilla Metaphysics is a pretty cool title.
"People without hope not only don't write novels, but what is more to the point, they don't read them.
They don't take long looks at anything, because they lack the courage.
The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience."
-Flannery O'Connor
"In spite of much that militates against quietness there are people who still read books. They are the people who keep me going."
-Elisabeth Elliot, Preface, "A Chance to Die: The Life and Legacy of Amy Carmichael"
They don't take long looks at anything, because they lack the courage.
The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience."
-Flannery O'Connor
"In spite of much that militates against quietness there are people who still read books. They are the people who keep me going."
-Elisabeth Elliot, Preface, "A Chance to Die: The Life and Legacy of Amy Carmichael"
- Wosbald
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+JMJ+

He has very whimsical, though not frivolous, style. His writing can be a welcome change-of-pace from the more rigorous, and occasionally stolid, style currently prevalent in much of academia.
Linna Heartlistener wrote:I had the same thought... and then "Phenomenology and the Carpentry of Things" made me do a double-take...Avatar wrote:Guerrilla Metaphysics is a pretty cool title.

He has very whimsical, though not frivolous, style. His writing can be a welcome change-of-pace from the more rigorous, and occasionally stolid, style currently prevalent in much of academia.

